Edited by Daniel Frampton
Table of Contents
Articles
| Conventionalizing the Postmodern | HTML |
| Joy Palmer |
| Fifteen Years Gone By | HTML |
| Frederick von Zweigbergk |
| The Matrix Rules | HTML |
| Richard Wright |
| Art For All 'Time' | HTML |
| Donato Totaro |
| Misrecognizing Film Studies | HTML |
| Bruce Bennett |
| A Modest Employee of the Cinema vs The Big Garage | HTML |
| Martha P. Nochimson |
| More Histoire(s) du Cinema? | HTML |
| Paul Sutton |
| Speaking and Writing about Godard: A Response to Nochimson and Sutton | HTML |
| David Sterritt |
| Media Histories and Digital Futures | HTML |
| Nina Zimnik |
| The Mechanisms of Thought: A Jamesian Point of View on Resnais | HTML |
| Didier Debaise |
| The Stream of Consciousness: A Reply to Debaise | HTML |
| Haim Callev |
| Martin Scorsese's Invisible City in Bringing Out the Dead | HTML |
| Christina Degli-Esposti Reinert |
| The Limits of Critique | HTML |
| Hassan Melehy |
| Filming the Present Past | HTML |
| Lionel Moriel |
| Thinking Through Cinema | HTML |
| Garnet Creighton Butchart |
| Deleuze, Rodowick, and the Philosophy of Film | HTML |
| Louis Schwartz |
| Reawakening Imagination | HTML |
| Marty Fairbairn |
| Admiring Kieslowski | HTML |
| Jeffrey Hanson |
| The Nature of Film Spectators | HTML |
| C. Paul Sellors |
| Textual Subjects | HTML |
| Aylish Wood |
| Reply to Wood | HTML |
| Silvio Gaggi |
| Cruel Stories of Passion, Brutal Explorations of Extreme | HTML |
| S. Louisa Wei |
| Tsai Ming-liang: Defining What's Real | HTML |
| Gaik Cheng Khoo |
| Refocusing the Western | HTML |
| Bob Sitton |
| The Audience as Reader is Seldom Caught in the Act? | HTML |
| Pat Brereton |
| Reply to Brereton | HTML |
| Martin Barker, Thomas Austin |
| Thinking Television | HTML |
| Nina Zimnik |
| New Rules of the Game? Rejuvenating Cinema as a Field of Critical, Conceptual, and Historical Study | HTML |
| Stan Jones |
Film Festival Reports
| New York Film Festival 2000 | HTML |
| Martha P. Nochimson |
This work is licensed under a Creative Commons Attribution 3.0 License.
Film-Philosophy | ISSN 1466-4615
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