Vol 17 (2013)

Editor: David Sorfa
Peer Review Editor: Graham Matthews
Book Reviews Editor: William Brown
Copy Editors: Matthew Holtmeier, Ben Tyrer

Table of Contents


The Facts Before Our Eyes: Wittgenstein and the Film Noir Investigator PDF
Keith Dromm 1-18
'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner PDF
Andrew Norris 19-50
Ghost in the Shell 2, Technicity and the Subject PDF
Daniel Hourigan 51-67
Throne of Blood and the Metaphysics of Tragedy PDF
Henry Somers-Hall 68-83
'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz PDF
Justin Remes 84-95
Film Noir as Point de Capiton: Double Indemnity, Structure and Temporality PDF
Ben Tyrer 96-114
Shooting for Dead Time in Gus Van Sant's Elephant PDF
William Little 115-133
Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt PDF
Justine McGill 134-153
'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) PDF
Mark Cresswell, Zulfia Karimova 154-176
The Ister: Cinema's Interruption PDF
Linda Daley 177-192
Otherness and the Renewal of Freedom in Jarmusch's Down by Law: A Levinasian and Arendtian Reading PDF
Mark Cauchi 193-211
Mimesis Reconsidered: Adorno and Tarkovsky contra Habermas PDF
Simon Mussell 212-233
Nietzsche and Bad Conscience on Mosquito Coast PDF
James Edward Gough, Sue Matheson 234-244
The Closure of the 'Gold Window': From 'Camera-Eye' to 'Brain-Screen' PDF
Morgan M Adamson 245-264
A New/Old Ontology of Film PDF
Rafe McGregor 265-280
Internal Needs, Endoxa and the Truth: An Aristotelian Approach to the Popular Screenplay PDF
Daniel McInerny 281-295
Extreme Makeover: Art and Morality in The Shape of Things PDF
Joseph H. Kupfer 296-314
'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There PDF
Carolyn D'Cruz, Glenn D'Cruz 315-330
I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes PDF
Helen Darby 330-347
Truth, Autobiography and Documentary: Perspectivism in Nietzsche and Herzog PDF
Katrina Mitcheson 348-366
Left-over Spaces: The Cinema of the Dardenne Brothers PDF
Benoit Dillet, Tara Puri 367-382
Homeopathic Repetition and Memories of Underdevelopment: The Dialectic of Subjective Experience and Objective Historical Forces PDF
Trevor James Cunnington 383-401
Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge. PDF
David H. Fleming 402-423
The Philosophical Act of Seeing With One's Own Eyes: The Silent Films of Stan Brakhage PDF
James Michael Magrini 424-445
'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc PDF
Ros Murray 445-461

Book Reviews

Hsiu-Chuang Deppman (2010) Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film PDF
Iris Chui Ping Kam 462-467
Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema PDF
David H. Fleming 467-479
Timothy Corrigan, ed. (2012) Film and Literature: An Introduction and Reader. 2nd Edition PDF
Shawn Loht 480-483
Michael Charlesworth (2011) Derek Jarman PDF
Justin Remes 484-486
Sharon Lin Tay (2009) Women on the Edge: Twelve Political Film Practices PDF
Sheryl Tuttle Ross 487-492
Todd Berliner (2010) Hollywood Incoherent: Narration in Seventies Cinema PDF
John Anthony Bleasdale 493-496
M. Keith Booker (2011) Historical Dictionary of American Cinema PDF
Glen Melanson 497-500
Shawn C. Bean (2008) The First Hollywood: Florida and the Golden Age of Silent Filmmaking PDF
Carrie Giunta 501-502
Julian Petley (2011) Film and Video Censorship in Modern Britain PDF
Zach Saltz 503-508
Suzanne Buchan (2011) The Quay Brothers: Into a Metaphysical Playroom PDF
Micki Nyman 509-515
Khatereh Sheibani (2011) The Poetics of Iranian Cinema: Aesthetics and Modernity After the Revolution PDF
Paul Elliott 516-519

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