Vol 7, No 1 (2003)

Edited by Daniel Frampton

Table of Contents


One Culture, Two Cinematic Nations: Hyangjin Lee Contemporary Korean Cinema: Identity, Culture, Politics HTML
Hye Seung Chung
The Auteur of Darkness: Chris Fujiwara Jacques Tourneur: The Cinema of Nightfall HTML
Ronald W. Wilson
Derrida Framed, on Kirby Dick and Amy Ziering Kofman Derrida (2002) HTML
David Roden
Small World, on Deborah Thomas Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films HTML
Ken Mogg
Hollywood Spaces, on Deborah Thomas Reading Hollywood: Spaces and Meanings in American Film HTML
Mike Chopra-Gant
A Reply to Mogg and Chopra-Gant HTML
Deborah Thomas
This is Cinema: The Pleated Plenitude of the Cinematic Sign in David Lynch's Mulholland Dr. HTML
Daniel Coffeen
Letter from London, on Chris Petit, Abbas Kiarostami, Lynne Ramsay, Iain Sinclair, J. G. Ballard, and Surveillance Cinema HTML
Chris Darke
Why Bother with Cinema?, on Paolo Cherchi-Usai The Death of Cinema: History, Cultural Memory and the Digital Dark Age HTML
David Sorfa
The Database, Logic, and Suffering: Memento and Random-Access Information Aesthetics HTML
Christopher Bodnar
The Voice and Masculinity, on Close Up: Cinema and Modernism 1927-1933, edited by James Donald, Anne Friedberg, and Laura Marcus HTML
Paul McEwan
Letter from Tehran HTML
F. Parsa
On the Fortieth Anniversary of Borom Sarret, on Ousmane Sembene\'s 1963 Film HTML
Andrea Dahlberg
The Context for Reproducing Knowledge, on Colin MacCabe The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture HTML
Daniel Keyes

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