Edited by Daniel Frampton
Table of Contents
Review Articles
| Apprehending Deleuze Apprehending Cinema: Der Film bei Deleuze/Le cinema selon Deleuze, edited by Oliver Fahle and Lorenz Engell |
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Edward R. O'Neill |
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| 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics |
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David Sullivan |
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| Peter Greenaway: A User's Manual: On Amy Lawrence, The Films of Peter Greenaway |
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Paula Willoquet-Maricondi |
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| Beyond Rhetoric (and Scepticism): A Critical Realist Perspective on Carl R. Plantinga: On Carl R. Plantinga, Rhetoric and Representation in Nonfiction Film |
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Gary MacLennan |
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| A Naive Reply to MacLennan and Raskin |
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Carl R. Plantinga |
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| The 'I' of the Beholder: On Richard Allen, Projecting Illusion: Film Spectatorship and the Impression of Reality |
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Karen Bardsley |
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| Rediscovering the Cinema: On Brian Winston, Technologies of Seeing: Photography, Cinematography and Television |
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C. Paul Sellors |
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| Respecting Rossellini: On Peter Bondanella, The Films of Roberto Rossellini |
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Vincent Tocce |
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| Art and Ethics Reunited: Aesthetics and Ethics, edited by Jerrold Levinson |
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Aaron Meskin |
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| Survey of a Field? On Philosophy and Film, edited by Cynthia A. Freeland and Thomas E. Wartenberg |
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Brian K. Aurand |
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| Reply to Aurand |
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Cynthia A. Freeland, Thomas E. Wartenberg |
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| Film and Philosophy Family Reunion: On Film and Philosophy (Volume 3, 1996) edited by Kendall D'Andrade |
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Marty Fairbairn |
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| Seeing and Thinking: For an Understanding of Visual Culture: On Ron Burnett, Cultures of Vision: Images, Media and the Imaginary |
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Paolo Teobaldelli |
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| What Will This Century Be Known As?: Deleuze and Resistance for Theory: On 'A Deleuzian Century?' South Atlantic Quarterly (Volume 96, Number 3, 1997) |
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Nina Zimnik |
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| A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture, edited by Peter Brunette and David Wills |
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Erin Manning |
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| Lounging with a Big Mac in One Hand and Freud by My Side Harvey: On Roy Greenberg, Screen Memories: Hollywood Cinema on the Psychoanalytic Couch |
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Olivia Khoo |
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| BeauKhoo Exceptions: A Reply to Olivia Khoo |
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Harvey Roy Greenberg |
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| Feasting on Allegory: On Bridget Elliott and Anthony Purdy, Peter Greenaway: Architecture and Allegory |
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Paula Willoquet-Maricondi |
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| The Radical Cinema and its Double: On Vertigo (Vol. 1, No. 7, 1997) |
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Michael Sicinski |
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| Is There Personality in a Textbook?: On Jacques Aumont The Image |
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Glen Norton |
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| N/M: Misreading the Womand: On Patrick McGee, Cinema, Theory, and Political Responsibility in Contemporary Culture |
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David Sorfa |
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| Forget Aporia: A Reply to David Sorfa |
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Patrick McGee |
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| Beauty Lies in the Eye (So Why Can't I Touch It?): On Brian Massumi, Guest Editor, 'Deleuze, Guattari and the Philosophy of Expression', Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (Vol. 24 no. 3, 1997) |
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Michael Goddard |
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| David Bordwell's Iron Cage of Style: On David Bordwell, On the History of Film Style |
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James S. Hurley |
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| Forays into Philosophy and Film: On Film and Philosophy (Vol. 1, 1994), edited by Kendall D'Andrade |
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Dennis Rothermel |
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| What Do You Really Want From Žižek?: On Slavoj Žižek, The Sublime Object of Ideology |
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Oliver C. Speck |
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| To Be Outside and In-Between: On Paul Willemen, Looks and Frictions: Essays in Cultural Studies and Film Theory |
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Ben Goldsmith |
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| Virilio on Vision Machines: On Paul Virilio, Open Sky |
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Douglas Kellner |
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| Film Theory at the Turning Point of Modernity: On Hugo Münsterberg, Das Lichtspiel: Eine Psychologische Studie [1916] Und andere schriften zum Kino |
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Pasi Nyyssonen |
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| Taking Deleuze (On): On Gilles Deleuze, Negotiations: 1972-1990 |
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Matt Lee |
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| The Sign of Zero: Semantics of Seeing, Perceiving, and Believing: The Film Spectator: From Sign to Mind edited by Warren Buckland |
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Liora Moriel |
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| The Practice of Filmic Interpretation: On Noel Carroll, Interpreting the Moving Image |
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Warren Buckland |
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| Analytic Philosophy and Film: On Film Theory and Philosophy, edited by Richard Allen and Murray Smith |
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Samuel Guttenplan |
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| I'm Not Joking - Lacanian Nostalgia Ain't What It Used To Be: On Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock), edited by Slavoj Žižek |
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Andrew Murphie |
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| The 'High-Water Mark' of Film Theory: On Explorations in Film Theory: Selected Essays from Cine-Tracts, edited by Ron Burnett |
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Tico Romoa |
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| The Archeology of Vision: On The Image in Dispute: Art and Cinema in the Age of Photography, edited by Dudley Andrew |
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Jan-Christopher Horak |
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Film Festival Reports
| Toronto International Film Festival: 10-19 September 1998 |
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Marty Fairbairn |
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This work is licensed under a
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Film-Philosophy | ISSN 1466-4615
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