| Issue | Title | |
| Vol 11, No 3 (2007): Encore: Lacan and Film | 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2 | Details PDF |
| Mark Fisher | ||
| Vol 2, No 1 (1998) | 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics | Details PDF |
| David Sullivan | ||
| Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema | 'It Ain't Me Babe', a response to Brunette's review | Abstract HTML |
| Geoffrey Nowell-Smith | ||
| Vol 9, No 1 (2005): Film Theory | 'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey | Abstract HTML |
| Matt Lee | ||
| Vol 13, No 1 (2009) | 'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne | Details PDF |
| R. D. Crano | ||
| Vol 3, No 1 (1999) | 'To See or Not To See', That Is the Question | Abstract HTML |
| Kathleen Johnson | ||
| Vol 8, No 2 (2004) | Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace | Abstract HTML |
| Natalia Skradol | ||
| Vol 11, No 3 (2007): Encore: Lacan and Film | Antiphusis: Werner Herzog's Grizzly Man | Details PDF |
| Benjamin Noys | ||
| Vol 5, No 1 (2001) | Cat People: A Screening with Commentary | Abstract HTML |
| David Annandale | ||
| Vol 11, No 1 (2007) | Kuhle Wampe: Politics of Montage, De-montage of Politics? | Details PDF |
| Gal Kirn | ||
| Vol 11, No 3 (2007): Encore: Lacan and Film | L’Atalante Lost and Regained: Michael Temple (2006) Jean Vigo (French Film Directors) | Details PDF |
| Michael Abecassis | ||
| Vol 8, No 2 (2004) | Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars | Abstract HTML |
| Robert Koehler | ||
| Vol 12, No 2 (2008) | The Denazification of MH: The Struggle with Being and the Philosophical Confrontation with the Ancient Greeks in Heidegger’s Originary Politics | Details PDF |
| James Magrini | ||
| Vol 2, No 1 (1998) | A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture, edited by Peter Brunette and David Wills | Details PDF |
| Erin Manning | ||
| Vol 12, No 2 (2008) | A Cyborg’s Testimonial: Mourning Blade Runner’s Cryptic Images | Details PDF |
| R. Pope | ||
| Vol 8, No 2 (2004) | A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema | Abstract HTML |
| Daniel Barnett | ||
| Vol 5, No 1 (2001) | A Documentarian's Call to Arms: On Vaughan's For Documentary | Abstract HTML |
| Stephen Charbonneau | ||
| Vol 3, No 1 (1999) | A Formalist Reborn | Abstract HTML |
| Ian Verstegen | ||
| Vol 3, No 1 (1999) | A Future Aesthetic | Abstract HTML |
| Daniel Palmer | ||
| Vol 10, No 3 (2006) | A Heideggerian Cinema? On Terrence Malick’s The Thin Red Line | Details PDF |
| Robert Sinnerbrink | ||
| Vol 1, No 1 (1997) | A Humean Definition of Horror | Abstract PDF |
| Daniel Shaw | ||
| Vol 4, No 1 (2000) | A Modest Employee of the Cinema vs The Big Garage | Abstract HTML |
| Martha P. Nochimson | ||
| Vol 2, No 1 (1998) | A Naive Reply to MacLennan and Raskin | Details PDF |
| Carl R. Plantinga | ||
| Vol 3, No 1 (1999) | A Non-Critical Review | Abstract HTML |
| Margaret E. Johnson | ||
| Vol 6, No 1 (2002) | A Non-Replying Reply to Kretzschmar | Abstract HTML |
| Jean-Luc Nancy | ||
| Vol 5, No 1 (2001) | A Patient Cinema or a Cinema of Patience? (Robert Bresson for Foreigners | Abstract HTML |
| Thomas Deane Tucker | ||
| Vol 12, No 2 (2008) | A Rejoinder to Noël Carrol’s The Philosophy of Motion Pictures | Details PDF |
| Daniel Shaw | ||
| Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital | A Reply to Kinsey | Abstract HTML |
| Edward S. Small | ||
| Vol 7, No 1 (2003) | A Reply to Mogg and Chopra-Gant | Abstract HTML |
| Deborah Thomas | ||
| Vol 9, No 1 (2005): Film Theory | A Response to Patrick ffrench and Peter Caws | Abstract HTML |
| Leo Bersani, Ulysse Dutoit | ||
| Vol 3, No 1 (1999) | A Site for Sore Eyes | Abstract HTML |
| David Martin-Jones | ||
| Vol 3, No 1 (1999) | A State of Crisis | Abstract HTML |
| Sylvie Blum | ||
| Vol 7, No 5 (2003): Soviet and Asian Cinemas | A (Ukrainian) Life in Soviet Film, on George O. Liber Alexander Dovzhenko: A Life in Soviet Film | Abstract HTML |
| John Riley | ||
| Vol 7, No 6 (2003): Film History, Theory and Philosophy | A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood | Abstract HTML |
| John S. Vassar | ||
| Vol 4, No 1 (2000) | Admiring Kieslowski | Abstract HTML |
| Jeffrey Hanson | ||
| Vol 11, No 3 (2007): Encore: Lacan and Film | Adorno Damned by a Devotee?: Alastair Morgan (2007) Adorno’s Concept of Life | Details PDF |
| Nicholas Joll | ||
| Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital | Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination | Abstract HTML |
| Vittorio Frigerio | ||
| Vol 6, No 3 (2002): Future Cinema Issue | After Photography: Deconstructing the Era of the Image | Abstract HTML |
| Jeffrey S. Longacre | ||
| Vol 10, No 2 (2006): Continental Film-Philosophy Today | Against Fetishism: The Moving Quiescence of Life 24 Frames a Second: Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image | Details PDF |
| Maria Walsh | ||
| Vol 3, No 1 (1999) | Agnes Varda: Questions at Twenty-Four Frames a Second | Abstract HTML |
| Mike Hakata | ||
| Vol 15, No 2 (2011): The Disgust Issue | Alain Badiou (2010) Cinéma | Details PDF |
| Manuel Ramos | ||
| Vol 14, No 2 (2010): Baudrillard and Film-Philosophy | Alexander García Düttmann (2009) Visconti: Insights into Flesh and Blood | Details PDF |
| J. Douglas Macready | ||
| Vol 7, No 3 (2003): Science-Fiction Film as Philosophy | Alien Ways of Thinking, on Stephen Mulhall On Film | Abstract HTML |
| Julian Baggini | ||
| Vol 2, No 1 (1998) | All the World's a Stage: On Timothy Murray, Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art | Abstract PDF |
| Joan Hawkins | ||
| Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema | An Early Cinema Textbook, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory | Abstract HTML |
| Richard Schellhammer | ||
| Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema | An Economy of Annihilation, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture | Abstract HTML |
| Daniel Herbert | ||
| Vol 2, No 1 (1998) | An Enigmatic Text: Schefer's Quest upon a Thing Unknown: On Jean Louis Schefer, The Enigmatic Body: Essays on the Arts | Abstract PDF |
| Katya Mandoki | ||
| Vol 6, No 1 (2002) | An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love | Abstract HTML |
| Roger Dawkins | ||
| Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema | Analogue Film, Digital Discourse, on Sean Cubitt’s The Cinema Effect | Abstract HTML |
| Richard Misek | ||
| Vol 2, No 1 (1998) | Analytic Philosophy and Film: On Film Theory and Philosophy, edited by Richard Allen and Murray Smith | Details PDF |
| Samuel Guttenplan | ||
| Vol 11, No 3 (2007): Encore: Lacan and Film | André Téchiné: The Subtle Exploration of Identities: Bill Marshall (2007) André Téchiné | Details PDF |
| Isabelle Vanderschelden | ||
| Vol 11, No 3 (2007): Encore: Lacan and Film | Andrea Sabbadini, ed. (2003) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema | Details PDF |
| Benedicte Coste | ||
| Vol 14, No 2 (2010): Baudrillard and Film-Philosophy | Andrew Asibong (2008) François Ozon | Details PDF |
| Ger Zielinski | ||
| Vol 15, No 1 (2011): Phenomenology and Psychoanalysis | Angelic Conversations | Abstract |
| Jason Wakefield | ||
| Vol 15, No 2 (2011): The Disgust Issue | Annie van den Oever, ed. (2010) Ostrannenie | Details PDF |
| Lara Alexandra Cox | ||
| Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy | Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground | Abstract HTML |
| Elena del Rio | ||
| Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema | Apocalypse Too Soon, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture | Abstract HTML |
| Karin Badt | ||
| Vol 10, No 1 (2006): Reanimating the Auteur | Apprehending Beauty: Michel Chion (2004) The Thin Red Line | Details PDF |
| Ian-Malcolm Rijsdijk | ||
| Vol 2, No 1 (1998) | Apprehending Deleuze Apprehending Cinema: Der Film bei Deleuze/Le cinema selon Deleuze, edited by Oliver Fahle and Lorenz Engell | Details PDF |
| Edward R. O'Neill | ||
| Vol 2, No 1 (1998) | Art and Ethics Reunited: Aesthetics and Ethics, edited by Jerrold Levinson | Details PDF |
| Aaron Meskin | ||
| Vol 4, No 1 (2000) | Art For All 'Time' | Abstract HTML |
| Donato Totaro | ||
| Vol 5, No 1 (2001) | Art Objects | Abstract HTML |
| Dorian Stuber | ||
| Vol 6, No 1 (2002) | Art, Politics, and Taking Sides: An Interview with Istvan Szabo | Abstract HTML |
| Marty Fairbairn, Istvan Szabo | ||
| Vol 3, No 1 (1999) | As Animals Might Dream | Abstract HTML |
| Erica Sheen | ||
| Vol 3, No 1 (1999) | Assessing Ong | Abstract HTML |
| Phillip H. Gochenour | ||
| Vol 6, No 2 (2002): French Cinema Issue | Avant-Garde Meat | Abstract HTML |
| Jake Kennedy | ||
| Vol 14, No 1 (2010) | ‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds | Abstract PDF |
| Bruno Lessard | ||
| Vol 10, No 3 (2006) | Based on a True Story: New York Film Festival 2006 Report (Part Two) | Details PDF |
| Martha P. Nochimson | ||
| Vol 3, No 1 (1999) | Bazin at Last; or, The Style Is the Man Himself | Abstract HTML |
| Dan Friedman | ||
| Vol 8, No 1 (2004): British, German, French Cinema | B.B., on Sue Harris Bertrand Blier | Abstract HTML |
| Victoria Reid | ||
| Vol 2, No 1 (1998) | BeauKhoo Exceptions: A Reply to Olivia Khoo | Details PDF |
| Harvey Roy Greenberg | ||
| Vol 2, No 1 (1998) | Beauty Lies in the Eye (So Why Can't I Touch It?): On Brian Massumi, Guest Editor, 'Deleuze, Guattari and the Philosophy of Expression', Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (Vol. 24 no. 3, 1997) | Details PDF |
| Michael Goddard | ||
| Vol 5, No 1 (2001) | Behold Their Quarter'd Fires | Abstract HTML |
| Henry Breitrose | ||
| Vol 5, No 2 (2001): Deleuze Special Issue | Bergson: Before the Deleuze | Abstract HTML |
| Jinhee Choi | ||
| Vol 15, No 1 (2011): Phenomenology and Psychoanalysis | Berlin International Film Festival - Berlinale 2011 | Details PDF |
| Alison Elizabeth Frank | ||
| Vol 8, No 1 (2004): British, German, French Cinema | Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway | Abstract HTML |
| Trevor G. Elkington | ||
| Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema | Between the Carnival and the Panopticon, on Scott Bukatman's Matters of Gravity: Special Effects and Supermen in the 20th Century | Abstract HTML |
| Mary Helen Kolisnyk | ||
| Vol 15, No 1 (2011): Phenomenology and Psychoanalysis | Between Utopia and Event: Beyond the Banality of Local Politics in Eisenstein | Abstract PDF |
| Julia Vassilieva | ||
| Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital | Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age | Abstract HTML |
| Edward S. Small | ||
| Vol 14, No 1 (2010) | Beyond Internalism and Externalism: Husserl and Sartre’s Image Consciousness in Hitchcock and Buñuel | Abstract PDF |
| Gregory Minissale | ||
| Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema | Beyond Ontology: Levinas and the Ethical Frame in Film | Details PDF |
| Sam B. Girgus | ||
| Vol 2, No 1 (1998) | Beyond Rhetoric (and Scepticism): A Critical Realist Perspective on Carl R. Plantinga: On Carl R. Plantinga, Rhetoric and Representation in Nonfiction Film | Details PDF |
| Gary MacLennan | ||
| Vol 3, No 1 (1999) | Bill Viola and the Video Sublime | Abstract HTML |
| Cynthia A. Freeland | ||
| Vol 5, No 1 (2001) | Black Cats, Dark Rooms, and Paper Tigers: A Reply to Petric and Grodal | Abstract HTML |
| Warren Buckland | ||
| Vol 15, No 2 (2011): The Disgust Issue | Boaz Hagin (2010) Death in Classical Hollywood Cinema | Details PDF |
| Richard Lindley Armstrong | ||
| Vol 10, No 2 (2006): Continental Film-Philosophy Today | Bodies that Matter: Vivian Sobchack (2004) Carnal Thoughts: Embodiment and Moving Image Culture | Details PDF |
| Douglas Morrey | ||
| Vol 15, No 2 (2011): The Disgust Issue | Body Horror and Post-Socialist Cinema: Györgi Pálfi’s Taxidermia | Abstract PDF |
| Steven Shaviro | ||
| Vol 5, No 1 (2001) | Both Semiotics and Cognitivism? | Abstract HTML |
| Mirko Petric | ||
| Vol 3, No 1 (1999) | Breakdowns of Belief? | Abstract HTML |
| Lewis Johnson | ||
| Vol 15, No 1 (2011): Phenomenology and Psychoanalysis | Brecht Today: Interview with Alexander Kluge | Details PDF |
| Angelos Koutsourakis | ||
| Vol 5, No 1 (2001) | Bressonians on Bresson | Abstract HTML |
| David Sterritt | ||
| Vol 15, No 1 (2011): Phenomenology and Psychoanalysis | Bringing Bodies Back In: For a Phenomenological and Psychoanalytic Film Criticism of Embodied Cultural Identity | Abstract PDF |
| Kate Ince | ||
| Vol 6, No 1 (2002) | Calm - On Terrence Malick's The Thin Red Line | Abstract HTML |
| Simon Critchley | ||
| Vol 14, No 1 (2010) | Cannibalistic Capitalism and other American Delicacies: A Bataillean Taste of The Texas Chain Saw Massacre | Abstract PDF |
| Naomi Merritt | ||
| Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy | Carax - Philosophy in Film: On Daly and Dowd's Leos Carax | Abstract HTML |
| Isabelle Vanderschelden | ||
| Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy | Carax and Deleuze - Shuffling the Decks, a short reply to Hainge's review | Abstract HTML |
| Garin Dowd | ||
| Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy | Carax and the Ambiguities - A Book That Needs To Fail, Perhaps, on Fergus Daly and Garin Dowd's Leos Carax | Abstract HTML |
| Greg Hainge | ||
| Vol 5, No 1 (2001) | Carnival of the Unconscious: On Shohei Imamura | Abstract HTML |
| Catherine Cullen | ||
| Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy | Caroline Bainbridge (2007) The Cinema of Lars von Trier: Authenticity and Artifice | Details PDF |
| Davina Quinlivan | ||
| Vol 10, No 1 (2006): Reanimating the Auteur | Carrie Tarr (2005) Reframing Difference: Beur and Banlieue Filmmaking in France | Details PDF |
| Florian Grandena | ||
| 1 - 100 of 590 Items | 1 2 3 4 5 6 > >> | |
Film-Philosophy | ISSN 1466-4615
Follow @filmphiljournal