Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales

Steven Shaviro

Abstract


This essay explores the 'structure of feeling' that is emerging today in tandem with new digital technologies, together with economic globalisation and the financialisation of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions and they address their spectators in different ways than was the case in the 20th century. The article traces these changes, focusing on three recent moving-image works: Nick Hooker's music video for Grace Jones's song 'Corporate Cannibal'; Olivier Assayas' movie Boarding Gate, starring Asia Argento; and Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson and other pop culture celebrities.

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Film-Philosophy | ISSN 1466-4615