Browse Title Index


 
Issue Title
 
Vol 4, No 1 (2000) More Histoire(s) du Cinema? Abstract   HTML
Paul Sutton
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Mortal Ethics: Reading Levinas with the Dardenne Brothers Details   PDF
Sarah Cooper
 
Vol 9, No 1 (2005): Film Theory Movie-made Memories, on Memory and Popular Film, edited by Paul Grainge Abstract   HTML
Rebecca Bell-Metereau
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy Moving Pictures before Cinema, on Laurent Mannoni The Great Art of Light and Shadow: Archaeology of the Cinema Abstract   HTML
Richard Schellhammer
 
Vol 11, No 3 (2007): Encore: Lacan and Film Mundane Hybrids: Rancière Against the Sublime Image: Jacques Rancière (2007) The Future of the Image Details   PDF
Ted Kafala
 
Vol 2, No 1 (1998) N/M: Misreading the Womand: On Patrick McGee, Cinema, Theory, and Political Responsibility in Contemporary Culture Details   PDF
David Sorfa
 
Vol 6, No 1 (2002) Narrowing the 'Wider Issues' in Fuery's New Developments in Film Theory Abstract   HTML
Latham Hunter
 
Vol 12, No 2 (2008) Nathan Dunne, ed. (2008) Tarkovsky Details   PDF
Brian Faucette
 
Vol 3, No 1 (1999) Negotiating Modernity in Weimar Film Theory Abstract   HTML
Paul M. Malone
 
Vol 19 (2015) Neil Archer (2012) The French Road Movie: Space, Mobility, Identity

Michael Gott and Thibaut Schist, eds. (2013) Open Road, Closed Borders: The Contemporary French-Language Road Movie
Details   PDF
Maud Ceuterick
 
Vol 10, No 1 (2006): Reanimating the Auteur Neither Personal nor Political: John Anderson (2005) Edward Yang Details   PDF
Brian Hu
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas Never Forfeit the Self: The Art of Zhang Yimou Abstract   HTML
Sheila Petty
 
Vol 4, No 1 (2000) New Rules of the Game? Rejuvenating Cinema as a Field of Critical, Conceptual, and Historical Study Abstract   HTML
Stan Jones
 
Vol 4, No 1 (2000) New York Film Festival 2000 Abstract   HTML
Martha P. Nochimson
 
Vol 5, No 1 (2001) New York Film Festival 2001 Abstract   HTML
Martha P. Nochimson
 
Vol 6, No 3 (2002): Future Cinema Issue New York Film Festival 2002 Abstract   HTML
Martha P. Nochimson
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy New York Film Festival 2003 Abstract   HTML
Martha P. Nochimson
 
Vol 8, No 2 (2004) New York Film Festival 2004 Abstract   HTML
Martha P. Nochimson
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy New York Film Festival 2005, Part I: Movies and the America of the Mind Abstract   HTML
Martha P. Nochimson
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy New York Film Festival 2005, Part II: Five International Cinematic Perspectives on the 'Nature' of Love and Childhood Abstract   HTML
Martha P. Nochimson
 
Vol 11, No 3 (2007): Encore: Lacan and Film New York Film Festival 2007: Affirmation? Details   PDF
Martha P. Nochimson
 
Vol 11, No 3 (2007): Encore: Lacan and Film New York Film Festival 2007: Anxiety Details   PDF
Martha P. Nochimson
 
Vol 13, No 1 (2009) New York Film Festival 2008 - Part I: Of Time, Memory, and the 'I' Details   PDF
Martha P. Nochimson
 
Vol 13, No 1 (2009) New York Film Festival 2008 - Part II: Of Now, Passion, and the 'We' Details   PDF
Martha P. Nochimson
 
Vol 14, No 1 (2010) New York Film Festival 2009: Gimme Provocation Details   PDF
Martha P. Nochimson
 
Vol 17 (2013) Nietzsche and Bad Conscience on Mosquito Coast Abstract   PDF
James Edward Gough, Sue Matheson
 
Vol 18 (2014): On Stanley Cavell No Knowledge without Acknowledgement Abstract
Robert Sinnerbrink
 
Vol 1, No 1 (1997) Noemata or No Matter?: Forcing Phenomenology into Film Theory Abstract   PDF
David Sullivan
 
Vol 19 (2015) Nora Gilbert (2013) Better Left Unsaid: Victorian Novels, Hays Code Films, and the Benefits of Censorship Details   PDF
Hanna Karolina Kubicka
 
Vol 11, No 3 (2007): Encore: Lacan and Film Not What It Says on the Tin: Ian Aitken (2006) Realist Film Theory and Cinema: The Nineteenth-century Lukácsian and Intuitionist Realist Traditions Details   PDF
Nigel Morris
 
Vol 3, No 1 (1999) Notes on Debord Abstract   HTML
Santiago Cucullu
 
Vol 13, No 1 (2009) Now Wait for Last Year: A Report from the 65th Venice International Film Festival 2008 Details   PDF
John Bleasdale
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Nowell-Smith Meets Visconti, Redux: The Old and the New, on the 3rd edition of Geoffrey Nowell-Smith's Luchino Visconti Abstract   HTML
Peter Brunette
 
Vol 6, No 3 (2002): Future Cinema Issue Obscenity with a View Baudrillard's Revenge of the Crystal and Film Studies Abstract   HTML
Kenneth Rufo
 
Vol 16 (2012) Of Bastard Man and Evil Woman, or, the Horror of Sex Abstract   PDF
Lorenzo Chiesa
 
Vol 5, No 1 (2001) Old Wine in Old Bottles Abstract   HTML
Torben Grodal
 
Vol 5, No 1 (2001) On Framework Abstract   HTML
Katrina Daly Thompson
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy On Behalf of the Audience: A Critique of Janet Staiger's Notion of the Practice of Reception, on Staiger Perverse Spectators: The Practices of Film Reception Abstract   HTML
Joke Hermes
 
Vol 1, No 1 (1997) On Imagologies Abstract   PDF
Ralph Berets
 
Vol 7, No 1 (2003) On the Fortieth Anniversary of Borom Sarret, on Ousmane Sembene\'s 1963 Film Abstract   HTML
Andrea Dahlberg
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis On the River: History as a Palimpsestic Narrative in The Danube Exodus Abstract   PDF
Laszlo Strausz
 
Vol 8, No 2 (2004) On the Writings of Dai Jinhua, a review of Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, edited by Jing Wang and Tani E. Barlow Abstract   HTML
Paul Fox
 
Vol 7, No 1 (2003) One Culture, Two Cinematic Nations: Hyangjin Lee Contemporary Korean Cinema: Identity, Culture, Politics Abstract   HTML
Hye Seung Chung
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Open Wounds: Body and Image in Jean-Luc Nancy and Claire Denis Details   PDF
Douglas Morrey
 
Vol 10, No 1 (2006): Reanimating the Auteur Opening the Door to the Subconscious: Gwynne Edwards (2005) A Companion to Luis Bunuel Details   PDF
Michael Abecassis
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Other Bother: The Alien in Science Fiction Cinema, on Aliens R Us: The Other in Science Fiction Cinema, edited by Ziauddin Sardar and Sean Cubitt Abstract   HTML
Jon Baldwin
 
Vol 17 (2013) Otherness and the Renewal of Freedom in Jarmusch's Down by Law: A Levinasian and Arendtian Reading Abstract   PDF
Mark Cauchi
 
Vol 7, No 4 (2003): Psychoanalytic Film Theory Our Friend Žižek, on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory, by Slavoj Žižek Abstract   HTML
Richard Stamp
 
Vol 12, No 2 (2008) Painting/Cinema: A Study on Saturated Phenomena: Alain Bonfand (2007) Le cinéma saturé: Essai sur les relations de la peinture et des images en mouvement Details   PDF
Julien Guillemet
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Passage to 'Franco-Asia', on East-West Encounters: Franco-Asian Cinema and Literature by Sylvie Blum-Reid Abstract   HTML
Florence Martin
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Pathology of the Photogram: Philippe Michaud (2004) Aby Warburg and the Image in Motion Details   PDF
Patrick ffrench
 
Vol 13, No 1 (2009) Patricia Pisters (2003) The Matrix of Visual Culture: Working with Deleuze in Film Theory Details   PDF
D. H. Fleming
 
Vol 19 (2015) Patricia Pisters (2012) The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture Details   PDF
Maria Walsh
 
Vol 16 (2012) Patrick J. Cook (2011) Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda Details   PDF
Rajesh Kumar Sharma
 
Vol 19 (2015) Paul Bowman, ed. (2013) Rancière and Film Details   PDF
James Harvey-Davitt
 
Vol 19 (2015) Paul Cooke (2012) Contemporary German Cinema Details   PDF
Victoria Grace Walden
 
Vol 19 (2015) Paul Elliott (2011) Hitchcock and the Cinema of Sensations: Embodied Film Theory and Cinematic Reception Details   PDF
Eric Whedbee
 
Vol 16 (2012) Paula Amad (2010) Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète Details   PDF
Katherine Groo
 
Vol 16 (2012) Perversity and Post-Marxian Thought in Buñuel's Late Films Abstract   PDF
Chad Trevitte
 
Vol 2, No 1 (1998) Peter Greenaway: A User's Manual: On Amy Lawrence, The Films of Peter Greenaway Details   PDF
Paula Willoquet-Maricondi
 
Vol 15, No 2 (2011): The Disgust Issue Peter Lee-Wright (2010) The Documentary Handbook Details   PDF
Wes Skolits
 
Vol 16 (2012) Peter Wollen (1993/2008) Raiding the Icebox: Reflections on Twentieth-Century Culture Details   PDF
Alexandra Dumitrescu
 
Vol 3, No 1 (1999) Phenomenology, History and the Image: A Reply to Kathleen Fitzpatrick Abstract   HTML
Josh Cohen
 
Vol 19 (2015) Philipp Brunner, Jörg Schweinitz, & Margret Trödler, eds. (2012) Filmische Atmosphären Details   PDF
Stephen Lowry
 
Vol 5, No 1 (2001) Photography and Cinema from Birth to Death Abstract   HTML
Damian Sutton
 
Vol 6, No 3 (2002): Future Cinema Issue Photography Into Motion Abstract   HTML
R. J. Warren Zanes
 
Vol 16 (2012) Phyllis Frus and Christy Williams, eds. (2010) Beyond Adaptation: Essays on Radical Transformations of Original Works Details   PDF
Frances Smith
 
Vol 3, No 1 (1999) Pictures and Film; Philosophy and the Empirical Disciplines: A Reply to Dean Abstract   HTML
Robert Hopkins
 
Vol 1, No 1 (1997) Piecemeal Engineering Abstract   PDF
Ludvig Hertzberg
 
Vol 6, No 2 (2002): French Cinema Issue Pivotal Film History: Georges Melies as a Vanishing Mediator Abstract   HTML
Marcus Doel
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Please Make More Films, on The Cinema of Terrence Malick: Poetic Visions of America, edited by Hannah Patterso Abstract   HTML
John Bleasdale
 
Vol 5, No 1 (2001) Politicising Disney Abstract   HTML
Nichola Dobson
 
Vol 14, No 1 (2010) Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Abstract   ePUB   PDF
Steven Shaviro
 
Vol 5, No 2 (2001): Deleuze Special Issue Post-reunification Fassbinder: Reception and Creation Abstract   HTML
Richard J. Hand
 
Vol 9, No 1 (2005): Film Theory Potential Not To Be: Bersani and Dutoit's Forms of Being Abstract   HTML
Patrick ffrench
 
Vol 8, No 2 (2004) Prelude to the Philosophy of Hollis Frampton Abstract   HTML
Matt Teichman
 
Vol 5, No 1 (2001) Problem Formation in the Analytic Philosophy of Film Abstract   HTML
Warren Buckland
 
Vol 1, No 1 (1997) Project for a Scientific Film Theory Abstract   PDF
Eric Parkinson
 
Vol 14, No 1 (2010) Randall E. Auxier and Phil Seng, eds. (2008) The Wizard of Oz and Philosophy: Wicked Wisdom of the West Details   PDF
Anthony Metivier
 
Vol 8, No 1 (2004): British, German, French Cinema Reading Beineix, on Phil Powrie Jean-Jacques Beineix Abstract   HTML
Florence Martin
 
Vol 11, No 1 (2007) Reading the Dialectical Ontology of The Life Aquatic with Steve Zissou Against the Ontological Monism of Adaptation Details   PDF
Kirk Boyle
 
Vol 8, No 3 (2004): World Cinema and Film Theory Realism, Dream, and 'Strangeness' in Andrei Tarkovsky Abstract   HTML
Thorsten Botz-Bornstein
 
Vol 8, No 1 (2004): British, German, French Cinema Realism, Politics, and Melodrama, on Jacob Leigh The Cinema of Ken Loach: Art in the Service of the People Abstract   HTML
Florian Grandena
 
Vol 5, No 2 (2001): Deleuze Special Issue Reassessing the Aesthetic: Cinema, Deleuze, and the Art of Thinking Abstract   HTML
Amy Herzog
 
Vol 4, No 1 (2000) Reawakening Imagination Abstract   HTML
Marty Fairbairn
 
Vol 2, No 1 (1998) Rediscovering the Cinema: On Brian Winston, Technologies of Seeing: Photography, Cinematography and Television Details   PDF
C. Paul Sellors
 
Vol 5, No 1 (2001) Rediscovering the Virtues in Popular Film Abstract   HTML
Adam Muller
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas Re-examining Dovzhenko's Political Environment: A Response to Riley Abstract   HTML
George O. Liber
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Reflections on Experimental Film, on The Undercut Reader, edited by Nina Danino and Michael Maziere Abstract   HTML
Liz Wells
 
Vol 6, No 1 (2002) Reflections on Film Studies Abstract   HTML
Monika Mehta
 
Vol 3, No 1 (1999) Reflections Upon the Matrix Abstract   HTML
Mark Crosby
 
Vol 4, No 1 (2000) Refocusing the Western Abstract   HTML
Bob Sitton
 
Vol 5, No 2 (2001): Deleuze Special Issue Re-imagining German Film History Abstract   HTML
Geoffrey Nowell-Smith
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy Remembrance of Cinema Past: Reading Nostalgia and Writing Possibility in Annette Kuhn Dreaming of Fred and Ginger Abstract   HTML
Kristi McKim
 
Vol 16 (2012) Remystifying Film: Aesthetics, Emotion and The Queen Abstract   PDF
Stella Hockenhull
 
Vol 2, No 1 (1998) Reply to Aurand Details   PDF
Cynthia A. Freeland, Thomas E. Wartenberg
 
Vol 6, No 3 (2002): Future Cinema Issue Reply to Bleasdale Abstract   HTML
Tag Gallagher
 
Vol 4, No 1 (2000) Reply to Brereton Abstract   HTML
Martin Barker, Thomas Austin
 
Vol 3, No 1 (1999) Reply to Cameron Abstract   HTML
Mary Carruthers
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Reply to Grant Abstract   HTML
Stanley Cavell
 
Vol 6, No 3 (2002): Future Cinema Issue Reply to Longacre Abstract   HTML
Scott McQuire
 
Vol 5, No 1 (2001) Reply to MacKinnon and Sorfa Abstract   HTML
Laura Mulvey
 
Vol 3, No 1 (1999) Reply to MacLennan Abstract   HTML
John Izod
 
Vol 11, No 3 (2007): Encore: Lacan and Film Reply to Michael du Plessis Details   PDF
Kate Ince
 
Vol 8, No 3 (2004): World Cinema and Film Theory Reply To Mike Chopra-Gant Abstract   HTML
Martha P. Nochimson
 
Vol 3, No 1 (1999) Reply to Palmer Abstract   HTML
Sean Cubitt
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Reply to Richard Misek Abstract   HTML
Sean Cubitt
 
Vol 3, No 1 (1999) Reply to Schneider Abstract   HTML
Stephen Prince
 
Vol 4, No 1 (2000) Reply to Wood Abstract   HTML
Silvio Gaggi
 
Vol 3, No 1 (1999) Report from the 1999 Toronto International Film Festival Abstract   HTML
Marty Fairbairn
 
Vol 19 (2015) Representative Men: Moral Perfectionism, Masculinity and Psychoanalysis in Good Will Hunting Abstract   PDF
Anna Cooper
 
Vol 8, No 1 (2004): British, German, French Cinema Rereading the British Social Realist Film, on Samantha Lay British Social Realism: From Documentary to Brit-Grit Abstract   HTML
Jonathan Wright
 
Vol 10, No 1 (2006): Reanimating the Auteur Re-remembering History in Contemporary Film: Pam Cook (2005) Screening the Past: Memory and Nostalgia in Cinema Details   PDF
Jonathan Wright
 
Vol 2, No 1 (1998) Respecting Rossellini: On Peter Bondanella, The Films of Roberto Rossellini Details   PDF
Vincent Tocce
 
Vol 3, No 1 (1999) Response to Bleasdale Abstract   HTML
Martha P. Nochimson
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Response to Davis Abstract   HTML
Joseph Cunneen
 
Vol 7, No 2 (2003): Television Studies Response to Jonathan Gray Abstract   HTML
David Lavery
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Response to Shapiro Abstract   HTML
Jean-Louis Leutrat
 
Vol 6, No 1 (2002) Response to Tepper Abstract   HTML
William Rothman
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Rethinking Cinema as Philosophy: On Wurzer's Filming and Judgment Abstract   HTML
Martin Donougho
 
Vol 8, No 1 (2004): British, German, French Cinema Rethinking Renoir, a reply to Michael Abecassis Abstract   HTML
Martin O\'Shaugnessy
 
Vol 6, No 3 (2002): Future Cinema Issue Review of Paul Virilio's 'Ce qui arrive' / 'Unknown Quantity' Abstract   HTML
Joseph Nechvatal
 
Vol 16 (2012) Review: David Martin-Jones (2010) Scotland: Global Cinema: Genres, Modes and Identities. Edinburgh: Edinburgh University Press. Details
John Marmysz
 
Vol 16 (2012) Review: He Was Some Kind of a Man: Masculinities in the B Western Details
Jarett Burke
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Re-viewing the Sexual Relation: Levinas and Film Details   PDF
Lisa Downing
 
Vol 6, No 1 (2002) Revisiting the Philosophy of Horror Abstract   HTML
Joan Hawkins
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Richard Abel, ed. (2010) Encyclopedia of Early Cinema Details   PDF
Carrie Giunta
 
Vol 15, No 2 (2011): The Disgust Issue Richard Greene and K. Silem Mohammad, eds. (2010) Zombies, Vampires, and Philosophy: New Life for the Undead Details   PDF
Caroline Walters
 
Vol 15, No 2 (2011): The Disgust Issue Richard Misek (2010) Chromatic Cinema Details   PDF
Robert Barry
 
Vol 16 (2012) Richard Rushton (2011) The Reality of Film: Theories of Filmic Reality Details   PDF
Timothy Robert Holland
 
Vol 11, No 3 (2007): Encore: Lacan and Film Richard Taylor, ed. (2006) Vsevolod Pudovkin: Selected Essays Details   PDF
Giuliano Vivaldi
 
Vol 10, No 3 (2006) Richard W.McCormick and Alison Guenther-Pal, eds. (2004) German Essays on Film Details   PDF
Francis Guerin
 
Vol 7, No 4 (2003): Psychoanalytic Film Theory Right Direction, Wrong Turning, on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory, by Slavoj Žižek Abstract   HTML
John Orr
 
Vol 19 (2015) Robert Arp, Adam Barkman and James McRae, eds. (2013) The Philosophy of Ang Lee Details   PDF
Hiu M. Chan
 
Vol 10, No 1 (2006): Reanimating the Auteur Robert Bird (2004) Andrei Rublev Details   PDF
Julia Kristanciuk
 
Vol 11, No 3 (2007): Encore: Lacan and Film Robin Curtis (2006) Conscientious Viscerality: The Autobiographical Stance in German Film and Video Details   PDF
Maria Walsh
 
Vol 1, No 1 (1997) Rothman and the Challenge of Critical Realism Abstract   PDF
Gary MacLennan
 
Vol 13, No 1 (2009) Sabine Nessel, Winfried Pauleit, Christine Rüffert, eds. (2008) Wort und Fleisch: Kino swischen Text und Körper / Word and Flesh: Cinema between Text and the Body Details   PDF
Codruta Morari
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Same Old New German Cinema, on Julia Knight's New German Cinema: Images of a Generation Abstract   HTML
Amresh Sinha
 
Vol 14, No 1 (2010) Sandra Shapshay, ed. Bioethics at the Movies Details   PDF
Pramod Nayar
 
Vol 14, No 1 (2010) Sarah Cooper (2008) Chris Marker Details   PDF
Oliver Mayer
 
Vol 14, No 1 (2010) Sarah Cooper (2008) Chris Marker Details   PDF
Joana Pimenta
 
Vol 19 (2015) Sarah Cooper (2013) The Soul of Film Theory, London: Palgrave. 224 pp Details   PDF
Agnieszka Piotrowska
 
Vol 19 (2015) Schuy R. Weishaar (2012) Masters of the Grotesque: The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch Details   PDF
Giacomo Boitani
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Screening the Postmodern, on Vivian Sobchack Screening Space: The American Science Fiction Film Abstract   HTML
Lysa Rivera
 
Vol 19 (2015) Sean Redmond (2013) The Cinema of Takeshi Kitano: Flowering Blood Details   PDF
Cameron Ironside
 
Vol 8, No 2 (2004) Searching for Balanced Vision, on Nathaniel Dorsky Devotional Cinema Abstract   HTML
Glen W. Norton
 
Vol 19 (2015) Seán Sheehan (2012) Žižek: A Guide for the Perplexed. Details   PDF
Nadine Hartmann
 
Vol 2, No 1 (1998) Seeing and Thinking: For an Understanding of Visual Culture: On Ron Burnett, Cultures of Vision: Images, Media and the Imaginary Details   PDF
Paolo Teobaldelli
 
Vol 11, No 1 (2007) Seeing Ecology and Seeing as Ecology: On Brereton’s Hollywood Utopia and the Andersons' Moving Image Theory Details   PDF
Brian E. Butler
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Selling Space, on King and Krzywinska Science Fiction Cinema: From Outer Space to Cyberspace Abstract   HTML
Anna Powell
 
Vol 3, No 1 (1999) Sense of an Ending Abstract   HTML
Andrew Gibson
 
Vol 6, No 1 (2002) Senses of Time Evoked by Artistic Images Abstract   HTML
Melissa Clarke
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Sex, Dialectics and the Misery of Happiness Abstract   PDF
Greg Tuck
 
Vol 17 (2013) Sharon Lin Tay (2009) Women on the Edge: Twelve Political Film Practices Details   PDF
Sheryl Tuttle Ross
 
Vol 19 (2015) Sharon Lin Tay (2009) Women on the Edge: Twelve Political Film Practices Details   PDF
Sheryl Tuttle Ross
 
Vol 17 (2013) Shawn C. Bean (2008) The First Hollywood: Florida and the Golden Age of Silent Filmmaking Details   PDF
Carrie Giunta
 
Vol 16 (2012) Sheila J. Nayar (2010) Cinematically Speaking: The Orality-Literacy Paradigm for Visual Narrative Details   PDF
Kathleen Elizabeth Scott
 
Vol 17 (2013) Shooting for Dead Time in Gus Van Sant's Elephant Abstract   PDF
William Little
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Sidney Gottlieb and Richard Allen, eds. (2009) The Hitchcock Annual Anthology: Selected Essays from Volumes 10-15 Details   PDF
Tifenn Brisset
 
Vol 3, No 1 (1999) Signs of the Times: The Thirty-Year Trajectory of Signs and Meaning in the Cinema Abstract   HTML
Karla Oeler
 
Vol 14, No 1 (2010) Simulation, Simulacra and Solaris Abstract   PDF
Julian Haladyn, Miriam Jordan
 
Vol 10, No 3 (2006) Sin Cities: Edward Dimendberg (2004) Film Noir and the Spaces of Modernity Details   PDF
Peter Catapano
 
Vol 7, No 1 (2003) Small World, on Deborah Thomas Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films Abstract   HTML
Ken Mogg
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas Sokurov's Russian Ark Abstract   HTML
Dorota Ostrowska
 
Vol 15, No 2 (2011): The Disgust Issue Something Against Nature: Sweet Movie, 4, and Disgust Abstract
Lorraine Mortimer
 
Vol 19 (2015) Song Hwee Lim (2014) Tsai Ming-liang and a Cinema of Slowness, Honolulu: University of Hawai’i Press, 240pp., and Lutz Koepnick (2014) On Slowness: Toward an Aesthetic of the Contemporary, New York: Columbia University Press, 336pp. Details   PDF
Emre Çağlayan
 
Vol 4, No 1 (2000) Speaking and Writing about Godard: A Response to Nochimson and Sutton Abstract   HTML
David Sterritt
 
Vol 19 (2015) Spencer Shaw (2008) Film Consciousness: From Phenomenology to Deleuze Details   PDF
Edward John Willatt
 
Vol 8, No 2 (2004) Spinoza and the Politics of The Matrix, on Matrix, machine philosophique Abstract   HTML
Duncan Chesney
 
Vol 13, No 1 (2009) Stephen Mulhall (2008) On Film, 2nd Edition Details   PDF
Joshua Shaw
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Still Searching for Lost Time, on Jean-Louis Leutrat on Resnais's L'Annee derniere a Marienbad Abstract   HTML
Jeremy J. Shapiro
 
Vol 6, No 1 (2002) Struggling to See the Light Abstract   HTML
Joshua Shaw
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Studying Early Film History, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory Abstract   HTML
Marshall Deutelbaum
 
Vol 8, No 3 (2004): World Cinema and Film Theory Studying (the Theoretical Analysis of) Contemporary American Film, on Thomas Elsaesser and Warren Buckland's Studying Contemporary American Film: A Guide to Movie Analysis Abstract   HTML
Brian E. Butler
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Style and Methodologies, on Noel Carroll's Engaging the Moving Image Abstract   HTML
Thomas Wartenberg
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Style and Substance in The Matrix: Stacy Gillis. Ed. (2005) The Matrix Triology: Cyberpunk Reloaded Details   PDF
Thorsten Botz-Bornstein
 
Vol 2, No 1 (1998) Survey of a Field? On Philosophy and Film, edited by Cynthia A. Freeland and Thomas E. Wartenberg Details   PDF
Brian K. Aurand
 
Vol 17 (2013) Suzanne Buchan (2011) The Quay Brothers: Into a Metaphysical Playroom Details   PDF
Micki Nyman
 
Vol 11, No 3 (2007): Encore: Lacan and Film Suzanne Buchan, ed. (2006) Animation: An Interdisciplinary Journal Details   PDF
Tim Maloney
 
Vol 10, No 1 (2006): Reanimating the Auteur Taiwan and the Auteur: The Forging of an Identity: Emilie Yueh-yu Yeh and Darrell William Davis (2005) Taiwan Film Directors: A Treasure Island Details   PDF
Samaya L. Sukha
 
Vol 2, No 1 (1998) Taking Deleuze (On): On Gilles Deleuze, Negotiations: 1972-1990 Details   PDF
Matt Lee
 
Vol 19 (2015) Tarja Laine (2015) Bodies in Pain: Emotion and the Cinema of Darren Aronofsky, Oxford: Berghahn. 196pp. Details   PDF
Michelle Devereaux
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Tarkovsky and Levinas: Cuts, Mirrors, Triangulations Details   PDF
Dominic Michael Rainsford
 
Vol 6, No 3 (2002): Future Cinema Issue Technology and the Image Abstract   HTML
Matt Lee
 
Vol 6, No 3 (2002): Future Cinema Issue Television as the Centre of the Universe Abstract   HTML
Geoff Lealand
 
Vol 7, No 2 (2003): Television Studies Television at a Distance, on John Corner Critical Ideas in Television Studies Abstract   HTML
Rosemary White
 
Vol 19 (2015) Teresa Rizzo (2012) Deleuze and Film: A Feminist Introduction, Continuum. Details   PDF
Iclal Alev Degim
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Terminal Indifference: The Hollywood War Film Post-September 11 Abstract   PDF
Kim Toffoletti, Victoria Grace
 
Vol 4, No 1 (2000) Textual Subjects Abstract   HTML
Aylish Wood
 
Vol 2, No 1 (1998) The 'High-Water Mark' of Film Theory: On Explorations in Film Theory: Selected Essays from Cine-Tracts, edited by Ron Burnett Details   PDF
Tico Romoa
 
Vol 2, No 1 (1998) The 'I' of the Beholder: On Richard Allen, Projecting Illusion: Film Spectatorship and the Impression of Reality Details   PDF
Karen Bardsley
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis The Anthrobiogeomorphic Machine: Stalking the Zone of Cinema Abstract   PDF
Adrian J. Ivakhiv
 
Vol 6, No 1 (2002) The Appropriational Fallacy: Grand Theories and the Neglect of Film Form Abstract   HTML
Asbjørn Grønstad
 
Vol 2, No 1 (1998) The Archeology of Vision: On The Image in Dispute: Art and Cinema in the Age of Photography, edited by Dudley Andrew Details   PDF
Jan-Christopher Horak
 
Vol 4, No 1 (2000) The Audience as Reader is Seldom Caught in the Act? Abstract   HTML
Pat Brereton
 
Vol 10, No 1 (2006): Reanimating the Auteur The Auteur as Imposter: Lisa Downing (2004) Patrice Leconte Details   PDF
Fiona Handyside
 
Vol 7, No 1 (2003) The Auteur of Darkness: Chris Fujiwara Jacques Tourneur: The Cinema of Nightfall Abstract   HTML
Ronald W. Wilson
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy The ‘ABCs’ of B, Or: To Be and Not to Be B Abstract   PDF
Alan Cholodenko
 
Vol 6, No 1 (2002) The Bad and the Beautiful Abstract   HTML
Colin McGinn
 
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