| Simulation, Simulacra and Solaris |
PDF
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Julian Haladyn, Miriam Jordan |
253-273 |
| Venice Film Festival 2009: Survival of the Fittest |
PDF
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John Bleasdale |
274-286 |
| New York Film Festival 2009: Gimme Provocation |
PDF
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Martha P. Nochimson |
287-302 |
| Domietta Torlasco (2008) The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film |
PDF
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Alan Fair |
303-309 |
| James Walters (2008) Alternative Worlds in Hollywood Cinema: Resonance Between Realms |
PDF
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David Sterritt |
310-317 |
| Daniel Barnett (2008) Movement as Meaning in Experimental Film |
PDF
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Kim Knowles |
318-325 |
| Dean A. Kowalski, ed. (2007) The Philosophy of the X-Files |
PDF
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Andrew Patrick Nelson |
326-331 |
| Dan Flory (2008) Philosophy, Black Film, Film Noir |
PDF
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Brian Butler |
332-336 |
| James Phillips, ed. (2008) Cinematic Thinking: Philosophical Approaches to the New Cinema |
PDF
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William Brown |
337-349 |
| Jay McRoy (2007) Nightmare Japan: Contemporary Japanese Horror Cinema |
PDF
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Juneko J. Robinson |
350-360 |
| David E. Morrison, Matthew Kieran, Michael Svennevig and Sarah Ventress (2007) Media & Values. Intimate Transgressions in a Changing Moral and Cultural Landscape |
PDF
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Laura Sava |
361-366 |
| Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption |
PDF
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Wing-Fai Leung |
367-370 |
| Irving Singer (2007) Ingmar Bergman, Cinematic Philosopher: Reflections on his Creativity |
PDF
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Thorsten Botz-Bornstein |
371-376 |
| Irving Singer (2008) Cinematic Mythmaking: Philosophy in Film |
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PDF
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Robert Sixto Sinnerbrink |
377-386 |
| Ian Buchanan and Patricia MacCormack, eds. (2008) Deleuze and the Schizoanalysis of Cinema |
PDF
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Micki Nyman |
387-391 |
| Mark Rowlands (2008) Fame |
PDF
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Ben Hutchens |
392-394 |
| Sarah Cooper (2008) Chris Marker |
PDF
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Oliver Mayer |
395-400 |
| Sarah Cooper (2008) Chris Marker |
PDF
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Joana Pimenta |
401-414 |
| Dean A. Kowalski, ed. (2008) Steven Spielberg and Philosophy: ‘We’re Going to Need a Bigger Book’ |
PDF
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John Bleasdale |
415-421 |
| Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds |
PDF
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John A. Riley |
422-429 |
| Joe McElhaney, ed. (2009) Vincente Minnelli: The Art of Entertainment |
PDF
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Paul Anthony Johnson |
430-439 |
| Sandra Shapshay, ed. Bioethics at the Movies |
PDF
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Pramod Nayar |
440-444 |
| Inga Scharf (2008) Nation and Identity in the New German Cinema: Homeless at Home |
PDF
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Susanne Schmetkamp |
445-452 |
| Constantin Boundas, ed. (2009) Gilles Deleuze: Intensive Reduction |
PDF
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Robert King |
453-461 |
| Winfried Pauleit, Christine Rüffert, Karl-Heinz Schmid, Alfred Tews, eds. (2009) Das Kino träumt: Projektion, Imagination, Vision / Cinema Dreams: Projection, Imagination, Vision |
PDF
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Sylvie Magerstädt |
462-467 |
| Katherine Thomson-Jones (2008) Aesthetics and Film |
PDF
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Abigail Keating |
468-474 |
| Michael J. Shapiro (2009) Cinematic Geopolitics |
PDF
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R. D. Crano |
475-480 |
| Randall E. Auxier and Phil Seng, eds. (2008) The Wizard of Oz and Philosophy: Wicked Wisdom of the West |
PDF
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|
Anthony Metivier |
481-483 |
| Thomas R. Lindlof (2008) Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars |
PDF
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|
Colm O'Shea |
484-489 |
| Karen Ward Mahar (2008) Women Filmmakers in Early Hollywood |
PDF
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|
Sara Ross |
490-495 |
| Mark T. Conrad, ed. (2009) The Philosophy of Neo-Noir |
PDF
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|
Chris Pallant |
496-500 |
