Vol 19 (2015)

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Film-Philosophy Vol 19 (2015)

This is a rolling volume. Articles and reviews will be added as they become ready for publication.

Table of Contents


Anti-Christ: Tragedy, Farce or Game? PDF
Jan Simons 1-15
Laughter and the Death of the Comic: Charlie Chaplin's The Circus and Limelight in Light of the Ethics of Emmanuel Levinas PDF
Moshe Shai Rachmuth 15-32
Films Blancs: Luminosity in the Films of Michael Mann PDF
Davide Panagia 33-54
Cinematic Incorporation: Literature in My Life Without Me PDF
Sarah Dillon 55-66
Trying Truths: Dreyer, Bresson and the Meaning Effect PDF
Brandon White 67-84
Ambivalent Screens: Quentin Tarantino and the Power of Vision PDF
Frida Beckman 85-104
The Permeable Self: A Theory of Cinematic Quotation PDF
Chelsey Crawford 105-123


Happy-Go-Lucky Revisited: A Response to Basileios Kroustallis PDF
Christopher Grau (Responses) 1-15
Black Noir Signifies More Than Just a 'Simple Parallel': A Response to Brian E. Butler PDF
Dan Flory (Responses) 16-23

Book Reviews

Josef Stieff, ed. (2011) Sherlock Holmes and Philosophy, The Footprints of a Gigantic Mind PDF
Brian Castleberry (Review) 1-5
Paul Elliott (2011) Hitchcock and the Cinema of Sensations: Embodied Film Theory and Cinematic Reception PDF
Eric Whedbee (Review) 6-11
Anat Pick (2011) Creaturely Poetics: Animality and Vulnerability in Literature and Film PDF
Anthony Siu
Paul Bowman, ed. (2013) Rancière and Film PDF
James Harvey-Davitt
Ian Aitken (2012) Lukácsian Film Theory and Cinema: A Study of Georg Lukács’ Writing on Film 1913-1971 PDF
Angelos Koutsourakis
Daniel Morgan (2013) Late Godard and the Possibilities of Cinema PDF
James Harvey-Davitt
Mick LaSalle (2012) The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses PDF
Richard Lindley Armstrong
Marek Haltof (2012) Polish Film and the Holocaust: Politics and Memory PDF
Matilda Mroz
Paul Cooke (2012) Contemporary German Cinema PDF
Victoria Grace Walden
Vincent M. Gaine (2011) Existentialism and Social Engagement in the Films of Michael Mann PDF
Agust Magnusson
Domietta Torlasco (2013) The Heretical Archive: Digital Memory at the End of Film PDF
Ted Kafala
Patricia Pisters (2012) The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture PDF
Maria Walsh
Fran Mason (2012) Hollywood's Detective: Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir PDF
Joseph Steven Yanick
Schuy R. Weishaar (2012) Masters of the Grotesque: The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch PDF
Giacomo Boitani
Nora Gilbert (2013) Better Left Unsaid: Victorian Novels, Hays Code Films, and the Benefits of Censorship PDF
Hanna Karolina Kubicka
Seán Sheehan (2012) Žižek: A Guide for the Perplexed. PDF
Nadine Hartmann
Fabio Vighi (2012) Critical Theory and Film: Rethinking Ideology through Film Noir PDF
Chloe Jane Benson
Akira Mizuta Lippit (2012) Ex-Cinema: From a Theory of Experimental Film and Video PDF
Aimee Mollaghan
Barry Keith Grant, ed. (2012) The Film Genre Reader IV PDF
Keith Hennessey Brown
Wanda Teays (2012) Seeing the Light: Exploring Ethics through Movies PDF
Felicity Ford
Philipp Brunner, Jörg Schweinitz, & Margret Trödler, eds. (2012) Filmische Atmosphären PDF
Stephen Lowry
Eve Golden (2013) John Gilbert: The Last of the Silent Film Stars PDF
Katherine Blakeney
Neil Archer (2012) The French Road Movie: Space, Mobility, Identity

Michael Gott and Thibaut Schist, eds. (2013) Open Road, Closed Borders: The Contemporary French-Language Road Movie
Maud Ceuterick
Sean Redmond (2013) The Cinema of Takeshi Kitano: Flowering Blood PDF
Cameron Ironside
Christopher Pavsek (2013) The Utopia of Film: Cinema and its Futures in Godard, Kluge, and Tahimik PDF
Brian K Bergen-Aurand
Spencer Shaw (2008) Film Consciousness: From Phenomenology to Deleuze PDF
Edward John Willatt
Douglas Keesey (2012) Contemporary Erotic Cinema PDF
Troy Michael Bordun
Robert Arp, Adam Barkman and James McRae, eds. (2013) The Philosophy of Ang Lee PDF
Hiu M. Chan
Adrian J. Ivakhiv (2013) Ecologies of the Moving Image: Cinema, Affect, Nature PDF
Helen Hughes
Benjamin Thomas , ed. (2012) Tourner le dos: Sur l’envers du personnage au cinéma PDF
Greg Hainge
John Orr (2014) The Demons of Modernity: Ingmar Bergman and European Cinema PDF
Thorsten Botz-Bornstein

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Film-Philosophy | ISSN 1466-4615