Browse Title Index


 
Issue Title
 
Vol 17, No 1 (2013) 'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There Abstract   PDF
Carolyn D'Cruz, Glenn D'Cruz
 
Vol 17, No 1 (2013) 'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner Abstract   PDF
Andrew Norris
 
Vol 11, No 3 (2007): Encore: Lacan and Film 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2 Details   PDF
Mark Fisher
 
Vol 2, No 1 (1998) 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics Details   PDF
David Sullivan
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema 'It Ain't Me Babe', a response to Brunette's review Abstract   HTML
Geoffrey Nowell-Smith
 
Vol 17, No 1 (2013) 'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) Abstract   PDF
Mark Cresswell, Zulfia Karimova
 
Vol 9, No 1 (2005): Film Theory 'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey Abstract   HTML
Matt Lee
 
Vol 13, No 1 (2009) 'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne Details   PDF
R. D. Crano
 
Vol 17, No 1 (2013) 'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz Abstract   PDF
Justin Remes
 
Vol 17, No 1 (2013) 'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc Abstract   PDF
Ros Murray
 
Vol 3, No 1 (1999) 'To See or Not To See', That Is the Question Abstract   HTML
Kathleen Johnson
 
Vol 8, No 2 (2004) Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace Abstract   HTML
Natalia Skradol
 
Vol 11, No 3 (2007): Encore: Lacan and Film Antiphusis: Werner Herzog's Grizzly Man Details   PDF
Benjamin Noys
 
Vol 5, No 1 (2001) Cat People: A Screening with Commentary Abstract   HTML
David Annandale
 
Vol 11, No 1 (2007) Kuhle Wampe: Politics of Montage, De-montage of Politics? Details   PDF
Gal Kirn
 
Vol 11, No 3 (2007): Encore: Lacan and Film L’Atalante Lost and Regained: Michael Temple (2006) Jean Vigo (French Film Directors) Details   PDF
Michael Abecassis
 
Vol 8, No 2 (2004) Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars Abstract   HTML
Robert Koehler
 
Vol 12, No 2 (2008) The Denazification of MH: The Struggle with Being and the Philosophical Confrontation with the Ancient Greeks in Heidegger’s Originary Politics Details   PDF
James Magrini
 
Vol 17, No 1 (2013) The Ister: Cinema's Interruption Abstract   PDF
Linda Daley
 
Vol 17, No 1 (2013) Throne of Blood and the Metaphysics of Tragedy Abstract   PDF
Henry Somers-Hall
 
Vol 17, No 1 (2013) Ghost in the Shell 2, Technicity and the Subject Abstract   PDF
Daniel Hourigan
 
Vol 16, No 1 (2012) Groundhog Day and the Good Life Abstract   PDF
Diana Abad
 
Vol 2, No 1 (1998) A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture, edited by Peter Brunette and David Wills Details   PDF
Erin Manning
 
Vol 12, No 2 (2008) A Cyborg’s Testimonial: Mourning Blade Runner’s Cryptic Images Details   PDF
R. Pope
 
Vol 8, No 2 (2004) A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema Abstract   HTML
Daniel Barnett
 
Vol 5, No 1 (2001) A Documentarian's Call to Arms: On Vaughan's For Documentary Abstract   HTML
Stephen Charbonneau
 
Vol 3, No 1 (1999) A Formalist Reborn Abstract   HTML
Ian Verstegen
 
Vol 3, No 1 (1999) A Future Aesthetic Abstract   HTML
Daniel Palmer
 
Vol 10, No 3 (2006) A Heideggerian Cinema? On Terrence Malick's The Thin Red Line Abstract   PDF
Robert Sinnerbrink
 
Vol 1, No 1 (1997) A Humean Definition of Horror Abstract   PDF
Daniel Shaw
 
Vol 4, No 1 (2000) A Modest Employee of the Cinema vs The Big Garage Abstract   HTML
Martha P. Nochimson
 
Vol 2, No 1 (1998) A Naive Reply to MacLennan and Raskin Details   PDF
Carl R. Plantinga
 
Vol 17, No 1 (2013) A New/Old Ontology of Film Abstract   PDF
Rafe McGregor
 
Vol 3, No 1 (1999) A Non-Critical Review Abstract   HTML
Margaret E. Johnson
 
Vol 6, No 1 (2002) A Non-Replying Reply to Kretzschmar Abstract   HTML
Jean-Luc Nancy
 
Vol 5, No 1 (2001) A Patient Cinema or a Cinema of Patience? (Robert Bresson for Foreigners Abstract   HTML
Thomas Deane Tucker
 
Vol 12, No 2 (2008) A Rejoinder to Noël Carrol’s The Philosophy of Motion Pictures Details   PDF
Daniel Shaw
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital A Reply to Kinsey Abstract   HTML
Edward S. Small
 
Vol 7, No 1 (2003) A Reply to Mogg and Chopra-Gant Abstract   HTML
Deborah Thomas
 
Vol 9, No 1 (2005): Film Theory A Response to Patrick ffrench and Peter Caws Abstract   HTML
Leo Bersani, Ulysse Dutoit
 
Vol 3, No 1 (1999) A Site for Sore Eyes Abstract   HTML
David Martin-Jones
 
Vol 3, No 1 (1999) A State of Crisis Abstract   HTML
Sylvie Blum
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas A (Ukrainian) Life in Soviet Film, on George O. Liber Alexander Dovzhenko: A Life in Soviet Film Abstract   HTML
John Riley
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood Abstract   HTML
John S. Vassar
 
Vol 4, No 1 (2000) Admiring Kieslowski Abstract   HTML
Jeffrey Hanson
 
Vol 11, No 3 (2007): Encore: Lacan and Film Adorno Damned by a Devotee?: Alastair Morgan (2007) Adorno’s Concept of Life Details   PDF
Nicholas Joll
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination Abstract   HTML
Vittorio Frigerio
 
Vol 6, No 3 (2002): Future Cinema Issue After Photography: Deconstructing the Era of the Image Abstract   HTML
Jeffrey S. Longacre
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Against Fetishism: The Moving Quiescence of Life 24 Frames a Second: Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image Details   PDF
Maria Walsh
 
Vol 3, No 1 (1999) Agnes Varda: Questions at Twenty-Four Frames a Second Abstract   HTML
Mike Hakata
 
Vol 15, No 2 (2011): The Disgust Issue Alain Badiou (2010) Cinéma Details   PDF
Manuel Ramos
 
Vol 17, No 1 (2013) Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema Details   PDF
David H. Fleming
 
Vol 16, No 1 (2012) Alban Pichon (2009) Le cinema de Leos Carax. L’experience du déjà-vu Details   PDF
Daniele Rugo
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Alexander García Düttmann (2009) Visconti: Insights into Flesh and Blood Details   PDF
J. Douglas Macready
 
Vol 16, No 1 (2012) Alexie Tcheuyap (2011) Postnationalist African Cinemas Details   PDF
Zachary Thomas Ingle
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Alien Ways of Thinking, on Stephen Mulhall On Film Abstract   HTML
Julian Baggini
 
Vol 2, No 1 (1998) All the World's a Stage: On Timothy Murray, Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Abstract   PDF
Joan Hawkins
 
Vol 16, No 1 (2012) Amy Herzog (2010) Dreams of Difference, Songs of the Same: The Musical Moment in Film Details   PDF
Mithuraaj Dhusiya
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema An Early Cinema Textbook, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory Abstract   HTML
Richard Schellhammer
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema An Economy of Annihilation, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Daniel Herbert
 
Vol 2, No 1 (1998) An Enigmatic Text: Schefer's Quest upon a Thing Unknown: On Jean Louis Schefer, The Enigmatic Body: Essays on the Arts Abstract   PDF
Katya Mandoki
 
Vol 6, No 1 (2002) An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love Abstract   HTML
Roger Dawkins
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Analogue Film, Digital Discourse, on Sean Cubitt’s The Cinema Effect Abstract   HTML
Richard Misek
 
Vol 2, No 1 (1998) Analytic Philosophy and Film: On Film Theory and Philosophy, edited by Richard Allen and Murray Smith Details   PDF
Samuel Guttenplan
 
Vol 11, No 3 (2007): Encore: Lacan and Film André Téchiné: The Subtle Exploration of Identities: Bill Marshall (2007) André Téchiné Details   PDF
Isabelle Vanderschelden
 
Vol 11, No 3 (2007): Encore: Lacan and Film Andrea Sabbadini, ed. (2003) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema Details   PDF
Benedicte Coste
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Andrew Asibong (2008) François Ozon Details   Untitled ()   PDF
Ger Zielinski
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Angelic Conversations Abstract
Jason Wakefield
 
Vol 15, No 2 (2011): The Disgust Issue Annie van den Oever, ed. (2010) Ostrannenie Details   PDF
Lara Alexandra Cox
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground Abstract   HTML
Elena del Rio
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Apocalypse Too Soon, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Karin Badt
 
Vol 10, No 1 (2006): Reanimating the Auteur Apprehending Beauty: Michel Chion (2004) The Thin Red Line Details   PDF
Ian-Malcolm Rijsdijk
 
Vol 2, No 1 (1998) Apprehending Deleuze Apprehending Cinema: Der Film bei Deleuze/Le cinema selon Deleuze, edited by Oliver Fahle and Lorenz Engell Details   PDF
Edward R. O'Neill
 
Vol 2, No 1 (1998) Art and Ethics Reunited: Aesthetics and Ethics, edited by Jerrold Levinson Details   PDF
Aaron Meskin
 
Vol 4, No 1 (2000) Art For All 'Time' Abstract   HTML
Donato Totaro
 
Vol 5, No 1 (2001) Art Objects Abstract   HTML
Dorian Stuber
 
Vol 6, No 1 (2002) Art, Politics, and Taking Sides: An Interview with Istvan Szabo Abstract   HTML
Marty Fairbairn, Istvan Szabo
 
Vol 3, No 1 (1999) As Animals Might Dream Abstract   HTML
Erica Sheen
 
Vol 3, No 1 (1999) Assessing Ong Abstract   HTML
Phillip H. Gochenour
 
Vol 6, No 2 (2002): French Cinema Issue Avant-Garde Meat Abstract   HTML
Jake Kennedy
 
Vol 14, No 1 (2010) ‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds Abstract   PDF
Bruno Lessard
 
Vol 17, No 1 (2013) Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt Abstract   PDF
Justine McGill
 
Vol 16, No 1 (2012) Baroque Cinématographique: Un essai sur le Cinéma de Raoul Ruiz-Review Details
Maurizio Viano
 
Vol 10, No 3 (2006) Based on a True Story: New York Film Festival 2006 Report (Part Two) Details   PDF
Martha P. Nochimson
 
Vol 3, No 1 (1999) Bazin at Last; or, The Style Is the Man Himself Abstract   HTML
Dan Friedman
 
Vol 8, No 1 (2004): British, German, French Cinema B.B., on Sue Harris Bertrand Blier Abstract   HTML
Victoria Reid
 
Vol 2, No 1 (1998) BeauKhoo Exceptions: A Reply to Olivia Khoo Details   PDF
Harvey Roy Greenberg
 
Vol 2, No 1 (1998) Beauty Lies in the Eye (So Why Can't I Touch It?): On Brian Massumi, Guest Editor, 'Deleuze, Guattari and the Philosophy of Expression', Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (Vol. 24 no. 3, 1997) Details   PDF
Michael Goddard
 
Vol 5, No 1 (2001) Behold Their Quarter'd Fires Abstract   HTML
Henry Breitrose
 
Vol 5, No 2 (2001): Deleuze Special Issue Bergson: Before the Deleuze Abstract   HTML
Jinhee Choi
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Berlin International Film Festival - Berlinale 2011 Details   PDF
Alison Elizabeth Frank
 
Vol 8, No 1 (2004): British, German, French Cinema Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway Abstract   HTML
Trevor G. Elkington
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Between the Carnival and the Panopticon, on Scott Bukatman's Matters of Gravity: Special Effects and Supermen in the 20th Century Abstract   HTML
Mary Helen Kolisnyk
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Between Utopia and Event: Beyond the Banality of Local Politics in Eisenstein Abstract   PDF
Julia Vassilieva
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age Abstract   HTML
Edward S. Small
 
Vol 14, No 1 (2010) Beyond Internalism and Externalism: Husserl and Sartre’s Image Consciousness in Hitchcock and Buñuel Abstract   PDF
Gregory Minissale
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Beyond Ontology: Levinas and the Ethical Frame in Film Details   PDF
Sam B. Girgus
 
Vol 2, No 1 (1998) Beyond Rhetoric (and Scepticism): A Critical Realist Perspective on Carl R. Plantinga: On Carl R. Plantinga, Rhetoric and Representation in Nonfiction Film Details   PDF
Gary MacLennan
 
Vol 3, No 1 (1999) Bill Viola and the Video Sublime Abstract   HTML
Cynthia A. Freeland
 
Vol 5, No 1 (2001) Black Cats, Dark Rooms, and Paper Tigers: A Reply to Petric and Grodal Abstract   HTML
Warren Buckland
 
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