Film-Philosophy Style and
Referencing guidelines for Authors
General Style
Articles should be submitted via email as an A4 Word
document.
The article should be double-spaced.
A space should be left between paragraphs, which should not
be indented.
When mentioning a film for the first time, italicise the
title and include the name of the director and the date of
release in brackets (unless this information is mentioned
elsewhere in your sentence). i.e. The Grapes of
Wrath (John Ford, 1940). The title of any film should
be italicised throughout the article.
When referring to a non English-language film, the original
title, also in italics, and director and year of production
should be listed after the first mention of the film and in
parentheses (after this, refer to the film’s English title,
except where it is more usual to use the original language
name). For example: Divided We Fall (Musíme si
pomáhat, Jan Hřebejk, 2000) but La Jetée
(Chris Marker, 1962).
Book and journal titles should be italicised while article
titles should be in quotation marks.
Quotation marks should be single quotes, except for quotes
within quotes (which should be double).
Quotations longer than thirty words should be separated
from the main text, indented, single-spaced and should have
no quotation marks.
Diacritics (accents) should be added to all names or words
where appropriate.
Footnote references come after commas and full stops. Page
references come inside, except for an indented quotation.
When referring to something owned by a person whose name
ends in either s or z an extra s is used: Orson Welles's
film Citizen Kane, Karel Reisz's book on editing.
When referring to something made by a plural name, simply
use an apostrophe on the end: Warner Bros' film, the Coens'
film.
Length
Articles should generally be between 4000 and 8000 words
long, while book reviews should be between 2000 and 4000
words. Please consult with individual editors if you have
any concerns about length.
Referencing
Film-Philosophy articles should be fully referenced and all
sources must be properly acknowledged. References are
expected to conform to the Harvard Style of referencing.
ALL quotations need book/page references.
In-text referencing format:
(Smith 2001, 55) – single author
(Smith and Jones 2001, 55) – two authors
(Smith et al. 2001, 55) – more than two authors
(quoted in Smith 2001, 55) – citation of a quotation
Bibliographical format
An alphabetical bibliography of all (and only) works cited
should appear at the end of the text using the following
formats:
Smith, John (2001) A Philosophy of Film. London:
Blackstones.
Smith, John and Simon Jones (2001) A Further Philosophy
of Film. London: Blackstones.
Smith, John (ed.) (2001) A Compendium of Film
Philosophy. Whitstable: Whitstable University Press.
Smith, John (2003) “More Philosophy, Less Film” in
Beyond the Philosophy of Film. Ed. Simon Jones.
Cambridge: Rowteldge, 107 – 120.
Smith, John (1999) “Towards a Philosophy of Film”.
Journal of Obscure Media, v. 23, n. 6: 25 – 36.
Smith, John (1998) “Philosophy, Film and Internet
Referencing”. Film-Philosophy, v. 67, n. 1.
[http://www.film-philosophy.com/v67n1/Smith.html]. Accessed
26 June 2006.
Filmography
A separate filmography of all (and only) films cited should
appear at the end of the text using the following format:
Ford, John (1940) The Grapes of Wrath. USA.
Hřebejk, Jan (2000) Divided We Fall (Musíme si
pomáhat). Czech Republic.
Footnotes
Footnotes (at the bottom of the page) should be used for
material or comments that are either not absolutely
necessary to the flow of the argument or which give
information that a general, academic reader may not
reasonably be supposed to have. Footnotes should not be
used for referencing sources.
Spelling
Film-Philosophy uses the new edition of the Oxford English Dictionary. American
spelling should only be used if it is appears in a
quotation.
Use the ending –ise (not –ize, -ization, -izing)
Abbreviations
f. - following page
ff. - following pages
e.g. - for example
i.e. - namely
cf. - compare
ibid. - as above