Browse Title Index


 
Issue Title
 
Vol 17 (2013) 'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There Abstract   PDF
Carolyn D'Cruz, Glenn D'Cruz
 
Vol 17 (2013) 'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner Abstract   PDF
Andrew Norris
 
Vol 11, No 3 (2007): Encore: Lacan and Film 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2 Details   PDF
Mark Fisher
 
Vol 2, No 1 (1998) 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics Details   PDF
David Sullivan
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema 'It Ain't Me Babe', a response to Brunette's review Abstract   HTML
Geoffrey Nowell-Smith
 
Vol 19 (2015) 'Let me see her face when he kisses her, please': Mediating Emotion and Locating the Melodramatic Mode in Stella Dallas Abstract   PDF
Ilka Brasch
 
Vol 17 (2013) 'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) Abstract   PDF
Mark Cresswell, Zulfia Karimova
 
Vol 9, No 1 (2005): Film Theory 'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey Abstract   HTML
Matt Lee
 
Vol 13, No 1 (2009) 'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne Details   PDF
R. D. Crano
 
Vol 17 (2013) 'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz Abstract   PDF
Justin Remes
 
Vol 17 (2013) 'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc Abstract   PDF
Ros Murray
 
Vol 3, No 1 (1999) 'To See or Not To See', That Is the Question Abstract   HTML
Kathleen Johnson
 
Vol 8, No 2 (2004) Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace Abstract   HTML
Natalia Skradol
 
Vol 19 (2015) Anti-Christ: Tragedy, Farce or Game? Abstract   PDF
Jan Simons
 
Vol 11, No 3 (2007): Encore: Lacan and Film Antiphusis: Werner Herzog's Grizzly Man Details   PDF
Benjamin Noys
 
Vol 5, No 1 (2001) Cat People: A Screening with Commentary Abstract   HTML
David Annandale
 
Vol 19 (2015) Films Blancs: Luminosity in the Films of Michael Mann Abstract   PDF
Davide Panagia
 
Vol 19 (2015) Happy-Go-Lucky Revisited: A Response to Basileios Kroustallis Abstract   PDF
Christopher Grau
 
Vol 18 (2014): On Stanley Cavell Keynote Article: On Stanley Cavell's Band Wagon Abstract   PDF
William Rothman
 
Vol 11, No 1 (2007) Kuhle Wampe: Politics of Montage, De-montage of Politics? Details   PDF
Gal Kirn
 
Vol 11, No 3 (2007): Encore: Lacan and Film L’Atalante Lost and Regained: Michael Temple (2006) Jean Vigo (French Film Directors) Details   PDF
Michael Abecassis
 
Vol 8, No 2 (2004) Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars Abstract   HTML
Robert Koehler
 
Vol 12, No 2 (2008) The Denazification of MH: The Struggle with Being and the Philosophical Confrontation with the Ancient Greeks in Heidegger’s Originary Politics Details   PDF
James Magrini
 
Vol 17 (2013) The Ister: Cinema's Interruption Abstract   PDF
Linda Daley
 
Vol 17 (2013) Throne of Blood and the Metaphysics of Tragedy Abstract   PDF
Henry Somers-Hall
 
Vol 18 (2014): On Stanley Cavell Vertigo and the Spectator of Film Analysis Abstract   PDF
Andrew Klevan
 
Vol 17 (2013) Ghost in the Shell 2, Technicity and the Subject Abstract   PDF
Daniel Hourigan
 
Vol 16 (2012) Groundhog Day and the Good Life Abstract   PDF
Diana Abad
 
Vol 19 (2015) A Blueprint for (Im)possible Places: Narrative Crisis in Antonioni's L'Eclisse (1962) Abstract   PDF
Dennis Lo
 
Vol 2, No 1 (1998) A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture, edited by Peter Brunette and David Wills Details   PDF
Erin Manning
 
Vol 12, No 2 (2008) A Cyborg’s Testimonial: Mourning Blade Runner’s Cryptic Images Details   PDF
R. Pope
 
Vol 8, No 2 (2004) A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema Abstract   HTML
Daniel Barnett
 
Vol 5, No 1 (2001) A Documentarian's Call to Arms: On Vaughan's For Documentary Abstract   HTML
Stephen Charbonneau
 
Vol 3, No 1 (1999) A Formalist Reborn Abstract   HTML
Ian Verstegen
 
Vol 3, No 1 (1999) A Future Aesthetic Abstract   HTML
Daniel Palmer
 
Vol 10, No 3 (2006) A Heideggerian Cinema? On Terrence Malick's The Thin Red Line Abstract   PDF
Robert Sinnerbrink
 
Vol 1, No 1 (1997) A Humean Definition of Horror Abstract   PDF
Daniel Shaw
 
Vol 4, No 1 (2000) A Modest Employee of the Cinema vs The Big Garage Abstract   HTML
Martha P. Nochimson
 
Vol 2, No 1 (1998) A Naive Reply to MacLennan and Raskin Details   PDF
Carl R. Plantinga
 
Vol 17 (2013) A New/Old Ontology of Film Abstract   PDF
Rafe McGregor
 
Vol 3, No 1 (1999) A Non-Critical Review Abstract   HTML
Margaret E. Johnson
 
Vol 6, No 1 (2002) A Non-Replying Reply to Kretzschmar Abstract   HTML
Jean-Luc Nancy
 
Vol 5, No 1 (2001) A Patient Cinema or a Cinema of Patience? (Robert Bresson for Foreigners Abstract   HTML
Thomas Deane Tucker
 
Vol 19 (2015) A Phenomenological Approach to Donnie Darko Abstract   PDF
Alex E. Blazer
 
Vol 12, No 2 (2008) A Rejoinder to Noël Carrol's The Philosophy of Motion Pictures Details   PDF
Daniel Shaw
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital A Reply to Kinsey Abstract   HTML
Edward S. Small
 
Vol 7, No 1 (2003) A Reply to Mogg and Chopra-Gant Abstract   HTML
Deborah Thomas
 
Vol 9, No 1 (2005): Film Theory A Response to Patrick ffrench and Peter Caws Abstract   HTML
Leo Bersani, Ulysse Dutoit
 
Vol 3, No 1 (1999) A Site for Sore Eyes Abstract   HTML
David Martin-Jones
 
Vol 3, No 1 (1999) A State of Crisis Abstract   HTML
Sylvie Blum
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas A (Ukrainian) Life in Soviet Film, on George O. Liber Alexander Dovzhenko: A Life in Soviet Film Abstract   HTML
John Riley
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood Abstract   HTML
John S. Vassar
 
Vol 18 (2014): On Stanley Cavell Acknowledgment - No Knowledge Without It: Introduction to William Rothman and his Work Abstract   PDF
Alan Cholodenko
 
Vol 4, No 1 (2000) Admiring Kieslowski Abstract   HTML
Jeffrey Hanson
 
Vol 11, No 3 (2007): Encore: Lacan and Film Adorno Damned by a Devotee?: Alastair Morgan (2007) Adorno’s Concept of Life Details   PDF
Nicholas Joll
 
Vol 19 (2015) Adrian J. Ivakhiv (2013) Ecologies of the Moving Image: Cinema, Affect, Nature Details   PDF
Helen Hughes
 
Vol 19 (2015) Adrian Martin (2014) Mise en Scène and Film Style: From Classical Hollywood to New Media Art, Basingstoke: Palgrave Macmillan. 256pp. Details   PDF
Anthony Peter McKibbin
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination Abstract   HTML
Vittorio Frigerio
 
Vol 6, No 3 (2002): Future Cinema Issue After Photography: Deconstructing the Era of the Image Abstract   HTML
Jeffrey S. Longacre
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Against Fetishism: The Moving Quiescence of Life 24 Frames a Second: Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image Details   PDF
Maria Walsh
 
Vol 3, No 1 (1999) Agnes Varda: Questions at Twenty-Four Frames a Second Abstract   HTML
Mike Hakata
 
Vol 19 (2015) Aida Vigan and Gordana P. Crnković (eds.) (2012) In Contrast: Croatian Film Today, Zagreb, Croatia: The Croatian Film Association in association with Berghahn Books. 264 pp. Details   PDF
Anna Batori
 
Vol 19 (2015) Akira Mizuta Lippit (2012) Ex-Cinema: From a Theory of Experimental Film and Video Details   PDF
Aimee Mollaghan
 
Vol 15, No 2 (2011): The Disgust Issue Alain Badiou (2010) Cinéma Details   PDF
Manuel Ramos
 
Vol 17 (2013) Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema Details   PDF
David H. Fleming
 
Vol 16 (2012) Alban Pichon (2009) Le cinema de Leos Carax. L’experience du déjà-vu Details   PDF
Daniele Rugo
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Alexander García Düttmann (2009) Visconti: Insights into Flesh and Blood Details   PDF
J. Douglas Macready
 
Vol 16 (2012) Alexie Tcheuyap (2011) Postnationalist African Cinemas Details   PDF
Zachary Thomas Ingle
 
Vol 7, No 3 (2003): Science-Fiction Film as Philosophy Alien Ways of Thinking, on Stephen Mulhall On Film Abstract   HTML
Julian Baggini
 
Vol 2, No 1 (1998) All the World's a Stage: On Timothy Murray, Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Abstract   PDF
Joan Hawkins
 
Vol 19 (2015) Ambivalent Screens: Quentin Tarantino and the Power of Vision Abstract   PDF
Frida Beckman
 
Vol 16 (2012) Amy Herzog (2010) Dreams of Difference, Songs of the Same: The Musical Moment in Film Details   PDF
Mithuraaj Dhusiya
 
Vol 9, No 2 (2005): Wilhelm S. Wurzer / World Cinema An Early Cinema Textbook, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory Abstract   HTML
Richard Schellhammer
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema An Economy of Annihilation, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Daniel Herbert
 
Vol 2, No 1 (1998) An Enigmatic Text: Schefer's Quest upon a Thing Unknown: On Jean Louis Schefer, The Enigmatic Body: Essays on the Arts Abstract   PDF
Katya Mandoki
 
Vol 6, No 1 (2002) An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love Abstract   HTML
Roger Dawkins
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Analogue Film, Digital Discourse, on Sean Cubitt’s The Cinema Effect Abstract   HTML
Richard Misek
 
Vol 2, No 1 (1998) Analytic Philosophy and Film: On Film Theory and Philosophy, edited by Richard Allen and Murray Smith Details   PDF
Samuel Guttenplan
 
Vol 19 (2015) Anat Pick (2011) Creaturely Poetics: Animality and Vulnerability in Literature and Film Details   PDF
Anthony Siu
 
Vol 11, No 3 (2007): Encore: Lacan and Film André Téchiné: The Subtle Exploration of Identities: Bill Marshall (2007) André Téchiné Details   PDF
Isabelle Vanderschelden
 
Vol 11, No 3 (2007): Encore: Lacan and Film Andrea Sabbadini, ed. (2003) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema Details   PDF
Benedicte Coste
 
Vol 14, No 2 (2010): Baudrillard and Film-Philosophy Andrew Asibong (2008) François Ozon Details   Untitled ()   PDF
Ger Zielinski
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Angelic Conversations Abstract
Jason Wakefield
 
Vol 19 (2015) Anna Backman Rogers (2015) American Independent Cinema: Rites of Passage and the Crisis Image, Edinburgh: Edinburgh University Press. pp. 184. Details   PDF
William Brown
 
Vol 15, No 2 (2011): The Disgust Issue Annie van den Oever, ed. (2010) Ostrannenie Details   PDF
Lara Alexandra Cox
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground Abstract   HTML
Elena del Rio
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Apocalypse Too Soon, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture Abstract   HTML
Karin Badt
 
Vol 10, No 1 (2006): Reanimating the Auteur Apprehending Beauty: Michel Chion (2004) The Thin Red Line Details   PDF
Ian-Malcolm Rijsdijk
 
Vol 2, No 1 (1998) Apprehending Deleuze Apprehending Cinema: Der Film bei Deleuze/Le cinema selon Deleuze, edited by Oliver Fahle and Lorenz Engell Details   PDF
Edward R. O'Neill
 
Vol 2, No 1 (1998) Art and Ethics Reunited: Aesthetics and Ethics, edited by Jerrold Levinson Details   PDF
Aaron Meskin
 
Vol 4, No 1 (2000) Art For All 'Time' Abstract   HTML
Donato Totaro
 
Vol 5, No 1 (2001) Art Objects Abstract   HTML
Dorian Stuber
 
Vol 6, No 1 (2002) Art, Politics, and Taking Sides: An Interview with Istvan Szabo Abstract   HTML
Marty Fairbairn, Istvan Szabo
 
Vol 3, No 1 (1999) As Animals Might Dream Abstract   HTML
Erica Sheen
 
Vol 3, No 1 (1999) Assessing Ong Abstract   HTML
Phillip H. Gochenour
 
Vol 6, No 2 (2002): French Cinema Issue Avant-Garde Meat Abstract   HTML
Jake Kennedy
 
Vol 14, No 1 (2010) ‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds Abstract   PDF
Bruno Lessard
 
Vol 17 (2013) Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt Abstract   PDF
Justine McGill
 
Vol 16 (2012) Baroque Cinématographique: Un essai sur le Cinéma de Raoul Ruiz-Review Details
Maurizio Viano
 
Vol 19 (2015) Barry Keith Grant, ed. (2012) The Film Genre Reader IV Details   PDF
Keith Hennessey Brown
 
Vol 10, No 3 (2006) Based on a True Story: New York Film Festival 2006 Report (Part Two) Details   PDF
Martha P. Nochimson
 
Vol 3, No 1 (1999) Bazin at Last; or, The Style Is the Man Himself Abstract   HTML
Dan Friedman
 
Vol 8, No 1 (2004): British, German, French Cinema B.B., on Sue Harris Bertrand Blier Abstract   HTML
Victoria Reid
 
Vol 2, No 1 (1998) BeauKhoo Exceptions: A Reply to Olivia Khoo Details   PDF
Harvey Roy Greenberg
 
Vol 2, No 1 (1998) Beauty Lies in the Eye (So Why Can't I Touch It?): On Brian Massumi, Guest Editor, 'Deleuze, Guattari and the Philosophy of Expression', Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (Vol. 24 no. 3, 1997) Details   PDF
Michael Goddard
 
Vol 5, No 1 (2001) Behold Their Quarter'd Fires Abstract   HTML
Henry Breitrose
 
Vol 18 (2014): On Stanley Cavell Being on the Outside: Cinematic Automatism in Stanley Cavell’s The World Viewed Abstract   PDF
Lisa Trahair
 
Vol 19 (2015) Benjamin Thomas , ed. (2012) Tourner le dos: Sur l’envers du personnage au cinéma Details   PDF
Greg Hainge
 
Vol 5, No 2 (2001): Deleuze Special Issue Bergson: Before the Deleuze Abstract   HTML
Jinhee Choi
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Berlin International Film Festival - Berlinale 2011 Details   PDF
Alison Elizabeth Frank
 
Vol 8, No 1 (2004): British, German, French Cinema Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway Abstract   HTML
Trevor G. Elkington
 
Vol 9, No 3 (2005): Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema Between the Carnival and the Panopticon, on Scott Bukatman's Matters of Gravity: Special Effects and Supermen in the 20th Century Abstract   HTML
Mary Helen Kolisnyk
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Between Utopia and Event: Beyond the Banality of Local Politics in Eisenstein Abstract   PDF
Julia Vassilieva
 
Vol 7, No 7 (2003): Paracinema: The Experimental, the Avant-Garde and the Digital Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age Abstract   HTML
Edward S. Small
 
Vol 14, No 1 (2010) Beyond Internalism and Externalism: Husserl and Sartre’s Image Consciousness in Hitchcock and Buñuel Abstract   PDF
Gregory Minissale
 
Vol 11, No 2 (2007): The Occluded Relation: Levinas and Cinema Beyond Ontology: Levinas and the Ethical Frame in Film Details   PDF
Sam B. Girgus
 
Vol 2, No 1 (1998) Beyond Rhetoric (and Scepticism): A Critical Realist Perspective on Carl R. Plantinga: On Carl R. Plantinga, Rhetoric and Representation in Nonfiction Film Details   PDF
Gary MacLennan
 
Vol 3, No 1 (1999) Bill Viola and the Video Sublime Abstract   HTML
Cynthia A. Freeland
 
Vol 5, No 1 (2001) Black Cats, Dark Rooms, and Paper Tigers: A Reply to Petric and Grodal Abstract   HTML
Warren Buckland
 
Vol 19 (2015) Black Noir Signifies More Than Just a 'Simple Parallel': A Response to Brian E. Butler Abstract   PDF
Dan Flory
 
Vol 15, No 2 (2011): The Disgust Issue Boaz Hagin (2010) Death in Classical Hollywood Cinema Details   PDF
Richard Lindley Armstrong
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Bodies that Matter: Vivian Sobchack (2004) Carnal Thoughts: Embodiment and Moving Image Culture Details   PDF
Douglas Morrey
 
Vol 15, No 2 (2011): The Disgust Issue Body Horror and Post-Socialist Cinema: Györgi Pálfi’s Taxidermia Abstract   PDF
Steven Shaviro
 
Vol 5, No 1 (2001) Both Semiotics and Cognitivism? Abstract   HTML
Mirko Petric
 
Vol 3, No 1 (1999) Breakdowns of Belief? Abstract   HTML
Lewis Johnson
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Brecht Today: Interview with Alexander Kluge Details   PDF
Angelos Koutsourakis
 
Vol 5, No 1 (2001) Bressonians on Bresson Abstract   HTML
David Sterritt
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Bringing Bodies Back In: For a Phenomenological and Psychoanalytic Film Criticism of Embodied Cultural Identity Abstract   PDF
Kate Ince
 
Vol 6, No 1 (2002) Calm - On Terrence Malick's The Thin Red Line Abstract   HTML
Simon Critchley
 
Vol 14, No 1 (2010) Cannibalistic Capitalism and other American Delicacies: A Bataillean Taste of The Texas Chain Saw Massacre Abstract   PDF
Naomi Merritt
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Carax - Philosophy in Film: On Daly and Dowd's Leos Carax Abstract   HTML
Isabelle Vanderschelden
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Carax and Deleuze - Shuffling the Decks, a short reply to Hainge's review Abstract   HTML
Garin Dowd
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Carax and the Ambiguities - A Book That Needs To Fail, Perhaps, on Fergus Daly and Garin Dowd's Leos Carax Abstract   HTML
Greg Hainge
 
Vol 5, No 1 (2001) Carnival of the Unconscious: On Shohei Imamura Abstract   HTML
Catherine Cullen
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Caroline Bainbridge (2007) The Cinema of Lars von Trier: Authenticity and Artifice Details   PDF
Davina Quinlivan
 
Vol 10, No 1 (2006): Reanimating the Auteur Carrie Tarr (2005) Reframing Difference: Beur and Banlieue Filmmaking in France Details   PDF
Florian Grandena
 
Vol 5, No 1 (2001) Casetti on Film Theory Abstract   HTML
Gregory L. Miller
 
Vol 16 (2012) Catherine Wheatley (2009) Michael Haneke’s Cinema: The Ethic of the Image Details   PDF
John Anthony Bleasdale
 
Vol 18 (2014): On Stanley Cavell Cavell and the Politics of Cinema: On Marie Antoinette Abstract   PDF
Richard Rushton
 
Vol 18 (2014): On Stanley Cavell Cavellian Meditations: How to do Things with Film and Philosophy Abstract   PDF
Robert Sinnerbrink
 
Vol 5, No 1 (2001) Chabrol for Beginners (and Other Interested Parties) Abstract   HTML
Andrew Slade
 
Vol 7, No 6 (2003): Film History, Theory and Philosophy Change and Nothing But Change, on Philip Rosen Change Mummified: Cinema, Historicity, Theory Abstract   HTML
Jan-Christopher Horak
 
Vol 17 (2013) Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge. Abstract   PDF
David H. Fleming
 
Vol 16 (2012) Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman's Wittgenstein Abstract   PDF
Kieran Anthony Cashell
 
Vol 15, No 2 (2011): The Disgust Issue Chew on This: Disgust, Delay, and the Documentary Image in Food, Inc. Abstract   PDF
Jennifer Marilynn Barker
 
Vol 11, No 3 (2007): Encore: Lacan and Film Christopher Falzon (2007) Philosophy Goes to the Movies: An Introduction to Philosophy Details   PDF
Lucy Bolton
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Christopher Lindner, ed. (2009) The James Bond Phenomenon: A Critical Reader. 2nd Edition. Details   PDF
Lucy Bolton
 
Vol 19 (2015) Christopher Pavsek (2013) The Utopia of Film: Cinema and its Futures in Godard, Kluge, and Tahimik Details   PDF
Brian K Bergen-Aurand
 
Vol 3, No 1 (1999) Cinecity Confidential: A Reply to Parsons Abstract   HTML
David B. Clarke
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Cinema and Its Shadow: Mario Perniola (2004) Art and Its Shadow Details   PDF
Robert Sinnerbrink
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Cinematic Ideas, on David Lynch's Mulholland Drive Abstract   HTML
Robert Sinnerbrink
 
Vol 19 (2015) Cinematic Incorporation: Literature in My Life Without Me Abstract   PDF
Sarah Dillon
 
Vol 6, No 3 (2002): Future Cinema Issue Cinematic Media in the Age of the Quantum Particle Abstract   HTML
Ted Kafala
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Cities of Words, Cities of Cinema: Stanley Cavell's City of Words Abstract   HTML
Michael Grant
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Claire Molloy (2010) Memento; Geoff King (2010) Lost in Translation; Gary Needham (2010) Brokeback Mountain. American Indies Series. Details   PDF
John Bleasdale
 
Vol 8, No 3 (2004): World Cinema and Film Theory Cognitivism: Use it or Lose it, on Film Style and Story: A Tribute to Torben Grodal, edited by Lennard Hojbjerg and Peter Schepelern Abstract   HTML
Andrew Browne
 
Vol 11, No 3 (2007): Encore: Lacan and Film Colin Odell and Michelle Le Blanc (2007) David Lynch Details   PDF
Liani van Straaten
 
Vol 7, No 5 (2003): Soviet and Asian Cinemas Comments on Karen Fang's Review of City on Fire: Hong Kong Cinema Abstract   HTML
Lisa Odham Stokes, Michael Hoover
 
Vol 14, No 1 (2010) Constantin Boundas, ed. (2009) Gilles Deleuze: Intensive Reduction Details   PDF
Robert King
 
Vol 13, No 1 (2009) Consumer Ethics in Thank You For Smoking Abstract   PDF
Stacy Thompson
 
Vol 19 (2015) Consumerism, Aristotle and Fantastic Mr. Fox Abstract   PDF
Matt Duncan
 
Vol 16 (2012) Contrapuntal Close-up: The Cinema of John Cassavetes and the Agitation of Sense Abstract   PDF
Daniele Rugo
 
Vol 4, No 1 (2000) Conventionalizing the Postmodern Abstract   HTML
Joy Palmer
 
Vol 16 (2012) Courtland Lewis and Paula Smithka, eds. (2011) Doctor Who and Philosophy: Bigger on the Inside Details   PDF
Tim Jones
 
Vol 8, No 2 (2004) Crime and its Consequences Under the Panopticon, on Gareth Palmer Discipline and Liberty: Television and Governance Abstract   HTML
David Tucker
 
Vol 16 (2012) Cristina Johnston (2010) French Minority Cinema Details   PDF
Jehanne-Marie Gavarini
 
Vol 16 (2012) Cristina Vatulescu (2010) Police Aesthetics: Literature, Film and the Secret Police in Soviet Times Details   PDF
Laszlo Strausz
 
Vol 7, No 2 (2003): Television Studies Critiquing the Critics, on Teleparody: Predicting/Preventing the TV Discourse of Tomorrow, edited by Angela Hague and David Laver Abstract   HTML
Jonathan Gray
 
Vol 4, No 1 (2000) Cruel Stories of Passion, Brutal Explorations of Extreme Abstract   HTML
S. Louisa Wei
 
Vol 9, No 4 (2005): World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy Cunneen's Bresson, on Joseph Cunneen's Robert Bresson: A Spiritual Style in Film Abstract   HTML
Robert W. Davis Jr
 
Vol 5, No 1 (2001) Curiously, Fetishism Can Be Fun Abstract   HTML
Kenneth MacKinnon
 
Vol 10, No 2 (2006): Continental Film-Philosophy Today Cut Together: Jean-Luc Nancy (2005) The Ground of the Image Details   PDF
Cara O'Connor
 
Vol 12, No 2 (2008) D. K. Holm (2008) Independent Cinema Details   PDF
John Bleasdale
 
Vol 14, No 1 (2010) Dan Flory (2008) Philosophy, Black Film, Film Noir Details   PDF
Brian Butler
 
Vol 14, No 1 (2010) Daniel Barnett (2008) Movement as Meaning in Experimental Film Details   PDF
Kim Knowles
 
Vol 13, No 1 (2009) Daniel Herwitz (2008) Aesthetics Details   PDF
Daniel Barnett
 
Vol 14, No 1 (2010) Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption Details   PDF
Wing-Fai Leung
 
Vol 19 (2015) Daniel Morgan (2013) Late Godard and the Possibilities of Cinema Details   PDF
James Harvey-Davitt
 
Vol 6, No 1 (2002) Darke Reading Light Abstract   HTML
Catherine Fowler
 
Vol 2, No 1 (1998) David Bordwell's Iron Cage of Style: On David Bordwell, On the History of Film Style Details   PDF
James S. Hurley
 
Vol 14, No 1 (2010) David E. Morrison, Matthew Kieran, Michael Svennevig and Sarah Ventress (2007) Media & Values. Intimate Transgressions in a Changing Moral and Cultural Landscape Details   PDF
Laura Sava
 
Vol 19 (2015) David LaRocca (ed.) (2014), The Philosophy of War Films, Lexington: University of Kentucky Press. 538 pp. Details   PDF
Eileen Rositzka
 
Vol 13, No 1 (2009) David Martin-Jones (2006) Deleuze, Cinema and National Identity: Narrative Time in National Contexts Details   PDF
Will Higbee
 
Vol 15, No 2 (2011): The Disgust Issue David Martin-Jones (2010) Scotland: Global Cinema: Genres, Modes and Identities. Details   PDF
John Marmysz
 
Vol 19 (2015) David Martin-Jones and William Brown (eds.) (2012) Deleuze and Film, Edinburgh: Edinburgh University Press. 248 pp. Details   PDF
Gloria Galindo
 
Vol 14, No 1 (2010) Dean A. Kowalski, ed. (2007) The Philosophy of the X-Files Details   PDF
Andrew Patrick Nelson
 
Vol 14, No 1 (2010) Dean A. Kowalski, ed. (2008) Steven Spielberg and Philosophy: ‘We’re Going to Need a Bigger Book’ Details   PDF
John Bleasdale
 
Vol 12, No 1 (2008): Claire Denis and Jean-Luc Nancy Deconstructing Community and Christianity: 'A-religion' in Nancy's Reading of Beau travail Details   PDF
Laura McMahon
 
Vol 5, No 2 (2001): Deleuze Special Issue Deleuze, Klossowski, Cinema, Immobility: A Response to Stephen Arnott Abstract   HTML
Eleanor Kaufman
 
Vol 4, No 1 (2000) Deleuze, Rodowick, and the Philosophy of Film Abstract   HTML
Louis Schwartz
 
Vol 5, No 2 (2001): Deleuze Special Issue Deleuze's Idea of Cinema Abstract   HTML
Stephen Arnott
 
Vol 7, No 1 (2003) Derrida Framed, on Kirby Dick and Amy Ziering Kofman Derrida (2002) Abstract   HTML
David Roden
 
Vol 19 (2015) Derridean Blackmail in The Big Sleep: Allegorizing the Unfixable Mirages of Photography, Film and Criticism Abstract   PDF
Christopher D. Morris
 
Vol 19 (2015) Deutsches Filminstitut – DIF e.V./Deutsches Filmmuseum, Frankfurt am Main (ed.) (2015), Films and Games: Interactions, Berlin: Bertz + Fischer Verlag. 256pp. Details   PDF
Feng Zhu
 
Vol 15, No 2 (2011): The Disgust Issue Dina Iordanova, David Martin-Jones and Belén Vidal (2010) Cinema at the Periphery Details   PDF
Rowena Santos Aquino
 
Vol 12, No 2 (2008) Direct Address, Ethical Imagination and Errol Morris’s Interrotron Details   PDF
Alex Gerbaz
 
Vol 8, No 1 (2004): British, German, French Cinema Disciplining Marnie, on Tony Lee Moral Hitchcock and the Making of Marnie Abstract   HTML
Bob Davis
 
Vol 15, No 1 (2011): Phenomenology and Psychoanalysis Dissonance Rising: Subversive Sound in Zhang Yimou's Raise the Red Lantern Abstract   PDF
Jacqueline Loeb
 
Vol 10, No 3 (2006) Does Exactly What It Says On The Tin: Christopher Grau, ed. Philosophers Explore the Matrix Details   PDF
Alex Bussey
 
Vol 14, No 1 (2010) Domietta Torlasco (2008) The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film Details   PDF
Alan Fair
 
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