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Issue Title
Vol 17 (2013) 'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There Abstract   PDF
Carolyn D'Cruz, Glenn D'Cruz
Vol 17 (2013) 'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner Abstract   PDF
Andrew Norris
Vol 11, No 3 (2007): Encore: Lacan and Film 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2 Details   PDF
Mark Fisher
Vol 2, No 1 (1998) 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics Details   PDF
David Sullivan
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema 'It Ain't Me Babe', a response to Brunette's review Abstract   HTML
Geoffrey Nowell-Smith
Vol 17 (2013) 'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) Abstract   PDF
Mark Cresswell, Zulfia Karimova
Vol 9, No 1 (2005): Film Theory 'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey Abstract   HTML
Matt Lee
Vol 13, No 1 (2009) 'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne Details   PDF
R. D. Crano
Vol 17 (2013) 'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz Abstract   PDF
Justin Remes
Vol 17 (2013) 'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc Abstract   PDF
Ros Murray
Vol 3, No 1 (1999) 'To See or Not To See', That Is the Question Abstract   HTML
Kathleen Johnson
Vol 8, No 2 (2004) Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace Abstract   HTML
Natalia Skradol
Vol 19 (2015) Anti-Christ: Tragedy, Farce or Game? Abstract   PDF
Jan Simons
Vol 11, No 3 (2007): Encore: Lacan and Film Antiphusis: Werner Herzog's Grizzly Man Details   PDF
Benjamin Noys
Vol 5, No 1 (2001) Cat People: A Screening with Commentary Abstract   HTML
David Annandale
Vol 19 (2015) Films Blancs: Luminosity in the Films of Michael Mann Abstract   PDF
Davide Panagia
Vol 19 (2015) Happy-Go-Lucky Revisited: A Response to Basileios Kroustallis Abstract   PDF
Christopher Grau
Vol 18 (2014) Keynote Article: On Stanley Cavell's Band Wagon Abstract   PDF
William Rothman
Vol 11, No 1 (2007) Kuhle Wampe: Politics of Montage, De-montage of Politics? Details   PDF
Gal Kirn
Vol 11, No 3 (2007): Encore: Lacan and Film L’Atalante Lost and Regained: Michael Temple (2006) Jean Vigo (French Film Directors) Details   PDF
Michael Abecassis
Vol 8, No 2 (2004) Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars Abstract   HTML
Robert Koehler
Vol 12, No 2 (2008) The Denazification of MH: The Struggle with Being and the Philosophical Confrontation with the Ancient Greeks in Heidegger’s Originary Politics Details   PDF
James Magrini
Vol 17 (2013) The Ister: Cinema's Interruption Abstract   PDF
Linda Daley
Vol 17 (2013) Throne of Blood and the Metaphysics of Tragedy Abstract   PDF
Henry Somers-Hall
Vol 18 (2014) Vertigo and the Spectator of Film Analysis Abstract   PDF
Andrew Klevan
Vol 17 (2013) Ghost in the Shell 2, Technicity and the Subject Abstract   PDF
Daniel Hourigan
Vol 16 (2012) Groundhog Day and the Good Life Abstract   PDF
Diana Abad
Vol 2, No 1 (1998) A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture, edited by Peter Brunette and David Wills Details   PDF
Erin Manning
Vol 12, No 2 (2008) A Cyborg’s Testimonial: Mourning Blade Runner’s Cryptic Images Details   PDF
R. Pope
Vol 8, No 2 (2004) A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema Abstract   HTML
Daniel Barnett
Vol 5, No 1 (2001) A Documentarian's Call to Arms: On Vaughan's For Documentary Abstract   HTML
Stephen Charbonneau
Vol 3, No 1 (1999) A Formalist Reborn Abstract   HTML
Ian Verstegen
Vol 3, No 1 (1999) A Future Aesthetic Abstract   HTML
Daniel Palmer
Vol 10, No 3 (2006) A Heideggerian Cinema? On Terrence Malick's The Thin Red Line Abstract   PDF
Robert Sinnerbrink
Vol 1, No 1 (1997) A Humean Definition of Horror Abstract   PDF
Daniel Shaw
Vol 4, No 1 (2000) A Modest Employee of the Cinema vs The Big Garage Abstract   HTML
Martha P. Nochimson
Vol 2, No 1 (1998) A Naive Reply to MacLennan and Raskin Details   PDF
Carl R. Plantinga
Vol 17 (2013) A New/Old Ontology of Film Abstract   PDF
Rafe McGregor
Vol 3, No 1 (1999) A Non-Critical Review Abstract   HTML
Margaret E. Johnson
Vol 6, No 1 (2002) A Non-Replying Reply to Kretzschmar Abstract   HTML
Jean-Luc Nancy
Vol 5, No 1 (2001) A Patient Cinema or a Cinema of Patience? (Robert Bresson for Foreigners Abstract   HTML
Thomas Deane Tucker
Vol 12, No 2 (2008) A Rejoinder to Noël Carrol's The Philosophy of Motion Pictures Details   PDF
Daniel Shaw
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital A Reply to Kinsey Abstract   HTML
Edward S. Small
Vol 7, No 1 (2003) A Reply to Mogg and Chopra-Gant Abstract   HTML
Deborah Thomas
Vol 9, No 1 (2005): Film Theory A Response to Patrick ffrench and Peter Caws Abstract   HTML
Leo Bersani, Ulysse Dutoit
Vol 3, No 1 (1999) A Site for Sore Eyes Abstract   HTML
David Martin-Jones
Vol 3, No 1 (1999) A State of Crisis Abstract   HTML
Sylvie Blum
Vol 7, No 5 (2003): Soviet and Asian Cinemas A (Ukrainian) Life in Soviet Film, on George O. Liber Alexander Dovzhenko: A Life in Soviet Film Abstract   HTML
John Riley
Vol 7, No 6 (2003): Film History, Theory and Philosophy A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood Abstract   HTML
John S. Vassar
Vol 18 (2014) Acknowledgment - No Knowledge Without It: Introduction to William Rothman and his Work Abstract   PDF
Alan Cholodenko
Vol 4, No 1 (2000) Admiring Kieslowski Abstract   HTML
Jeffrey Hanson
Vol 11, No 3 (2007): Encore: Lacan and Film Adorno Damned by a Devotee?: Alastair Morgan (2007) Adorno’s Concept of Life Details   PDF
Nicholas Joll
Vol 19 (2015) Adrian J. Ivakhiv (2013) Ecologies of the Moving Image: Cinema, Affect, Nature Details   PDF
Helen Hughes
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination Abstract   HTML
Vittorio Frigerio
Vol 6, No 3 (2002): Future Cinema Issue After Photography: Deconstructing the Era of the Image Abstract   HTML
Jeffrey S. Longacre
Vol 10, No 2 (2006): Continental Film-Philosophy Today Against Fetishism: The Moving Quiescence of Life 24 Frames a Second: Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image Details   PDF
Maria Walsh
Vol 3, No 1 (1999) Agnes Varda: Questions at Twenty-Four Frames a Second Abstract   HTML
Mike Hakata
Vol 19 (2015) Akira Mizuta Lippit (2012) Ex-Cinema: From a Theory of Experimental Film and Video Details   PDF
Aimee Mollaghan
Vol 15, No 2 (2011): The Disgust Issue Alain Badiou (2010) Cinéma Details   PDF
Manuel Ramos
Vol 17 (2013) Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema Details   PDF
David H. Fleming
Vol 16 (2012) Alban Pichon (2009) Le cinema de Leos Carax. L’experience du déjà-vu Details   PDF
Daniele Rugo
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Alexander García Düttmann (2009) Visconti: Insights into Flesh and Blood Details   PDF
J. Douglas Macready
Vol 16 (2012) Alexie Tcheuyap (2011) Postnationalist African Cinemas Details   PDF
Zachary Thomas Ingle
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Alien Ways of Thinking, on Stephen Mulhall On Film Abstract   HTML
Julian Baggini
Vol 2, No 1 (1998) All the World's a Stage: On Timothy Murray, Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Abstract   PDF
Joan Hawkins
Vol 19 (2015) Ambivalent Screens: Quentin Tarantino and the Power of Vision Abstract   PDF
Frida Beckman
Vol 16 (2012) Amy Herzog (2010) Dreams of Difference, Songs of the Same: The Musical Moment in Film Details   PDF
Mithuraaj Dhusiya
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema An Early Cinema Textbook, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory Abstract   HTML
Richard Schellhammer
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema An Economy of Annihilation, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Daniel Herbert
Vol 2, No 1 (1998) An Enigmatic Text: Schefer's Quest upon a Thing Unknown: On Jean Louis Schefer, The Enigmatic Body: Essays on the Arts Abstract   PDF
Katya Mandoki
Vol 6, No 1 (2002) An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love Abstract   HTML
Roger Dawkins
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Analogue Film, Digital Discourse, on Sean Cubitt’s The Cinema Effect Abstract   HTML
Richard Misek
Vol 2, No 1 (1998) Analytic Philosophy and Film: On Film Theory and Philosophy, edited by Richard Allen and Murray Smith Details   PDF
Samuel Guttenplan
Vol 19 (2015) Anat Pick (2011) Creaturely Poetics: Animality and Vulnerability in Literature and Film Details   PDF
Anthony Siu
Vol 11, No 3 (2007): Encore: Lacan and Film André Téchiné: The Subtle Exploration of Identities: Bill Marshall (2007) André Téchiné Details   PDF
Isabelle Vanderschelden
Vol 11, No 3 (2007): Encore: Lacan and Film Andrea Sabbadini, ed. (2003) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema Details   PDF
Benedicte Coste
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Andrew Asibong (2008) François Ozon Details   Untitled ()   PDF
Ger Zielinski
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Angelic Conversations Abstract
Jason Wakefield
Vol 15, No 2 (2011): The Disgust Issue Annie van den Oever, ed. (2010) Ostrannenie Details   PDF
Lara Alexandra Cox
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground Abstract   HTML
Elena del Rio
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Apocalypse Too Soon, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Karin Badt
Vol 10, No 1 (2006): Reanimating the Auteur Apprehending Beauty: Michel Chion (2004) The Thin Red Line Details   PDF
Ian-Malcolm Rijsdijk
Vol 2, No 1 (1998) Apprehending Deleuze Apprehending Cinema: Der Film bei Deleuze/Le cinema selon Deleuze, edited by Oliver Fahle and Lorenz Engell Details   PDF
Edward R. O'Neill
Vol 2, No 1 (1998) Art and Ethics Reunited: Aesthetics and Ethics, edited by Jerrold Levinson Details   PDF
Aaron Meskin
Vol 4, No 1 (2000) Art For All 'Time' Abstract   HTML
Donato Totaro
Vol 5, No 1 (2001) Art Objects Abstract   HTML
Dorian Stuber
Vol 6, No 1 (2002) Art, Politics, and Taking Sides: An Interview with Istvan Szabo Abstract   HTML
Marty Fairbairn, Istvan Szabo
Vol 3, No 1 (1999) As Animals Might Dream Abstract   HTML
Erica Sheen
Vol 3, No 1 (1999) Assessing Ong Abstract   HTML
Phillip H. Gochenour
Vol 6, No 2 (2002): French Cinema Issue Avant-Garde Meat Abstract   HTML
Jake Kennedy
Vol 14, No 1 (2010) ‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds Abstract   PDF
Bruno Lessard
Vol 17 (2013) Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt Abstract   PDF
Justine McGill
Vol 16 (2012) Baroque Cinématographique: Un essai sur le Cinéma de Raoul Ruiz-Review Details
Maurizio Viano
Vol 19 (2015) Barry Keith Grant, ed. (2012) The Film Genre Reader IV Details   PDF
Keith Hennessey Brown
Vol 10, No 3 (2006) Based on a True Story: New York Film Festival 2006 Report (Part Two) Details   PDF
Martha P. Nochimson
Vol 3, No 1 (1999) Bazin at Last; or, The Style Is the Man Himself Abstract   HTML
Dan Friedman
Vol 8, No 1 (2004): British, German, French Cinema B.B., on Sue Harris Bertrand Blier Abstract   HTML
Victoria Reid
Vol 2, No 1 (1998) BeauKhoo Exceptions: A Reply to Olivia Khoo Details   PDF
Harvey Roy Greenberg
Vol 2, No 1 (1998) Beauty Lies in the Eye (So Why Can't I Touch It?): On Brian Massumi, Guest Editor, 'Deleuze, Guattari and the Philosophy of Expression', Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (Vol. 24 no. 3, 1997) Details   PDF
Michael Goddard
Vol 5, No 1 (2001) Behold Their Quarter'd Fires Abstract   HTML
Henry Breitrose
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