Browse Title Index


 
Issue Title
 
Vol 19 (2015) Domietta Torlasco (2013) The Heretical Archive: Digital Memory at the End of Film Details   PDF
Ted Kafala
 
Vol 19 (2015) Douglas Keesey (2012) Contemporary Erotic Cinema Details   PDF
Troy Michael Bordun
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Dreams Rise in Darkness: The White Magic of Cinema Abstract   PDF
David B. Clarke
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Ecce Homo: Žižek! (2005) and Derrida (2002) Abstract   PDF
Edward R. O'Neill
 
Vol 1, No 1 (1997) Ecology and Reality: Notes Toward an Ecological Film Theory Abstract   PDF
David Large
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Eisenstein at 110: Between Utopia and Event Abstract
Julia Vassilieva
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Ellis Cashmore (2009) Martin Scorsese's America Details   PDF
Michael Meneghetti
 
Vol 6, No 3 (2002): Future Cinema Issue Emergent Senses: A Response to Swalwell Abstract   HTML
Laura U. Marks
 
Vol 3, No 1 (1999) England's Screening Abstract   HTML
Joe Brooker
 
Vol 10, No 3 (2006) Envisaging 'Visualisation': Some Challenges from the International Lord of the Rings Audience Project Abstract   PDF
Martin Barker
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Essential Viewing: Bernard Stiegler (2001) La technique et le temps 3: Le temps du cinéma et la question du mal-être Details   PDF
Patrick Crogan
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy Ethics, Ambiguity, and Multi-Frame Narrative in Julie Talen Pretend Abstract   HTML
Cara O'Connor
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Eugene W. Holland, Daniel W. Smith and Charles J. Stivale, eds. (2009) Gilles Deleuze: Image and Text Details   PDF
Caroline Hagood
 
Vol 19 (2015) Eve Golden (2013) John Gilbert: The Last of the Silent Film Stars Details   PDF
Katherine Blakeney
 
Vol 19 (2015) Ewa Mazierska and Lars Kristensen (eds.) (2014) Marx at the Movies: Revisiting History, Theory and Practice, London: Palgrave Macmillan. 293 pp. Details   PDF
Bruce Williams
 
Vol 17 (2013) Extreme Makeover: Art and Morality in The Shape of Things Abstract   PDF
Joseph H. Kupfer
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Eyal Peretz (2007) Becoming Visionary: Brian De Palma’s Cinematic Education of the Senses Details   PDF
Edward Willat
 
Vol 19 (2015) Fabio Vighi (2012) Critical Theory and Film: Rethinking Ideology through Film Noir Details   PDF
Chloe Jane Benson
 
Vol 11, No 3 (2007): Encore: Lacan and Film Fantasies of the Institution: The Films of Georges Franju and Kate Ince’s Georges Franju Details   PDF
Michael du Plessis
 
Vol 6, No 3 (2002): Future Cinema Issue Fatal Strategies and Film Studies Abstract   HTML
Erik Marshall
 
Vol 3, No 1 (1999) Fear and Wonder: Ambivalence Towards Technology Abstract   HTML
Philippe D. Mather
 
Vol 2, No 1 (1998) Feasting on Allegory: On Bridget Elliott and Anthony Purdy, Peter Greenaway: Architecture and Allegory Details   PDF
Paula Willoquet-Maricondi
 
Vol 16 (2012) Felicity Colman (2011) Deleuze and Cinema: The Film Concepts Details   PDF
Kam Chui Ping
 
Vol 4, No 1 (2000) Fifteen Years Gone By Abstract   HTML
Frederick von Zweigbergk
 
Vol 1, No 1 (1997) Film Aesthetics and Parkinson\'s Nostalgia for Psychologisms Abstract   PDF
Torben Grodal
 
Vol 2, No 1 (1998) Film and Philosophy Family Reunion: On Film and Philosophy (Volume 3, 1996) edited by Kendall D'Andrade Details   PDF
Marty Fairbairn
 
Vol 16 (2012) Film as Thought Experiment: A Happy-Go-Lucky Case? Abstract   PDF
Basileios Kroustallis
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Film Beyond Metaphysics: On Wurzer's Filming and Judgment Abstract   HTML
Imre Szeman
 
Vol 17 (2013) Film Noir as Point de Capiton: Double Indemnity, Structure and Temporality Abstract   PDF
Ben Tyrer
 
Vol 12, No 2 (2008) Film, not Sliced up into Pieces, or: How Film Made Me Feel Thinking: Daniel Frampton (2006) Filmosophy Details   PDF
Philipp Schmerheim
 
Vol 5, No 1 (2001) Film, Philosophy, and the Ordinary: A Response to Butle Abstract   HTML
Thomas E. Wartenberg
 
Vol 5, No 2 (2001): Deleuze Special Issue Film Theory After Deleuze Abstract   HTML
Tom Conley
 
Vol 2, No 1 (1998) Film Theory at the Turning Point of Modernity: On Hugo Münsterberg, Das Lichtspiel: Eine Psychologische Studie [1916] Und andere schriften zum Kino Details   PDF
Pasi Nyyssonen
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Film Theory Meets Video Games: An Analysis of the Issues and Methodologies in ScreenPlay, edited by Geoff King and Tanya Krzywinska Abstract   HTML
Aaron Smuts
 
Vol 7, No 4 (2003): Psychoanalytic Film Theory Film Theory, Psychoanalysis, and Figuration, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom Abstract   HTML
Briana Berg
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Filming as the Art of Thinking: On Wurzer's Filming and Judgment Abstract   HTML
Fabienne-Sophie Chauderlot
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Filming (In) Futures: A Response to the Film-Philosophy Special Issue Abstract   HTML
Wilhelm S. Wurzer
 
Vol 4, No 1 (2000) Filming the Present Past Abstract   HTML
Lionel Moriel
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema Filming Without Film: On Wurzer's Filmisches Denken Abstract   HTML
Jakob Hesler
 
Vol 2, No 1 (1998) Forays into Philosophy and Film: On Film and Philosophy (Vol. 1, 1994), edited by Kendall D'Andrade Details   PDF
Dennis Rothermel
 
Vol 2, No 1 (1998) Forget Aporia: A Reply to David Sorfa Details   PDF
Patrick McGee
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Fragile Faces: Levinas and Lanzmann Details   PDF
Libby Saxton
 
Vol 19 (2015) Fran Mason (2012) Hollywood's Detective: Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir Details   PDF
Joseph Steven Yanick
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Francesco Casetti (2008) Eye of the Century: Film, Experience, Modernity Details   PDF
Adriano D'Aloia
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Frederick Wasser (2010) Steven Spielberg’s America Details   PDF
Steven Rybin
 
Vol 10, No 3 (2006) From Socrates to Seinfeld: What’s the Deal with Nothing?: William Irwin, ed. (1999) Seinfeld and Philosophy: A Book About Everything and Nothing Details   PDF
John S. Vassar
 
Vol 5, No 2 (2001): Deleuze Special Issue Fugitive Spaces -- Between the Critical and the Creative: A Reply to Amy Herzog Abstract   HTML
Barbara M. Kennedy
 
Vol 13, No 1 (2009) Gail Cunningham and Stephen Barber (2007) London Eyes: Reflections in Text and Image Details   PDF
Sarah Wishart
 
Vol 8, No 1 (2004): British, German, French Cinema German Cinema History as Rhizome, on The German Cinema Book, edited by Tim Bergfelder, Erica Carter, and Deniz Gktrk Abstract   HTML
Angelica Fenner
 
Vol 8, No 2 (2004) Gestural Cinema?, on two texts by Giorgio Agamben, 'Notes on Gesture' (1992) and 'Difference and Repetition: On Guy Debord's Films' (1995) Abstract   HTML
Benjamin Noys
 
Vol 3, No 1 (1999) Getting a Good View of Depiction Abstract   HTML
Jeffrey T. Dean
 
Vol 10, No 1 (2006): Reanimating the Auteur Godard Alone?: Michael Temple, James S.Williams and Michael Witt, eds. (2004) For Ever Godard Details   PDF
Katerina Loukopoulou
 
Vol 6, No 2 (2002): French Cinema Issue Godard: Thinking Media Abstract   HTML
Marcia Landy
 
Vol 6, No 2 (2002): French Cinema Issue Godardiana: A Reply to Marcia Landy Abstract   HTML
David Sterritt
 
Vol 13, No 1 (2009) Godfathers and Sons: Tripping Over the Unconscious Details   PDF
Timothy O'Leary
 
Vol 6, No 1 (2002) Good Vibrations Abstract   HTML
Sean Cubitt
 
Vol 11, No 3 (2007): Encore: Lacan and Film Grader of the Lost Sharks: Warren Buckland Considers Spielberg’s Overlooked ‘Monster’ Movies: Warren Buckland (2006) Directed by Steve Spielberg: Poetics of the Contemporary Hollywood Blockbuster Details   PDF
William Brown
 
Vol 13, No 1 (2009) Hanns Eisler and Theodor W. Adorno (1947/2007) Composing for the Films Details   PDF
Leonardo Aldrovandi
 
Vol 16 (2012) Haptic Aurality: Resonance, Listening and Michael Haneke Abstract   PDF
Lisa Coulthard
 
Vol 6, No 1 (2002) Haunting the House from Within: Disbelief Mitigation and Spatial Experience Abstract   HTML
Aaron Smuts
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Have You Taken Your Rorschach Test?, on The Matrix and Philosophy: Welcome to the Desert of the Real, edited by William Irwin Abstract   HTML
Jon Baldwin
 
Vol 13, No 1 (2009) Hegel and the Impossibility of the Future in Science Fiction Cinema Details   PDF
Todd McGowan
 
Vol 5, No 1 (2001) Hieroglyphs and Carapaces: The Enigmatic Real in Laura Mulvey's Fetishism and Curiosity Abstract   HTML
David Sorfa
 
Vol 11, No 1 (2007) Hitchcock and Hume Revisited: Fear, Confusion and Stage Fright Details   PDF
John Orr
 
Vol 11, No 3 (2007): Encore: Lacan and Film Hitchcock, Hume, and the Matrix of Modern Cinema: John Orr (2005) Hitchcock and Twentieth-Century Cinema Details   PDF
David Sterritt
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Hollywood Business, on Robert Blanchet's Blockbuster: Aesthetik, Oekonomie und Geschichte des Postklassischen Hollywoodkinos Abstract   HTML
Marina Sheppard
 
Vol 7, No 1 (2003) Hollywood Spaces, on Deborah Thomas Reading Hollywood: Spaces and Meanings in American Film Abstract   HTML
Mike Chopra-Gant
 
Vol 16 (2012) Homay King (2010) Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier Details   PDF
David H. Fleming
 
Vol 17 (2013) Homeopathic Repetition and Memories of Underdevelopment: The Dialectic of Subjective Experience and Objective Historical Forces Abstract   PDF
Trevor James Cunnington
 
Vol 6, No 1 (2002) How Heavy Light Can Be Abstract   HTML
Benjamin Wurgraft
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy How is Disbelief Suspended?: The Paradox of Fiction and Carroll The Philosophy of Horror Abstract   HTML
Pablo Ortega-Rodriguez
 
Vol 3, No 1 (1999) How to Account for Cinematic Experience Abstract   HTML
Bohdan Y. Nebesio
 
Vol 8, No 2 (2004) Howls for Debord, on Guy Debord: Complete Cinematic Works, translated and edited by Ken Knabb Abstract   HTML
Benjamin Noys
 
Vol 17 (2013) Hsiu-Chuang Deppman (2010) Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film Details   PDF
Iris Chui Ping Kam
 
Vol 8, No 3 (2004): World Cinema and Film Theory Hungarian Rhapsody, on John Cunningham's Hungarian Cinema: From Coffee House to Multiplex Abstract   HTML
Peter Ruppert
 
Vol 17 (2013) I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes Abstract   PDF
Helen Darby
 
Vol 2, No 1 (1998) I'm Not Joking - Lacanian Nostalgia Ain't What It Used To Be: On Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock), edited by Slavoj Žižek Abstract   PDF
Andrew Murphie
 
Vol 19 (2015) Ian Aitken (2012) Lukácsian Film Theory and Cinema: A Study of Georg Lukács’ Writing on Film 1913-1971 Details   PDF
Angelos Koutsourakis
 
Vol 14, No 1 (2010) Ian Buchanan and Patricia MacCormack, eds. (2008) Deleuze and the Schizoanalysis of Cinema Details   PDF
Micki Nyman
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Icon of Fury: Claire Denis's Trouble Every Day Details   PDF
Jean-Luc Nancy
 
Vol 6, No 2 (2002): French Cinema Issue Identification of a Journal: Studies in French Cinema Abstract   HTML
Jerome Cornette
 
Vol 3, No 1 (1999) Identifying Aliens The Problem of Difference in Alien Identities Abstract   HTML
Robert E. Mitchell
 
Vol 11, No 3 (2007): Encore: Lacan and Film If a Film Did Philosophy We Wouldn’t Understand It: Rupert Read and Jerry Goodenough, eds. (2005) Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell Details   PDF
Daniel Barnett
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema If This Retrofuturistic Flu Goes On..., on Future Cinema: The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel Abstract   HTML
Mark Bould
 
Vol 3, No 1 (1999) Image and Mind: But Where's the Body? Abstract   HTML
Jan Simons
 
Vol 3, No 1 (1999) Images of/and the Postmodern Abstract   HTML
Kathleen Fitzpatrick
 
Vol 6, No 1 (2002) Impassioned Aesthetics: Seeing Sound and Hearing Images in Michel Chion\'s Audio-Vision Abstract   HTML
Kristi McKim
 
Vol 10, No 3 (2006) Impractical Pragmatics: Richard A. Gilmore (2005) Doing Philosophy at the Movies Details   PDF
Ben Little
 
Vol 15, No 2 (2011): The Disgust Issue Imprisoned in Disgust: Roman Polanski's Repulsion Abstract   PDF
Tarja Laine
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy In Kubrick's Crypt, a Derrida/Deleuze Monster, on 2001: A Space Odyssey Abstract   HTML
Richard I. Pope
 
Vol 6, No 2 (2002): French Cinema Issue In Search of Frenchness Lost? Abstract   HTML
Greg Hainge
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema In Search of Lost Children in Cinema and Western Society, on Emma Wilson's Cinema's Missing Children Abstract   HTML
Michael Abecassis
 
Vol 14, No 1 (2010) Inga Scharf (2008) Nation and Identity in the New German Cinema: Homeless at Home Details   PDF
Susanne Schmetkamp
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Inscribing Cinema: Sylviane Agacinski (2003) Time Passing: Modernity and Nostalgia Details   PDF
Kristi McKim
 
Vol 17 (2013) Internal Needs, Endoxa and the Truth: An Aristotelian Approach to the Popular Screenplay Abstract   PDF
Daniel McInerny
 
Vol 16 (2012) Interpreting Disturbed Minds: Donald Davidson and The White Ribbon Abstract   PDF
James J Pearson
 
Vol 6, No 2 (2002): French Cinema Issue Intersecting Identities Abstract   HTML
Julie Papaioannou
 
Vol 8, No 2 (2004) Introducing Avant-Garde Film, on Michael O'Pray Avant-Garde Film: Forms, Themes and Passions Abstract   HTML
William C. Wees
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Introduction - White Magic: Baudrillard and Cinema Abstract   PDF
Jon Baldwin
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Introduction: Claire Denis and Jean-Luc Nancy Details   PDF
Douglas Morrey
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Introduction: Levinas and Cinema Details   PDF
Sarah Cooper
 
Vol 18 (2014): On Stanley Cavell Introduction: On Stanley Cavell Abstract   PDF
Robert Sinnerbrink
 
Vol 11, No 3 (2007): Encore: Lacan and Film Introduction: One More Effort... Details   PDF
Benjamin Noys
 
Vol 10, No 1 (2006): Reanimating the Auteur Introduction: Reanimating the Auteur Details   PDF
David Sorfa
 
Vol 15, No 2 (2011): The Disgust Issue Introduction: Tarrying with Disgust Abstract   PDF
Tina Kendall
 
Vol 10, No 3 (2006) Intrusion of the Real: Interview with Sophie Fiennes, Director, The Pervert’s Guide to Cinema Details   PDF
Marty Fairbairn
 
Vol 3, No 1 (1999) Invaginating Antonioni Abstract   HTML
David Martin-Jones
 
Vol 14, No 1 (2010) Irving Singer (2007) Ingmar Bergman, Cinematic Philosopher: Reflections on his Creativity Details   PDF
Thorsten Botz-Bornstein
 
Vol 14, No 1 (2010) Irving Singer (2008) Cinematic Mythmaking: Philosophy in Film Details   PDF ()   PDF
Robert Sixto Sinnerbrink
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Irving Singer's Reality Revisited, on Three Philosophical Filmmakers: Hitchcock, Welles and Renoir Abstract   HTML
Susan French Overstreet
 
Vol 6, No 1 (2002) Is Cinema Renewing Itself? Abstract   HTML
Laurent Kretzschmar
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Is Film the Alien Other to Philosophy?, on Stephen Mulhall On Film Abstract   HTML
Nathan Andersen
 
Vol 5, No 2 (2001): Deleuze Special Issue Is Philosophy Ever Enough? Abstract   HTML
Andrew Murphie
 
Vol 2, No 1 (1998) Is There Personality in a Textbook?: On Jacques Aumont The Image Details   PDF
Glen Norton
 
Vol 3, No 1 (1999) It All Depends On What You Mean By 'Ideology' Abstract   HTML
Daniel Shaw
 
Vol 6, No 3 (2002): Future Cinema Issue It is Never a Decision to Choose Between This and That: A Response to Herwitz Abstract   HTML
Rex Butler
 
Vol 10, No 1 (2006): Reanimating the Auteur It Is What It Is: David Lynch, edited by Chris Rodley (2004) Lynch on Lynch: Revised Edition Details   PDF
Jennifer Cecconi
 
Vol 12, No 2 (2008) Jack Sargeant (2008) Deathtripping: The Extreme Underground Details   PDF
Giuliano Vivaldi
 
Vol 14, No 1 (2010) James Phillips, ed. (2008) Cinematic Thinking: Philosophical Approaches to the New Cinema Details   PDF
William Brown
 
Vol 14, No 1 (2010) James Walters (2008) Alternative Worlds in Hollywood Cinema: Resonance Between Realms Details   PDF
David Sterritt
 
Vol 14, No 1 (2010) Jay McRoy (2007) Nightmare Japan: Contemporary Japanese Horror Cinema Details   PDF
Juneko J. Robinson
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Jean Baudrillard and Cinema: The Problems of Technology, Realism and History Abstract   PDF
Gerry Coulter
 
Vol 19 (2015) Jeffrey Nicholas (ed.) (2011), Dune and Philosophy: Weirding Way of the Mentat, Illinois: Open Court. 288 pp. Details   PDF
Tim Matts
 
Vol 11, No 3 (2007): Encore: Lacan and Film Jerold J. Abrams, ed. (2007) The Philosophy of Stanley Kubrick Details   PDF
Philippe Mather
 
Vol 19 (2015) Jim Cullen (2013) Sensing the Past: Hollywood Stars and Historical Visions, Oxford: Oxford University Press. 264 pp. Details   PDF
Andrea Virginás
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Jim Ellis (2009) Derek Jarman's Angelic Conversations Details   PDF
Jason Wakefield
 
Vol 10, No 1 (2006): Reanimating the Auteur Joan Mellen (2004) In the Realm of the Senses Details   PDF
Kevin Teo Kia-Choong
 
Vol 11, No 3 (2007): Encore: Lacan and Film Joe McElhaney (2006) The Death of Classical Cinema: Hitchcock, Lang, Minnelli Details   PDF
Lucy Fife
 
Vol 14, No 1 (2010) Joe McElhaney, ed. (2009) Vincente Minnelli: The Art of Entertainment Details   PDF
Paul Anthony Johnson
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy John Mullarkey (2009) Refractions of Reality: Philosophy and the Moving Image Details   PDF
Joshua Conrad Hilst
 
Vol 19 (2015) John Orr (2014) The Demons of Modernity: Ingmar Bergman and European Cinema Details   PDF
Thorsten Botz-Bornstein
 
Vol 10, No 1 (2006): Reanimating the Auteur Jonathan Rosenbaum (2004) Essential Cinema: On the Necessity of Film Canons Details   PDF
Claudia Kotte
 
Vol 19 (2015) Josef Stieff, ed. (2011) Sherlock Holmes and Philosophy, The Footprints of a Gigantic Mind Details   PDF
Brian Castleberry
 
Vol 15, No 2 (2011): The Disgust Issue Joseph Mai (2010) Jean-Pierre and Luc Dardenne Details   PDF
R. D. Crano
 
Vol 17 (2013) Julian Petley (2011) Film and Video Censorship in Modern Britain Details   PDF
Zach Saltz
 
Vol 10, No 3 (2006) Just Look At Me Now: Problems of Viewing in Film Noir: Edward Dimendberg (2004) Film Noir and the Spaces of Modernity Details   PDF
Dara Patricia Downey
 
Vol 14, No 1 (2010) Karen Ward Mahar (2008) Women Filmmakers in Early Hollywood Details   PDF
Sara Ross
 
Vol 14, No 1 (2010) Katherine Thomson-Jones (2008) Aesthetics and Film Details   PDF
Abigail Keating
 
Vol 7, No 2 (2003): Television Studies Keeping a Distance: A Response to Rosemary White Abstract   HTML
John Corner
 
Vol 17 (2013) Khatereh Sheibani (2011) The Poetics of Iranian Cinema: Aesthetics and Modernity After the Revolution Details   PDF
Paul Elliott
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas Kojeve's Masters and Slaves, Kurosawa's Samurai and Farmer Abstract   HTML
Aakash Singh
 
Vol 5, No 2 (2001): Deleuze Special Issue La Beauté tragique: Olkowski, Deleuze, and the Ruin of Representation Abstract   HTML
Joseph Nechvatal
 
Vol 5, No 2 (2001): Deleuze Special Issue La Longue durée: A Reply to Joseph Nechvatal Abstract   HTML
Dorothea Olkowski
 
Vol 5, No 1 (2001) Last Things First: A Reply to Sutton Abstract   HTML
Garrett Stewart
 
Vol 19 (2015) Laughter and the Death of the Comic: Charlie Chaplin's The Circus and Limelight in Light of the Ethics of Emmanuel Levinas Abstract   PDF
Moshe Shai Rachmuth
 
Vol 15, No 2 (2011): The Disgust Issue Laura Dern's Vomit, or, Kant and Derrida in Oz Abstract   PDF
Eugenie Brinkema
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Laura Rascaroli (2009) The Personal Camera: Subjective Cinema and the Essay Film Details   PDF
Matilde Nardelli
 
Vol 8, No 1 (2004): British, German, French Cinema Le Petit Theatre de Renoir, on Martin O\'Shaughnessy Jean Renoir Abstract   HTML
Michael Abecassis
 
Vol 17 (2013) Left-over Spaces: The Cinema of the Dardenne Brothers Abstract   PDF
Benoit Dillet, Tara Puri
 
Vol 3, No 1 (1999) Leone's Impure Vision Abstract   HTML
John Bleasdale
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Let us Never Speak of It?, on Edward S. Small Direct Theory: Experimental Film/Video as Major Genre Abstract   HTML
Tammy A. Kinsey
 
Vol 7, No 1 (2003) Letter from London, on Chris Petit, Abbas Kiarostami, Lynne Ramsay, Iain Sinclair, J. G. Ballard, and Surveillance Cinema Abstract   HTML
Chris Darke
 
Vol 7, No 1 (2003) Letter from Tehran Abstract   HTML
F. Parsa
 
Vol 3, No 1 (1999) Letting Go of David Lynch Abstract   HTML
John Bleasdale
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Levinas, Nosferatu and the Love as Strong as Death Details   PDF
Colin Davis
 
Vol 10, No 3 (2006) Like a Ribbon of Dreams: New York Film Festival 2006 Report (Part One) Details   PDF
Martha P. Nochimson
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Lindiwe Dovey (2009) African Film and Literature: Adapting Violence to the Screen Details   PDF
Helena Cantone
 
Vol 14, No 1 (2010) Logistics of Perception 2.0: Multiple Screen Aesthetics in Iraq War Films Abstract   PDF
Patricia Pisters
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Lollywood Adventures, on Robert Blanchet's Blockbuster: Aesthetik, Oekonomie und Geschichte des Postklassischen Hollywoodkinos Abstract   HTML
Jacobia Dahm
 
Vol 5, No 1 (2001) Looking at Motion Pictures (Revised) [ Abstract   HTML
Richard Allen
 
Vol 16 (2012) Losing Face: Francis Bacon's 25th Hour Abstract   PDF
Arne De Boever
 
Vol 8, No 2 (2004) Lost in Space, on Jane and Louise Wilson, with essays by Jeremy Millar and Claire Doherty Abstract   HTML
Maria Walsh
 
Vol 2, No 1 (1998) Lounging with a Big Mac in One Hand and Freud by My Side Harvey: On Roy Greenberg, Screen Memories: Hollywood Cinema on the Psychoanalytic Couch Details   PDF
Olivia Khoo
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Love and Catastrophe: Filming the Sublime in Hiroshima Mon Amour Abstract   HTML
Reni Celeste
 
Vol 19 (2015) Love's Old Song Will Be New: Deleuze, Busby Berkeley and Becoming-Music Abstract   PDF
Steven Pustay
 
Vol 11, No 1 (2007) Luc Dardenne, Au dos de nos images (1991-2005), suivi de Le Fils et L’Enfant par Jean-Pierre et Luc Dardenne Details   PDF
Joseph Mai
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Lukas Bleichenbacher (2008) Multilingualism in the Movies: Hollywood Characters and their Language Choices Details   PDF
Michael Abecassis
 
Vol 17 (2013) M. Keith Booker (2011) Historical Dictionary of American Cinema Details   PDF
Glen Melanson
 
Vol 3, No 1 (1999) Machine Memory: Image Technology and Identity Abstract   HTML
Jeffrey Pence
 
Vol 5, No 1 (2001) Making Avant-Garde Film Accessible Abstract   HTML
Kirill Galetski
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Mapping Film Studies: Symposium on Dominique Château’s Cinéma et philosophie Details   PDF
Thorsten Botz-Bornstein
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Marc Augé (2009) Casablanca: Movies and Memory Details   PDF
Anna Magdalena Elsner
 
Vol 19 (2015) Marek Haltof (2012) Polish Film and the Holocaust: Politics and Memory Details   PDF
Matilda Mroz
 
Vol 13, No 1 (2009) Maria Pramaggiore (2008) Neil Jordan Details   PDF
Sarah Boslaugh
 
Vol 12, No 2 (2008) Marijke De Valck (2007) Film Festivals: From European Geopolitics to Global Cinephilia Details   PDF
Stefano Odorico
 
Vol 14, No 1 (2010) Mark Rowlands (2008) Fame Details   PDF
Ben Hutchens
 
Vol 11, No 3 (2007): Encore: Lacan and Film Mark Shiel (2006) Italian Neorealism: Rebuilding the Cinematic City Details   PDF
Costica Bradatan
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Mark Slobin, ed. (2008) Global Soundtracks: Worlds of Film Music Details   PDF
Aparna Sharma
 
Vol 11, No 3 (2007): Encore: Lacan and Film Mark T. Conard, ed. (2007) The Philosophy of Martin Scorsese Details   PDF
Linda Petříková
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Mark T. Conard, ed. (2009) The Philosophy of the Coen Brothers Details   PDF
Taylor Benjamin Worley
 
Vol 14, No 1 (2010) Mark T. Conrad, ed. (2009) The Philosophy of Neo-Noir Details   PDF
Chris Pallant
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Martin Harries (2007) Forgetting Lot’s Wife: On Destructive Spectatorship Details   PDF
R. D. Crano
 
Vol 13, No 1 (2009) Martin O'Shaughnessy (2007) The New Face of Political Cinema: Commitment in French Film Since 1995 Details   PDF
Tom Whittaker
 
Vol 4, No 1 (2000) Martin Scorsese's Invisible City in Bringing Out the Dead Abstract   HTML
Christina Degli-Esposti Reinert
 
Vol 10, No 3 (2006) Matt Hills (2005) The Pleasures of Horror Details   PDF
Joanne Goss
 
Vol 16 (2012) Maurice Yacowar (2010) Hitchcock's British Films, 2nd edt. Details   PDF
Zorianna Zurba
 
Vol 13, No 1 (2009) Meanings and authorships in Dune Details   PDF
Tony Todd
 
Vol 4, No 1 (2000) Media Histories and Digital Futures Abstract   HTML
Nina Zimnik
 
Vol 13, No 1 (2009) Melanie Swalwell and Jason Wilson, eds. (2008) The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics Details   PDF
John Finlay Kerr
 
Vol 12, No 2 (2008) Memory and Morals in Memento: Hume at the Movies Details   PDF
George Bragues
 
Vol 17 (2013) Michael Charlesworth (2011) Derek Jarman Details   PDF
Justin Remes
 
Vol 14, No 1 (2010) Michael J. Shapiro (2009) Cinematic Geopolitics Details   PDF
R. D. Crano
 
Vol 6, No 1 (2002) Michel Chion's Blessing in Disguise Abstract   HTML
Gerwin van der Pol
 
Vol 19 (2015) Mick LaSalle (2012) The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses Details   PDF
Richard Lindley Armstrong
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Mike King (2009) The American Cinema of Excess: Extremes of the National Mind on Film Details   PDF
Michael B. Mathias
 
Vol 17 (2013) Mimesis Reconsidered: Adorno and Tarkovsky contra Habermas Abstract   PDF
Simon Mussell
 
Vol 4, No 1 (2000) Misrecognizing Film Studies Abstract   HTML
Bruce Bennett
 
Vol 8, No 2 (2004) Modern Dreams and Postmodern Realities: The City as Spatial Archetype in Screening the City, edited by Mark Shiel and Tony Fitzmaurice Abstract   HTML
Michele Braun
 
Vol 19 (2015) Monstrosity and the Not-Yet: Edward Scissorhands via Ernst Bloch and Georg Simmel Abstract   PDF
Craig Hammond
 
Vol 18 (2014): On Stanley Cavell Montage and Tableau in King Vidor's Stella Dallas Abstract   PDF
Richard Smith
 
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