Browse Title Index


 
Issue Title
 
Vol 17 (2013) 'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There Abstract   PDF
Carolyn D'Cruz, Glenn D'Cruz
 
Vol 17 (2013) 'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner Abstract   PDF
Andrew Norris
 
Vol 11, No 3 (2007): Encore: Lacan and Film 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2 Details   PDF
Mark Fisher
 
Vol 2, No 1 (1998) 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics Details   PDF
David Sullivan
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema 'It Ain't Me Babe', a response to Brunette's review Abstract   HTML
Geoffrey Nowell-Smith
 
Vol 17 (2013) 'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) Abstract   PDF
Mark Cresswell, Zulfia Karimova
 
Vol 9, No 1 (2005): Film Theory 'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey Abstract   HTML
Matt Lee
 
Vol 13, No 1 (2009) 'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne Details   PDF
R. D. Crano
 
Vol 17 (2013) 'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz Abstract   PDF
Justin Remes
 
Vol 17 (2013) 'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc Abstract   PDF
Ros Murray
 
Vol 3, No 1 (1999) 'To See or Not To See', That Is the Question Abstract   HTML
Kathleen Johnson
 
Vol 8, No 2 (2004) Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace Abstract   HTML
Natalia Skradol
 
Vol 11, No 3 (2007): Encore: Lacan and Film Antiphusis: Werner Herzog's Grizzly Man Details   PDF
Benjamin Noys
 
Vol 5, No 1 (2001) Cat People: A Screening with Commentary Abstract   HTML
David Annandale
 
Vol 18 (2014) Keynote Article: On Stanley Cavell's Band Wagon Abstract   PDF
William Rothman
 
Vol 11, No 1 (2007) Kuhle Wampe: Politics of Montage, De-montage of Politics? Details   PDF
Gal Kirn
 
Vol 11, No 3 (2007): Encore: Lacan and Film L’Atalante Lost and Regained: Michael Temple (2006) Jean Vigo (French Film Directors) Details   PDF
Michael Abecassis
 
Vol 8, No 2 (2004) Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars Abstract   HTML
Robert Koehler
 
Vol 12, No 2 (2008) The Denazification of MH: The Struggle with Being and the Philosophical Confrontation with the Ancient Greeks in Heidegger’s Originary Politics Details   PDF
James Magrini
 
Vol 17 (2013) The Ister: Cinema's Interruption Abstract   PDF
Linda Daley
 
Vol 17 (2013) Throne of Blood and the Metaphysics of Tragedy Abstract   PDF
Henry Somers-Hall
 
Vol 18 (2014) Vertigo and the Spectator of Film Analysis Abstract   PDF
Andrew Klevan
 
Vol 17 (2013) Ghost in the Shell 2, Technicity and the Subject Abstract   PDF
Daniel Hourigan
 
Vol 16 (2012) Groundhog Day and the Good Life Abstract   PDF
Diana Abad
 
Vol 2, No 1 (1998) A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture, edited by Peter Brunette and David Wills Details   PDF
Erin Manning
 
Vol 12, No 2 (2008) A Cyborg’s Testimonial: Mourning Blade Runner’s Cryptic Images Details   PDF
R. Pope
 
Vol 8, No 2 (2004) A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema Abstract   HTML
Daniel Barnett
 
Vol 5, No 1 (2001) A Documentarian's Call to Arms: On Vaughan's For Documentary Abstract   HTML
Stephen Charbonneau
 
Vol 3, No 1 (1999) A Formalist Reborn Abstract   HTML
Ian Verstegen
 
Vol 3, No 1 (1999) A Future Aesthetic Abstract   HTML
Daniel Palmer
 
Vol 10, No 3 (2006) A Heideggerian Cinema? On Terrence Malick's The Thin Red Line Abstract   PDF
Robert Sinnerbrink
 
Vol 1, No 1 (1997) A Humean Definition of Horror Abstract   PDF
Daniel Shaw
 
Vol 4, No 1 (2000) A Modest Employee of the Cinema vs The Big Garage Abstract   HTML
Martha P. Nochimson
 
Vol 2, No 1 (1998) A Naive Reply to MacLennan and Raskin Details   PDF
Carl R. Plantinga
 
Vol 17 (2013) A New/Old Ontology of Film Abstract   PDF
Rafe McGregor
 
Vol 3, No 1 (1999) A Non-Critical Review Abstract   HTML
Margaret E. Johnson
 
Vol 6, No 1 (2002) A Non-Replying Reply to Kretzschmar Abstract   HTML
Jean-Luc Nancy
 
Vol 5, No 1 (2001) A Patient Cinema or a Cinema of Patience? (Robert Bresson for Foreigners Abstract   HTML
Thomas Deane Tucker
 
Vol 12, No 2 (2008) A Rejoinder to Noël Carrol’s The Philosophy of Motion Pictures Details   PDF
Daniel Shaw
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital A Reply to Kinsey Abstract   HTML
Edward S. Small
 
Vol 7, No 1 (2003) A Reply to Mogg and Chopra-Gant Abstract   HTML
Deborah Thomas
 
Vol 9, No 1 (2005): Film Theory A Response to Patrick ffrench and Peter Caws Abstract   HTML
Leo Bersani, Ulysse Dutoit
 
Vol 3, No 1 (1999) A Site for Sore Eyes Abstract   HTML
David Martin-Jones
 
Vol 3, No 1 (1999) A State of Crisis Abstract   HTML
Sylvie Blum
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas A (Ukrainian) Life in Soviet Film, on George O. Liber Alexander Dovzhenko: A Life in Soviet Film Abstract   HTML
John Riley
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood Abstract   HTML
John S. Vassar
 
Vol 18 (2014) Acknowledgment - No Knowledge Without It: Introduction to William Rothman and his Work Abstract   PDF
Alan Cholodenko
 
Vol 4, No 1 (2000) Admiring Kieslowski Abstract   HTML
Jeffrey Hanson
 
Vol 11, No 3 (2007): Encore: Lacan and Film Adorno Damned by a Devotee?: Alastair Morgan (2007) Adorno’s Concept of Life Details   PDF
Nicholas Joll
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination Abstract   HTML
Vittorio Frigerio
 
Vol 6, No 3 (2002): Future Cinema Issue After Photography: Deconstructing the Era of the Image Abstract   HTML
Jeffrey S. Longacre
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Against Fetishism: The Moving Quiescence of Life 24 Frames a Second: Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image Details   PDF
Maria Walsh
 
Vol 3, No 1 (1999) Agnes Varda: Questions at Twenty-Four Frames a Second Abstract   HTML
Mike Hakata
 
Vol 15, No 2 (2011): The Disgust Issue Alain Badiou (2010) Cinéma Details   PDF
Manuel Ramos
 
Vol 17 (2013) Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema Details   PDF
David H. Fleming
 
Vol 16 (2012) Alban Pichon (2009) Le cinema de Leos Carax. L’experience du déjà-vu Details   PDF
Daniele Rugo
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Alexander García Düttmann (2009) Visconti: Insights into Flesh and Blood Details   PDF
J. Douglas Macready
 
Vol 16 (2012) Alexie Tcheuyap (2011) Postnationalist African Cinemas Details   PDF
Zachary Thomas Ingle
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Alien Ways of Thinking, on Stephen Mulhall On Film Abstract   HTML
Julian Baggini
 
Vol 2, No 1 (1998) All the World's a Stage: On Timothy Murray, Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Abstract   PDF
Joan Hawkins
 
Vol 16 (2012) Amy Herzog (2010) Dreams of Difference, Songs of the Same: The Musical Moment in Film Details   PDF
Mithuraaj Dhusiya
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema An Early Cinema Textbook, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory Abstract   HTML
Richard Schellhammer
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema An Economy of Annihilation, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Daniel Herbert
 
Vol 2, No 1 (1998) An Enigmatic Text: Schefer's Quest upon a Thing Unknown: On Jean Louis Schefer, The Enigmatic Body: Essays on the Arts Abstract   PDF
Katya Mandoki
 
Vol 6, No 1 (2002) An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love Abstract   HTML
Roger Dawkins
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Analogue Film, Digital Discourse, on Sean Cubitt’s The Cinema Effect Abstract   HTML
Richard Misek
 
Vol 2, No 1 (1998) Analytic Philosophy and Film: On Film Theory and Philosophy, edited by Richard Allen and Murray Smith Details   PDF
Samuel Guttenplan
 
Vol 11, No 3 (2007): Encore: Lacan and Film André Téchiné: The Subtle Exploration of Identities: Bill Marshall (2007) André Téchiné Details   PDF
Isabelle Vanderschelden
 
Vol 11, No 3 (2007): Encore: Lacan and Film Andrea Sabbadini, ed. (2003) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema Details   PDF
Benedicte Coste
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Andrew Asibong (2008) François Ozon Details   Untitled ()   PDF
Ger Zielinski
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Angelic Conversations Abstract
Jason Wakefield
 
Vol 15, No 2 (2011): The Disgust Issue Annie van den Oever, ed. (2010) Ostrannenie Details   PDF
Lara Alexandra Cox
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground Abstract   HTML
Elena del Rio
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Apocalypse Too Soon, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Karin Badt
 
Vol 10, No 1 (2006): Reanimating the Auteur Apprehending Beauty: Michel Chion (2004) The Thin Red Line Details   PDF
Ian-Malcolm Rijsdijk
 
Vol 2, No 1 (1998) Apprehending Deleuze Apprehending Cinema: Der Film bei Deleuze/Le cinema selon Deleuze, edited by Oliver Fahle and Lorenz Engell Details   PDF
Edward R. O'Neill
 
Vol 2, No 1 (1998) Art and Ethics Reunited: Aesthetics and Ethics, edited by Jerrold Levinson Details   PDF
Aaron Meskin
 
Vol 4, No 1 (2000) Art For All 'Time' Abstract   HTML
Donato Totaro
 
Vol 5, No 1 (2001) Art Objects Abstract   HTML
Dorian Stuber
 
Vol 6, No 1 (2002) Art, Politics, and Taking Sides: An Interview with Istvan Szabo Abstract   HTML
Marty Fairbairn, Istvan Szabo
 
Vol 3, No 1 (1999) As Animals Might Dream Abstract   HTML
Erica Sheen
 
Vol 3, No 1 (1999) Assessing Ong Abstract   HTML
Phillip H. Gochenour
 
Vol 6, No 2 (2002): French Cinema Issue Avant-Garde Meat Abstract   HTML
Jake Kennedy
 
Vol 14, No 1 (2010) ‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds Abstract   PDF
Bruno Lessard
 
Vol 17 (2013) Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt Abstract   PDF
Justine McGill
 
Vol 16 (2012) Baroque Cinématographique: Un essai sur le Cinéma de Raoul Ruiz-Review Details
Maurizio Viano
 
Vol 10, No 3 (2006) Based on a True Story: New York Film Festival 2006 Report (Part Two) Details   PDF
Martha P. Nochimson
 
Vol 3, No 1 (1999) Bazin at Last; or, The Style Is the Man Himself Abstract   HTML
Dan Friedman
 
Vol 8, No 1 (2004): British, German, French Cinema B.B., on Sue Harris Bertrand Blier Abstract   HTML
Victoria Reid
 
Vol 2, No 1 (1998) BeauKhoo Exceptions: A Reply to Olivia Khoo Details   PDF
Harvey Roy Greenberg
 
Vol 2, No 1 (1998) Beauty Lies in the Eye (So Why Can't I Touch It?): On Brian Massumi, Guest Editor, 'Deleuze, Guattari and the Philosophy of Expression', Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (Vol. 24 no. 3, 1997) Details   PDF
Michael Goddard
 
Vol 5, No 1 (2001) Behold Their Quarter'd Fires Abstract   HTML
Henry Breitrose
 
Vol 18 (2014) Being on the Outside: Cinematic Automatism in Stanley Cavell’s The World Viewed Abstract   PDF
Lisa Trahair
 
Vol 5, No 2 (2001): Deleuze Special Issue Bergson: Before the Deleuze Abstract   HTML
Jinhee Choi
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Berlin International Film Festival - Berlinale 2011 Details   PDF
Alison Elizabeth Frank
 
Vol 8, No 1 (2004): British, German, French Cinema Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway Abstract   HTML
Trevor G. Elkington
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Between the Carnival and the Panopticon, on Scott Bukatman's Matters of Gravity: Special Effects and Supermen in the 20th Century Abstract   HTML
Mary Helen Kolisnyk
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Between Utopia and Event: Beyond the Banality of Local Politics in Eisenstein Abstract   PDF
Julia Vassilieva
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age Abstract   HTML
Edward S. Small
 
Vol 14, No 1 (2010) Beyond Internalism and Externalism: Husserl and Sartre’s Image Consciousness in Hitchcock and Buñuel Abstract   PDF
Gregory Minissale
 
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