Speakers and Abstracts


Last name A B C D E F G H I J K L M N O P Q R S T U V W X Y Z All
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Individual Papers


Evaluating the Long Take in Andrei Tarkovsky’s Stalker
Christopher Marnoch, University of East London

The nostalgic Royal Tenenbaums: A defense of Wes Anderson´s sentimentality.
Irene Martínez-Marín, University of Murcia

Bruno Dumont and the Ethics of Mise-en-scène
Douglas Morrey, University of Warwick

Re-evaluating Bricolage in the Early Films of Terence Davies
Benedict Luke Morrison, The University of Oxford

Mise en scène in Goodbye South, Goodbye
Steven Marchant, Royal Holloway University of London

Contemporary Slovak social drama and the myth of authenticity
Katarina Misikova, Academy of Music and Dramatic Arts, Bratislava, Slovakia

Preconstituted Panels


Surface Meaning: Surfaces, Depths and the Interpretation of Film
James MacDowell, University of Warwick Lucy Fife Donaldson, University of St. Andrews Timotheus Vermeulen, Radboud University Nijmegen

Ida: Form, Space, and Light
Matilda Mroz, University of Greenwich, London Richard Rushton, Lancaster University James Harvey-Davitt, Anglia Ruskin University

Negotiating Identity: Forms of Knowledge and Radical Difference
Anna Backman Rogers, University of Gothenburg, Sweden Eva Sancho Rodriguez, University of Amsterdam Francesca Minnie Hardy, University of Aberdeen Laura McMahon, University of Cambridge

Stiegler’s post-Kantian Aesthetics of Industrial Temporal Objects
Patrick Crogan, University of the West of England, Bristol Marcel Swiboda, University of Leeds John Mowitt, University of Leeds