Vol 8, No 1 (2004)

British, German, French Cinema

Edited by Daniel Frampton

Table of Contents


Disciplining Marnie, on Tony Lee Moral Hitchcock and the Making of Marnie HTML
Bob Davis
Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway HTML
Trevor G. Elkington
Realism, Politics, and Melodrama, on Jacob Leigh The Cinema of Ken Loach: Art in the Service of the People HTML
Florian Grandena
Rereading the British Social Realist Film, on Samantha Lay British Social Realism: From Documentary to Brit-Grit HTML
Jonathan Wright
The Semiosis of Death in Lang's M: Film and the Limits of Representation in the Weimar Republic HTML
Joel Freeman
The Perils and Possibilities of Story, on Alexander Graf The Cinema of Wim Wenders: The Celluloid Highway HTML
Peter Ruppert
German Cinema History as Rhizome, on The German Cinema Book, edited by Tim Bergfelder, Erica Carter, and Deniz Gktrk HTML
Angelica Fenner
Le Petit Theatre de Renoir, on Martin O\'Shaughnessy Jean Renoir HTML
Michael Abecassis
Rethinking Renoir, a reply to Michael Abecassis HTML
Martin O\'Shaugnessy
B.B., on Sue Harris Bertrand Blier HTML
Victoria Reid
Reading Beineix, on Phil Powrie Jean-Jacques Beineix HTML
Florence Martin

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