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Film-Philosophy, Vol 17, No 1 (2013)
Editor: David Sorfa
Peer Review Editor: Graham Matthews
Book Reviews Editor: William Brown
Copy Editors: Matthew Holtmeier, Ben Tyrer
Table of Contents
Articles
| The Facts Before Our Eyes: Wittgenstein and the Film Noir Investigator | |
| Keith Dromm | 1-18 |
| 'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner | |
| Andrew Norris | 19-50 |
| Ghost in the Shell 2, Technicity and the Subject | |
| Daniel Hourigan | 51-67 |
| Throne of Blood and the Metaphysics of Tragedy | |
| Henry Somers-Hall | 68-83 |
| 'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz | |
| Justin Remes | 84-95 |
| Film Noir as Point de Capiton: Double Indemnity, Structure and Temporality | |
| Ben Tyrer | 96-114 |
| Shooting for Dead Time in Gus Van Sant's Elephant | |
| William Little | 115-133 |
| Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt | |
| Justine McGill | 134-153 |
| 'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) | |
| Mark Cresswell, Zulfia Karimova | 154-176 |
| The Ister: Cinema's Interruption | |
| Linda Daley | 177-192 |
| Otherness and the Renewal of Freedom in Jarmusch's Down by Law: A Levinasian and Arendtian Reading | |
| Mark Cauchi | 193-211 |
| Mimesis Reconsidered: Adorno and Tarkovsky contra Habermas | |
| Simon Mussell | 212-233 |
| Nietzsche and Bad Conscience on Mosquito Coast | |
| James Edward Gough, Sue Matheson | 234-244 |
| The Closure of the 'Gold Window': From 'Camera-Eye' to 'Brain-Screen' | |
| Morgan M Adamson | 245-264 |
| A New/Old Ontology of Film | |
| Rafe McGregor | 265-280 |
| Internal Needs, Endoxa and the Truth: An Aristotelian Approach to the Popular Screenplay | |
| Daniel McInerny | 281-295 |
| Extreme Makeover: Art and Morality in The Shape of Things | |
| Joseph H. Kupfer | 296-314 |
| 'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There | |
| Carolyn D'Cruz, Glenn D'Cruz | 315-330 |
| I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes | |
| Helen Darby | 330-347 |
| Truth, Autobiography and Documentary: Perspectivism in Nietzsche and Herzog | |
| Katrina Mitcheson | 348-366 |
| Left-over Spaces: The Cinema of the Dardenne Brothers | |
| Benoit Dillet, Tara Puri | 367-382 |
| Homeopathic Repetition and Memories of Underdevelopment: The Dialectic of Subjective Experience and Objective Historical Forces | |
| Trevor James Cunnington | 383-401 |
| Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge. | |
| David H. Fleming | 402-423 |
| The Philosophical Act of Seeing With One's Own Eyes: The Silent Films of Stan Brakhage | |
| James Michael Magrini | 424-445 |
| 'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc | |
| Ros Murray | 445-461 |
Book Reviews
|
Hsiu-Chuang Deppman (2010) Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film | |
| Iris Chui Ping Kam | 462-467 |
|
Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema | |
| David H. Fleming | 467-479 |
|
Timothy Corrigan, ed. (2012) Film and Literature: An Introduction and Reader. 2nd Edition | |
| Shawn Loht | 480-483 |
|
Michael Charlesworth (2011) Derek Jarman | |
| Justin Remes | 484-486 |
|
Sharon Lin Tay (2009) Women on the Edge: Twelve Political Film Practices | |
| Sheryl Tuttle Ross | 487-492 |
|
Todd Berliner (2010) Hollywood Incoherent: Narration in Seventies Cinema | |
| John Anthony Bleasdale | 493-496 |
|
M. Keith Booker (2011) Historical Dictionary of American Cinema | |
| Glen Melanson | 497-500 |
|
Shawn C. Bean (2008) The First Hollywood: Florida and the Golden Age of Silent Filmmaking | |
| Carrie Giunta | 501-502 |
|
Julian Petley (2011) Film and Video Censorship in Modern Britain | |
| Zach Saltz | 503-508 |
|
Suzanne Buchan (2011) The Quay Brothers: Into a Metaphysical Playroom | |
| Micki Nyman | 509-515 |
|
Khatereh Sheibani (2011) The Poetics of Iranian Cinema: Aesthetics and Modernity After the Revolution | |
| Paul Elliott | 516-519 |
Announcements
Submissions still closed |
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| We've just published Film-Philosophy 17.1 (2013), but we still have a backlog, so we are not accepting any unsolicited submissions. If you are in the backlog, rest assured that we will get to your piece. Don't forget the Film-Philosophy Conference will be at the University of Glasgow, 2-4 July 2014 |
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| Posted: 2013-12-15 | |
| More Announcements... |
This work is licensed under a Creative Commons Attribution 3.0 License.
Film-Philosophy | ISSN 1466-4615