Edited by Daniel Frampton
Table of Contents
Articles
| Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground | HTML |
| Elena del Rio |
| Please Make More Films, on The Cinema of Terrence Malick: Poetic Visions of America, edited by Hannah Patterso | HTML |
| John Bleasdale |
| Cinematic Ideas, on David Lynch's Mulholland Drive | HTML |
| Robert Sinnerbrink |
| The Reinvention of Self and World, on Aleksandar Dundjerovic's The Cinema of Robert Lepage: The Poetics of Memory | HTML |
| Ed Keller |
| Cunneen's Bresson, on Joseph Cunneen's Robert Bresson: A Spiritual Style in Film | HTML |
| Robert W. Davis Jr |
| Response to Davis | HTML |
| Joseph Cunneen |
| Love and Catastrophe: Filming the Sublime in Hiroshima Mon Amour | HTML |
| Reni Celeste |
| Still Searching for Lost Time, on Jean-Louis Leutrat on Resnais's L'Annee derniere a Marienbad | HTML |
| Jeremy J. Shapiro |
| Response to Shapiro | HTML |
| Jean-Louis Leutrat |
| Carax and the Ambiguities - A Book That Needs To Fail, Perhaps, on Fergus Daly and Garin Dowd's Leos Carax | HTML |
| Greg Hainge |
| Carax - Philosophy in Film: On Daly and Dowd's Leos Carax | HTML |
| Isabelle Vanderschelden |
| Carax and Deleuze - Shuffling the Decks, a short reply to Hainge's review | HTML |
| Garin Dowd |
| The Measure of Cinema?: Per Persson's Understanding Cinema | HTML |
| Andrew Court |
| Irving Singer's Reality Revisited, on Three Philosophical Filmmakers: Hitchcock, Welles and Renoir | HTML |
| Susan French Overstreet |
| Style and Methodologies, on Noel Carroll's Engaging the Moving Image | HTML |
| Thomas Wartenberg |
| Cities of Words, Cities of Cinema: Stanley Cavell's City of Words | HTML |
| Michael Grant |
| Reply to Grant | HTML |
| Stanley Cavell |
Film Festival Reports
| New York Film Festival 2005, Part I: Movies and the America of the Mind | HTML |
| Martha P. Nochimson |
| New York Film Festival 2005, Part II: Five International Cinematic Perspectives on the 'Nature' of Love and Childhood | HTML |
| Martha P. Nochimson |
This work is licensed under a Creative Commons Attribution 3.0 License.
Film-Philosophy | ISSN 1466-4615
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