Vol 8, No 2 (2004)

Edited by Daniel Frampton

Table of Contents


Gestural Cinema?, on two texts by Giorgio Agamben, 'Notes on Gesture' (1992) and 'Difference and Repetition: On Guy Debord's Films' (1995) HTML
Benjamin Noys
The Time-Image: Deleuze, Cinema, and Perhaps Language HTML
Thomas Carl Wall
Thus Spake Nietzsche?, on Heide Schluepmann Abendroethe der Subjektphilosophie: Eine Aesthetik des Kinos HTML
Paul M. Malone
Spinoza and the Politics of The Matrix, on Matrix, machine philosophique HTML
Duncan Chesney
Howls for Debord, on Guy Debord: Complete Cinematic Works, translated and edited by Ken Knabb HTML
Benjamin Noys
Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace HTML
Natalia Skradol
On the Writings of Dai Jinhua, a review of Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, edited by Jing Wang and Tani E. Barlow HTML
Paul Fox
Modern Dreams and Postmodern Realities: The City as Spatial Archetype in Screening the City, edited by Mark Shiel and Tony Fitzmaurice HTML
Michele Braun
Crime and its Consequences Under the Panopticon, on Gareth Palmer Discipline and Liberty: Television and Governance HTML
David Tucker
Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars HTML
Robert Koehler
Introducing Avant-Garde Film, on Michael O'Pray Avant-Garde Film: Forms, Themes and Passions HTML
William C. Wees
Prelude to the Philosophy of Hollis Frampton HTML
Matt Teichman
A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema HTML
Daniel Barnett
Searching for Balanced Vision, on Nathaniel Dorsky Devotional Cinema HTML
Glen W. Norton
Lost in Space, on Jane and Louise Wilson, with essays by Jeremy Millar and Claire Doherty HTML
Maria Walsh

Film Festival Reports

New York Film Festival 2004 HTML
Martha P. Nochimson

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