Film-Philosophy

Film-Philosophy is an open access peer-reviewed academic journal dedicated to the engagement between film studies and philosophy.



Film-Philosophy, Vol 16, No 1 (2012)

Edited by David Sorfa, Graham Matthews, Matthew Holtmeier and Ben Tyrer

Table of Contents

Articles

Interpreting Disturbed Minds: Donald Davidson and The White Ribbon PDF
James J Pearson 1-15
Haptic Aurality: Resonance, Listening and Michael Haneke PDF
Lisa Coulthard 16-29
To Describe a Labyrinth: Dialectics in Jacques Rivette’s Film Theory and Film Practice PDF
Douglas Morrey 30-54
The Subject Trapped in Gomorrah: Undecidability and Choice in Network Cinema PDF
Maria Poulaki 55-71
Film as Thought Experiment: A Happy-Go-Lucky Case? PDF
Basileios Kroustallis 72-84
Losing Face: Francis Bacon's 25th Hour PDF
Arne De Boever 85-100
Charm and Strangeness: The Aesthetic and Epistemic Dimensions of Derek Jarman’s Wittgenstein PDF
Kieran Anthony Cashell 101-126
Why He Really Doesn’t Get Her: Deleuze’s Whatever-Space and the Crisis of the Male Quest PDF
Niels Niessen 127-148
Groundhog Day and the Good Life PDF
Diana Abad 149-164
Remystifying Film: Aesthetics, Emotion and The Queen PDF
Stella Hockenhull 165-182
Contrapuntal Close-up: The Cinema of John Cassavetes and the Agitation of Sense PDF
Daniele Rugo 183-198
Of Bastard Man and Evil Woman, or, the Horror of Sex PDF
Lorenzo Chiesa 199-212
Perversity and Post-Marxian Thought in Buñuel’s Late Films PDF
Chad Trevitte 213-231

Book Reviews

Peter Wollen (1993/2008) Raiding the Icebox: Reflections on Twentieth-Century Culture PDF
Alexandra Dumitrescu 232-237
Amy Herzog (2010) Dreams of Difference, Songs of the Same: The Musical Moment in Film PDF
Mithuraaj Dhusiya 238-242
Alban Pichon (2009) Le cinema de Leos Carax. L’experience du déjà-vu PDF
Daniele Rugo 243-245
Cover page image
Catherine Wheatley (2009) Michael Haneke’s Cinema: The Ethic of the Image PDF
John Anthony Bleasdale 246-250
Cover page image
Homay King (2010) Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier PDF
David H. Fleming 251-255
Cover page image
Sheila J. Nayar (2010) Cinematically Speaking: The Orality-Literacy Paradigm for Visual Narrative PDF
Kathleen Elizabeth Scott 256-262
Cover page image
Paula Amad (2010) Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète PDF
Katherine Groo 263-269
Cover page image
Cristina Vatulescu (2010) Police Aesthetics: Literature, Film and the Secret Police in Soviet Times PDF
Laszlo Strausz 270-275
Cover page image
Courtland Lewis and Paula Smithka, eds. (2011) Doctor Who and Philosophy: Bigger on the Inside PDF
Tim Jones 276-280
Cover page image
Phyllis Frus and Christy Williams, eds. (2010) Beyond Adaptation: Essays on Radical Transformations of Original Works PDF
Frances Smith 281-286
Cover page image
Cristina Johnston (2010) French Minority Cinema PDF
Jehanne-Marie Gavarini 287-291
Cover page image
Todd McGowan (2011) Out of Time: Desire in Atemporal Cinema PDF
R.d. Crano 292-298
Cover page image
Richard Rushton (2011) The Reality of Film: Theories of Filmic Reality PDF
Timothy Robert Holland 299-302
Cover page image
Tim Palmer (2011) Brutal Intimacy: Analyzing Contemporary French Cinema PDF
Caroline Walters 303-306
Cover page image
Patrick J. Cook (2011) Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda PDF
Rajesh Kumar Sharma 307-312
Cover page image
Alexie Tcheuyap (2011) Postnationalist African Cinemas PDF
Zachary Thomas Ingle 313-316
Cover page image
Maurice Yacowar (2010) Hitchcock's British Films, 2nd edt. PDF
Zorianna Zurba 317-319
Cover page image
Felicity Colman (2011) Deleuze and Cinema: The Film Concepts PDF
Kam Chui Ping 320-322

Announcements

 

Article Submissions Closed

  
Due to a large backlog, Film-Philosophy is currently not accepting any unsolicited submissions.  
Posted: 2012-11-27
 
More Announcements...


Creative Commons License
This work is licensed under a Creative Commons Attribution 3.0 License.

Go to Open Humanities Press

Film-Philosophy | ISSN 1466-4615