Browse Title Index


 
Issue Title
 
Vol 19 (2015) The Battle for Moral Supremacy in There Will Be Blood and Unforgiven Abstract   PDF
Elena Woolley
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital The Birth of Software Studies: Lev Manovich and Digital Materialism, on Manovich The Language of New Media Abstract   HTML
Michael Truscello
 
Vol 6, No 1 (2002) The Cavell Cavil Abstract   HTML
Craig Tepper
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today The Cinematic Agora: Symposium on Dominique Château’s Cinéma et philosophie Details   PDF
Paula C. Cunha Filho
 
Vol 17 (2013) The Closure of the 'Gold Window': From 'Camera-Eye' to 'Brain-Screen' Abstract   PDF
Morgan M Adamson
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy The Community According to Jean-Luc Nancy and Claire Denis Details   PDF
Anja Streiter
 
Vol 7, No 1 (2003) The Context for Reproducing Knowledge, on Colin MacCabe The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture Abstract   HTML
Daniel Keyes
 
Vol 6, No 1 (2002) The Cutting Edge Between Trash Cinema and High Art Abstract   HTML
John Marmysz
 
Vol 7, No 1 (2003) The Database, Logic, and Suffering: Memento and Random-Access Information Aesthetics Abstract   HTML
Christopher Bodnar
 
Vol 6, No 3 (2002): Future Cinema Issue The Defence of Extreme Realities Abstract   HTML
Daniel Herwitz
 
Vol 3, No 1 (1999) The Ethics of Representation: A Review of Jakob the Liar; An Interview with Peter Kassovitz Report from the Toronto International Film Festival 1999 Abstract   HTML
Marty Fairbairn
 
Vol 17 (2013) The Facts Before Our Eyes: Wittgenstein and the Film Noir Investigator Abstract   PDF
Keith Dromm
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital The Figural as Interface in Film and the New Media, on D. N. Rodowick Reading the Figural, or, Philosophy after the New Media Abstract   HTML
Warwick Mules
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema The Film Theory to Come: On Wurzer's Filmisches Denken Abstract   HTML
Steve Choe
 
Vol 1, No 1 (1997) The Friction Over the Fiction of Nonfiction Movies Abstract   PDF
Jay Raskin
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema The Frozen Screen: Levinas and the Action Film Details   PDF
Reni Celeste
 
Vol 3, No 1 (1999) The Gaze and Eyes Wide Shut Abstract   HTML
Marty Fairbairn
 
Vol 3, No 1 (1999) The Gears of the Collective Imaginary Abstract   HTML
Imre Szeman
 
Vol 19 (2015) The Image of a Mind-Skull: Samuel Beckett’s ...but the clouds... and Television-Philosophy Abstract   PDF
Atene Mendelyte
 
Vol 3, No 1 (1999) The International Cinema of Poetry Abstract   HTML
Tico Romao
 
Vol 5, No 1 (2001) The Last Analysis of Slavoj Zizek Abstract   HTML
Edward R. O'Neill
 
Vol 5, No 2 (2001): Deleuze Special Issue The Laws of Cinematic Hospitality: A Response to Andrew Murphie Abstract   HTML
Gregory Flaxman
 
Vol 6, No 1 (2002) The Life and Death of Superimposition (1946) Abstract   HTML
André Bazin
 
Vol 4, No 1 (2000) The Limits of Critique Abstract   HTML
Hassan Melehy
 
Vol 10, No 3 (2006) The Many Shades of Red: Steven Jay Schneider (2004) New Hollywood Violence Details   PDF
James Kendrick
 
Vol 4, No 1 (2000) The Matrix Rules Abstract   HTML
Richard Wright
 
Vol 3, No 1 (1999) The Means and Ends of Screen Violence Abstract   HTML
Steven Schneider
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy The Measure of Cinema?: Per Persson's Understanding Cinema Abstract   HTML
Andrew Court
 
Vol 4, No 1 (2000) The Mechanisms of Thought: A Jamesian Point of View on Resnais Abstract   HTML
Didier Debaise
 
Vol 4, No 1 (2000) The Nature of Film Spectators Abstract   HTML
C. Paul Sellors
 
Vol 3, No 1 (1999) The Necessity of Critical Realism Abstract   HTML
Gary MacLennan
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy The Paradox of Film: An Industry of Sex, a Form of Seduction (Notes on Jean Baudrillard’s Seduction and the Cinema) Abstract   PDF
Hunter Vaughan
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today The Paradoxes of Rationality: Symposium on Dominique Château’s Cinéma et philosophie Details   PDF
Codruta Morari
 
Vol 7, No 4 (2003): Psychoanalytic Film Theory The Parallax Review, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom Abstract   HTML
Jamie Clarke
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema The Passeuse?, a response to Florence Martin's review Abstract   HTML
Sylvie Blum-Reid
 
Vol 8, No 1 (2004): British, German, French Cinema The Perils and Possibilities of Story, on Alexander Graf The Cinema of Wim Wenders: The Celluloid Highway Abstract   HTML
Peter Ruppert
 
Vol 19 (2015) The Permeable Self: A Theory of Cinematic Quotation Abstract   PDF
Chelsey Crawford
 
Vol 5, No 2 (2001): Deleuze Special Issue The Philosopher with Two Brains Abstract   HTML
Richard Smith
 
Vol 17 (2013) The Philosophical Act of Seeing With One's Own Eyes: The Silent Films of Stan Brakhage Abstract   PDF
James Michael Magrini
 
Vol 11, No 3 (2007): Encore: Lacan and Film The Politics of Gift-Giving and the Provocation of Lars Von Trier's Dogville Details   PDF
Dany Nobus
 
Vol 3, No 1 (1999) The Possibilities of Immanence Abstract   HTML
Patricia Pisters
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas The Poverty of Sociological Studies of Hong Kong Cinema, on Lisa Odham Stokes and Michael Hoover City on Fire: Hong Kong Cinema Abstract   HTML
Karen Fang
 
Vol 2, No 1 (1998) The Practice of Filmic Interpretation: On Noel Carroll, Interpreting the Moving Image Details   PDF
Warren Buckland
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy The Practice of Strangeness: L'Intrus - Claire Denis (2004) and Jean-Luc Nancy (2000) Details   PDF
Martine Beugnet
 
Vol 10, No 1 (2006): Reanimating the Auteur The Principle of Revelation : Catherine Lupton (2005) Chris Marker: Memories of the Future Details   PDF
Eduardo Abrantes
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas The Radical Capability of Rashomon Abstract   HTML
Robert Castle
 
Vol 2, No 1 (1998) The Radical Cinema and its Double: On Vertigo (Vol. 1, No. 7, 1997) Details   PDF
Michael Sicinski
 
Vol 1, No 1 (1997) The Rear Window of Essentialism Abstract   PDF
Laszlo Tarnay
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy The Reinvention of Self and World, on Aleksandar Dundjerovic's The Cinema of Robert Lepage: The Poetics of Memory Abstract   HTML
Ed Keller
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis The Return of the New Flesh: Body Memory in David Cronenberg and Merleau-Ponty Abstract   PDF
Dylan Trigg
 
Vol 8, No 1 (2004): British, German, French Cinema The Semiosis of Death in Lang's M: Film and the Limits of Representation in the Weimar Republic Abstract   HTML
Joel Freeman
 
Vol 6, No 3 (2002): Future Cinema Issue The Senses and Memory in Intercultural Cinema Abstract   HTML
Melanie Swalwell
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy The Shared Destiny of the Radically Other: A Reading of The Wizard of Oz Abstract   PDF
William Pawlett, Meena Dhanda
 
Vol 6, No 2 (2002): French Cinema Issue The Shifting Identities of French Popular Cinema Abstract   HTML
Martin O'Shaughnessy
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema The Sight and Sound of Music, on Wendy Everett's Terrence Davies Abstract   HTML
Benjamin A. Schneider
 
Vol 2, No 1 (1998) The Sign of Zero: Semantics of Seeing, Perceiving, and Believing: The Film Spectator: From Sign to Mind edited by Warren Buckland Details   PDF
Liora Moriel
 
Vol 4, No 1 (2000) The Stream of Consciousness: A Reply to Debaise Abstract   HTML
Haim Callev
 
Vol 16 (2012) The Subject Trapped in Gomorrah: Undecidability and Choice in Network Cinema Abstract   PDF
Maria Poulaki
 
Vol 3, No 1 (1999) The Superficial Aesthetics of the Postmodern Abstract   HTML
Marc Furstenau
 
Vol 11, No 3 (2007): Encore: Lacan and Film The Temporality of the Real: The Path to Politics in The Constant Gardener Abstract   PDF
Todd McGowan
 
Vol 14, No 1 (2010) The Thought Specular: Kieslowski’s White and Streitfeld’s Female Perversions Abstract   PDF
Frances L. Restuccia
 
Vol 8, No 2 (2004) The Time-Image: Deleuze, Cinema, and Perhaps Language Abstract   HTML
Thomas Carl Wall
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis The Trials of Individuation in Late Modernity: Exploring Subject Formation in Antonioni's Red Desert Abstract   PDF
Christine Henderson
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema The Trouble with The Trouble with Men, on Masculinities in European and Hollywood Cinema, editied by Phil Powrie, Ann Davies, and Bruce Babington Abstract   HTML
Kenneth MacKinnon
 
Vol 6, No 3 (2002): Future Cinema Issue The Unrealistic Rossellini Abstract   HTML
John Bleasdale
 
Vol 7, No 1 (2003) The Voice and Masculinity, on Close Up: Cinema and Modernism 1927-1933, edited by James Donald, Anne Friedberg, and Laura Marcus Abstract   HTML
Paul McEwan
 
Vol 5, No 1 (2001) The Way that Movements Speak Abstract   HTML
Daniel Frampton
 
Vol 8, No 3 (2004): World Cinema and Film Theory Theorizing the Couple, on Martha P. Nochimson's Screen Couple Chemistry: The Power of 2 Abstract   HTML
Mike Chopra-Gant
 
Vol 9, No 1 (2005): Film Theory Theory as Criticism: Bersani and Dutoit's Forms of Being Abstract   HTML
Peter Caws
 
Vol 13, No 1 (2009) Thinking Political Cinema Now: A Response to Tom Whittaker Details   PDF
Martin O'Shaughnessy
 
Vol 4, No 1 (2000) Thinking Television Abstract   HTML
Nina Zimnik
 
Vol 4, No 1 (2000) Thinking Through Cinema Abstract   HTML
Garnet Creighton Butchart
 
Vol 3, No 1 (1999) Thinking through Imagery Abstract   HTML
Evan William Cameron
 
Vol 1, No 1 (1997) Thinking with Cinema: Deleuze and Film Theory Abstract   PDF
Jeffrey Bell
 
Vol 7, No 1 (2003) This is Cinema: The Pleated Plenitude of the Cinematic Sign in David Lynch's Mulholland Dr. Abstract   HTML
Daniel Coffeen
 
Vol 6, No 1 (2002) This Special Mystique of Interview Politics: A Flow Between Fact and Fiction Abstract   HTML
An van Dienderen
 
Vol 14, No 1 (2010) Thomas R. Lindlof (2008) Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars Details   PDF
Colm O'Shea
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Through the Pleasure Dome, on Lux: A Decade of Artists' Film and Video, edited by Steve Reinke and Tom Taylor Abstract   HTML
Kyle Harris
 
Vol 8, No 2 (2004) Thus Spake Nietzsche?, on Heide Schluepmann Abendroethe der Subjektphilosophie: Eine Aesthetik des Kinos Abstract   HTML
Paul M. Malone
 
Vol 16 (2012) Tim Palmer (2011) Brutal Intimacy: Analyzing Contemporary French Cinema Details   PDF
Caroline Walters
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Time, Affect, and the Brain: Deleuze’s Cinematic Aesthetics: Darren Ambrose and Wahida Khandker (eds.) (2005) Diagrams of Sensation: Deleuze and Aesthetics: Pli, The Warwick Journal of Philosophy Details   PDF
Robert Sinnerbrink
 
Vol 17 (2013) Timothy Corrigan, ed. (2012) Film and Literature: An Introduction and Reader. 2nd Edition Details   PDF
Shawn Loht
 
Vol 14, No 1 (2010) Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds Details   PDF
John A. Riley
 
Vol 19 (2015) Timothy Shanahan (2014), Philosophy and Blade Runner, Basingstoke: Palgrave Macmillan. 240pp. Details   PDF
Rupert Read, Jerry Goodenough
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema To be or not to be is not the question - On Beckett's Film Abstract   PDF
Simon Critchley
 
Vol 2, No 1 (1998) To Be Outside and In-Between: On Paul Willemen, Looks and Frictions: Essays in Cultural Studies and Film Theory Details   PDF
Ben Goldsmith
 
Vol 16 (2012) To Describe a Labyrinth: Dialectics in Jacques Rivette's Film Theory and Film Practice Abstract   PDF
Douglas Morrey
 
Vol 17 (2013) Todd Berliner (2010) Hollywood Incoherent: Narration in Seventies Cinema Details   PDF
John Anthony Bleasdale
 
Vol 16 (2012) Todd McGowan (2011) Out of Time: Desire in Atemporal Cinema Details   PDF
R.d. Crano
 
Vol 2, No 1 (1998) Toronto International Film Festival: 10-19 September 1998 Details   PDF
Marty Fairbairn
 
Vol 15, No 2 (2011): The Disgust Issue Toward a Poetics of Cinematic Disgust Abstract   PDF
Julian Hanich
 
Vol 5, No 1 (2001) Toward an Ontology of Film: A Phenomenological Approach Abstract   HTML
Robert E. Wood
 
Vol 12, No 2 (2008) Towards a Theory of Film Worlds Details   PDF
Daniel Yacavone
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Transgression and Transcendence in the Films of Werner Herzog Abstract   PDF
William Verrone
 
Vol 5, No 1 (2001) Transgression: Ordinary and Otherwise Abstract   HTML
Brian Butler
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy Traveling in Film Theory, on Giuliana Bruno Atlas of Emotion: Journeys in Art, Architecture, and Film Abstract   HTML
Marcia Landy
 
Vol 17 (2013) Truth, Autobiography and Documentary: Perspectivism in Nietzsche and Herzog Abstract   PDF
Katrina Mitcheson
 
Vol 19 (2015) Trying Truths: Dreyer, Bresson and the Meaning Effect Abstract   PDF
Brandon White
 
Vol 4, No 1 (2000) Tsai Ming-liang: Defining What's Real Abstract   HTML
Gaik Cheng Khoo
 
Vol 5, No 1 (2001) Understanding the American Avant-Garde Abstract   HTML
Douglas Hunter
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Undoing the Image: Film Theory and Psychoanalysis Abstract   PDF
Paula Quigley
 
Vol 1, No 1 (1997) Unknown Men and Unkown Women: Reading Cavell Abstract   PDF
David Large
 
Vol 3, No 1 (1999) Unnatural Reality Abstract   HTML
Sean Cubitt
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Unsettled Screens, on The Cinema of Latin America, edited by Alberto Elena and Marina Díaz López Abstract   HTML
Antonio Traverso
 
Vol 3, No 1 (1999) Urban Montage Abstract   HTML
Deborah L. Parsons
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Vagaries of Taste, or How 'Popular' is Popular Culture?, a reply to Vittorio Frigerio Abstract   HTML
Richard Porton
 
Vol 14, No 1 (2010) Venice Film Festival 2009: Survival of the Fittest Details   PDF
John Bleasdale
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Venice Film Festival 2010: The Mad and the Bad and the Dangerous to Know Details   PDF
John Bleasdale
 
Vol 19 (2015) Vincent M. Gaine (2011) Existentialism and Social Engagement in the Films of Michael Mann Details   PDF
Agust Magnusson
 
Vol 2, No 1 (1998) Virilio on Vision Machines: On Paul Virilio, Open Sky Details   PDF
Douglas Kellner
 
Vol 14, No 1 (2010) Visual Alterity Abroad: Hegel through Birgit Hein's Baby I will Make You Sweat and La Moderna Poesia Abstract   PDF
Randall Halle
 
Vol 3, No 1 (1999) Visual Reality Abstract   HTML
David Cullen
 
Vol 19 (2015) Voiding Cinema: Subjectivity Beside Itself, or Unbecoming Cinema in Enter the Void Abstract   PDF
William Brown, David H. Fleming
 
Vol 7, No 4 (2003): Psychoanalytic Film Theory Waiting for Dawn to Break, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom Abstract   HTML
Rebecca M. Gordon
 
Vol 8, No 3 (2004): World Cinema and Film Theory Wajda's Films Bequest the Irony in Polish History, on The Cinema of Andrzej Wajda edited by John Orr and Elzbieta Ostrowska Abstract   HTML
Hedwig Gorski
 
Vol 19 (2015) Wanda Teays (2012) Seeing the Light: Exploring Ethics through Movies Details   PDF
Felicity Ford
 
Vol 15, No 2 (2011): The Disgust Issue Watching, Wounded: Avant-Garde Psychodrama and Aversion in Luther Price’s Meat Abstract
Bradford Julian Nordeen
 
Vol 3, No 1 (1999) Watching You Watching Me Abstract   HTML
Alison McMahan
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Ways of Thinking: A Response to Andersen and Baggin Abstract   HTML
Stephen Mulhall
 
Vol 2, No 1 (1998) What Do You Really Want From Žižek?: On Slavoj Žižek, The Sublime Object of Ideology Abstract   PDF
Oliver C. Speck
 
Vol 18 (2014): On Stanley Cavell What Goes Without Seeing: Marriage, Sex and the Ordinary in The Awful Truth Abstract   PDF
David Macarthur
 
Vol 14, No 1 (2010) What is Film-Philosophy? Round Table Abstract   AUDIO
David Martin-Jones
 
Vol 8, No 3 (2004): World Cinema and Film Theory What is Love?, on 20 Fingers, a Tehran-set film by Mania Akbari, star of Kiarostami's Ten Abstract   HTML
Dorna Khazeni
 
Vol 11, No 3 (2007): Encore: Lacan and Film What is the Gift of Grace?: On Dogville Details   PDF
Lorenzo Chiesa
 
Vol 2, No 1 (1998) What Will This Century Be Known As?: Deleuze and Resistance for Theory: On 'A Deleuzian Century?' South Atlantic Quarterly (Volume 96, Number 3, 1997) Details   PDF
Nina Zimnik
 
Vol 12, No 2 (2008) When Robots would really be Human Simulacra: Love and the Ethical in Spielberg's AI and Proyas's I, Robot Abstract   PDF
Bert Olivier
 
Vol 6, No 1 (2002) When Too Many Puns Are Never Enough: A Response to Wurgaft's and Shaw's Reviews of Textures of Light Abstract   HTML
Cathryn Vasseleu
 
Vol 7, No 1 (2003) Why Bother with Cinema?, on Paolo Cherchi-Usai The Death of Cinema: History, Cultural Memory and the Digital Dark Age Abstract   HTML
David Sorfa
 
Vol 3, No 1 (1999) Why Film History Should Not Repeat Itself Abstract   HTML
Tina M. Kelleher
 
Vol 16 (2012) Why He Really Doesn't Get Her: Deleuze's Whatever-Space and the Crisis of the Male Quest Abstract   PDF
Niels Niessen
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Why Is Touch Sometimes So Touching?: The Phenomenology of Touch in Susan Streitfeld’s Female Perversions Abstract   PDF
Kohei Furuya
 
Vol 6, No 1 (2002) Will CinemaScope Save the Film Industry? (1953) Abstract   HTML
André Bazin
 
Vol 15, No 2 (2011): The Disgust Issue William Brown, Dina Iordanova and Leshu Torchin (2010) Moving People, Moving Images: Cinema and Trafficking in the New Europe Details   PDF
Alison Frank
 
Vol 15, No 2 (2011): The Disgust Issue William J. Devlin and Shair Biderman, eds. (2011) The Philosophy of David Lynch Details   PDF
Keith Dromm
 
Vol 18 (2014): On Stanley Cavell William Rothman's Vertigo Abstract   PDF
Rex Butler
 
Vol 1, No 1 (1997) Wim Wenders: The Inside Story Abstract   PDF
Stan Jones
 
Vol 14, No 1 (2010) Winfried Pauleit, Christine Rüffert, Karl-Heinz Schmid, Alfred Tews, eds. (2009) Das Kino träumt: Projektion, Imagination, Vision / Cinema Dreams: Projection, Imagination, Vision Details   PDF
Sylvie Magerstädt
 
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