Vol 14, No 1 (2010)

Edited by David Sorfa and Greg Tuck

Table of Contents

Extended Article

Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales ePUB PDF
Steven Shaviro 1-102

Multimedia

What is Film-Philosophy? Round Table AUDIO
David Martin-Jones 81 mins

Articles

Visual Alterity Abroad: Hegel through Birgit Hein's Baby I will Make You Sweat and La Moderna Poesia PDF
Randall Halle 103-121
The Thought Specular: Kieslowski’s White and Streitfeld’s Female Perversions PDF
Frances L. Restuccia 122-143
‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds PDF
Bruno Lessard 144-173
Beyond Internalism and Externalism: Husserl and Sartre’s Image Consciousness in Hitchcock and Buñuel PDF
Gregory Minissale 174-201
Cannibalistic Capitalism and other American Delicacies: A Bataillean Taste of The Texas Chain Saw Massacre PDF
Naomi Merritt 202-231
Logistics of Perception 2.0: Multiple Screen Aesthetics in Iraq War Films PDF
Patricia Pisters 232-252
Simulation, Simulacra and Solaris PDF
Julian Haladyn, Miriam Jordan 253-273

Film Festival Reports

Venice Film Festival 2009: Survival of the Fittest PDF
John Bleasdale 274-286
New York Film Festival 2009: Gimme Provocation PDF
Martha P. Nochimson 287-302

Book Reviews

Domietta Torlasco (2008) The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film PDF
Alan Fair 303-309
James Walters (2008) Alternative Worlds in Hollywood Cinema: Resonance Between Realms PDF
David Sterritt 310-317
Daniel Barnett (2008) Movement as Meaning in Experimental Film PDF
Kim Knowles 318-325
Dean A. Kowalski, ed. (2007) The Philosophy of the X-Files PDF
Andrew Patrick Nelson 326-331
Dan Flory (2008) Philosophy, Black Film, Film Noir PDF
Brian Butler 332-336
James Phillips, ed. (2008) Cinematic Thinking: Philosophical Approaches to the New Cinema PDF
William Brown 337-349
Jay McRoy (2007) Nightmare Japan: Contemporary Japanese Horror Cinema PDF
Juneko J. Robinson 350-360
David E. Morrison, Matthew Kieran, Michael Svennevig and Sarah Ventress (2007) Media & Values. Intimate Transgressions in a Changing Moral and Cultural Landscape PDF
Laura Sava 361-366
Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption PDF
Wing-Fai Leung 367-370
Irving Singer (2007) Ingmar Bergman, Cinematic Philosopher: Reflections on his Creativity PDF
Thorsten Botz-Bornstein 371-376
Irving Singer (2008) Cinematic Mythmaking: Philosophy in Film PDF () PDF
Robert Sixto Sinnerbrink 377-386
Ian Buchanan and Patricia MacCormack, eds. (2008) Deleuze and the Schizoanalysis of Cinema PDF
Micki Nyman 387-391
Mark Rowlands (2008) Fame PDF
Ben Hutchens 392-394
Sarah Cooper (2008) Chris Marker PDF
Oliver Mayer 395-400
Sarah Cooper (2008) Chris Marker PDF
Joana Pimenta 401-414
Dean A. Kowalski, ed. (2008) Steven Spielberg and Philosophy: ‘We’re Going to Need a Bigger Book’ PDF
John Bleasdale 415-421
Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds PDF
John A. Riley 422-429
Joe McElhaney, ed. (2009) Vincente Minnelli: The Art of Entertainment PDF
Paul Anthony Johnson 430-439
Sandra Shapshay, ed. Bioethics at the Movies PDF
Pramod Nayar 440-444
Inga Scharf (2008) Nation and Identity in the New German Cinema: Homeless at Home PDF
Susanne Schmetkamp 445-452
Constantin Boundas, ed. (2009) Gilles Deleuze: Intensive Reduction PDF
Robert King 453-461
Winfried Pauleit, Christine Rüffert, Karl-Heinz Schmid, Alfred Tews, eds. (2009) Das Kino träumt: Projektion, Imagination, Vision / Cinema Dreams: Projection, Imagination, Vision PDF
Sylvie Magerstädt 462-467
Katherine Thomson-Jones (2008) Aesthetics and Film PDF
Abigail Keating 468-474
Michael J. Shapiro (2009) Cinematic Geopolitics PDF
R. D. Crano 475-480
Randall E. Auxier and Phil Seng, eds. (2008) The Wizard of Oz and Philosophy: Wicked Wisdom of the West PDF
Anthony Metivier 481-483
Thomas R. Lindlof (2008) Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars PDF
Colm O'Shea 484-489
Karen Ward Mahar (2008) Women Filmmakers in Early Hollywood PDF
Sara Ross 490-495
Mark T. Conrad, ed. (2009) The Philosophy of Neo-Noir PDF
Chris Pallant 496-500


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