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Volume 7, 2003
December 2003
Journal issue on Paracinema: The Experimental, the Avant-Garde, and the Digital
vol. 7 no. 57: Richard Porton, Vagaries of Taste, or How 'Popular' is Popular Culture?, a reply to Vittorio Frigerio's review of Porton's Film and the Anarchist Imagination.
vol. 7 no. 56: Warwick Mules, The Figural as Interface in Film and the New Media, on D. N. Rodowick's Reading the Figural, or, Philosophy after the New Media.
vol. 7 no. 55: Michael Truscello, The Birth of Software Studies: Lev Manovich and Digital Materialism, on Manovich's The Language of New Media.
vol. 7 no. 54: Aaron Smuts, Film Theory Meets Video Games: An Analysis of the Issues and Methodologies in ScreenPlay, the Wallflower Press book on 'Cinema/Videogames/Interfaces', edited by Geoff King and Tanya Krzywinska.
vol. 7 no. 53: Vittorio Frigerio, Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton's Film and the Anarchist Imagination.
vol. 7 no. 52: Edward S. Small, A Reply to Kinsey.
vol. 7 no. 51: Tammy A. Kinsey, Let us Never Speak of It?, on Edward S. Small's Direct Theory: Experimental Film/Video as Major Genre.
vol. 7 no. 50: Edward S. Small, Beyond Abstract Film, on Malcolm Le Grice's Experimental Cinema in the Digital Age.
vol. 7 no. 49: Liz Wells, Reflections on Experimental Film, on The Undercut Reader, edited by Nina Danino and Michael Maziere.
vol. 7 no. 48: Kyle Harris, Through the Pleasure Dome, on Lux: A Decade of Artists' Film and Video, edited by Steve Reinke and Tom Taylor.
November 2003
Journal issue on Film History, Theory, and Philosophy:
vol. 7 no. 47: Cara O'Connor, Ethics, Ambiguity, and Multi-Frame Narrative in Julie Talen's Pretend.
vol. 7 no. 46: Pablo Ortega-Rodriguez, How is Disbelief Suspended?: The Paradox of Fiction and Carroll's The Philosophy of Horror.
vol. 7 no. 45: John S. Vassar, A Universal Narrative?, on Ari Hiltunen's Aristotle in Hollywood.
vol. 7 no. 44: Marcia Landy, Traveling in Film Theory, on Giuliana Bruno's Atlas of Emotion: Journeys in Art, Architecture, and Film.
vol. 7 no. 43: Martha P.
Nochimson, New York Film Festival
2003, on films
such as S21, Dogville, Mystic
River,
The Fog of
War,
and Free
Radicals.
vol. 7 no. 42: Kristi McKim, Remembrance of Cinema Past: Reading Nostalgia
and Writing Possibility in Annette Kuhn's
Dreaming of Fred and
Ginger.
vol. 7 no. 41: Joke Hermes, On Behalf of the Audience: A Critique of
Janet Staiger's Notion of the Practice of
Reception, on
Staiger's Perverse Spectators: The Practices
of Film Reception.
vol. 7 no. 40: Jan-Christopher Horak, Change and Nothing But
Change, on
Philip Rosen's Change Mummified: Cinema,
Historicity, Theory.
vol. 7 no. 39: Richard Schellhammer, Moving Pictures before
Cinema, on
Laurent Mannoni's The Great Art of Light and Shadow:
Archaeology of the Cinema.
October
2003
Journal issue on Soviet and Asian
Cinemas:
vol. 7 no. 38: George O. Liber, Re-examining Dovzhenko's Political
Environment, a
response to John Riley's review of Alexander Dovzhenko: A Life in
Soviet Film.
vol. 7 no. 37: Lisa Odham Stokes and Michael Hoover,
Comments on Karen Fang's Review of
City on Fire: Hong Kong
Cinema.
vol. 7 no. 36: Karen Fang, The Poverty of Sociological Studies of Hong
Kong Cinema, on
Lisa Odham Stokes and Michael Hoover's
City on Fire: Hong
Kong Cinema.
vol. 7 no. 35: Sheila Petty, Never Forfeit the Self: The Art of Zhang
Yimou,
on Zhang Yimou:
Interviews,
edited by Frances Gateward.
vol. 7 no. 34: Aakash Singh, Kojeve's Masters and Slaves, Kurosawa's
Samurai and Farmers, on The Seven
Samurai.
vol. 7 no. 33: Robert Castle, The Radical Capability of
Rashomon.
vol. 7 no. 32: Dorota Ostrowska, Sokurov's Russian Ark.
vol. 7 no. 31: John Riley, A (Ukrainian) Life in Soviet
Film, on George
O. Liber's Alexander Dovzhenko: A Life in
Soviet Film.
September
2003
Journal issue on Psychoanalytic Film
Theory:
vol. 7 no. 30: John Orr, Right Direction, Wrong
Turning.
vol. 7 no. 29: Richard Stamp, Our Friend Zizek.
Two review-articles on The Fright of Real Tears: Krzysztof
Kieslowski between Theory and
Post-Theory, by
Slavoj Zizek.
vol. 7 no. 28: Briana Berg,
Film Theory, Psychoanalysis, and
Figuration.
vol. 7 no. 27: Jamie Clarke, The Parallax Review.
vol. 7 no. 26: Rebecca M. Gordon, Waiting for Dawn to
Break.
Three review-articles on Endless Night: Cinema and
Psychoanalysis, Parallel Histories, a collection of essays edited by Janet
Bergstrom.
August
2003
Journal issue on Science-Fiction
Film as
Philosophy:
vol. 7 no. 25: Stephen Mulhall, Ways of Thinking, a response to the reviews of
On Film
by Nathan Andersen and
Julian Baggini.
vol. 7 no. 24: Julian Baggini, Alien Ways of Thinking.
vol. 7 no. 23: Nathan Andersen, Is Film the Alien Other to
Philosophy?
Both on Stephen Mulhall's On Film, a philosophical analysis of the
Alien
quartet: Alien, Aliens, Alien3, and Alien
Resurrection.
vol. 7 no. 22: Richard I. Pope, In Kubrick's Crypt, a Derrida/Deleuze
Monster,
on 2001: A
Space Odyssey.
vol. 7 no. 21: Lysa Rivera,
Screening the
Postmodern, on
Vivian Sobchack's Screening Space: The American
Science Fiction Film.
vol. 7 no. 20: Jon Baldwin, Other Bother: The Alien in Science Fiction
Cinema,
on Aliens R Us:
The Other in Science Fiction
Cinema, edited
by Ziauddin Sardar and Sean Cubitt.
vol. 7 no. 19: Anna Powell, Selling Space, on King and Krzywinska's
Science Fiction
Cinema: From Outer Space to
Cyberspace.
July
2003
Journal issue on Television
Studies:
vol. 7 no. 18: David Lavery, Response to Jonathan
Gray.
vol. 7 no. 17: Jonathan Gray, Critiquing the Critics, on Teleparody: Predicting/Preventing
the TV Discourse of Tomorrow, edited by Angela Hague and David
Lavery.
vol. 7 no. 16: John Corner, Keeping a Distance, a response to White's review below.
vol. 7 no. 15: Rosemary White, Television at a
Distance, on
John Corner's Critical Ideas in Television
Studies.
June
2003
vol. 7 no. 14: Daniel Keyes, The Context for Reproducing
Knowledge, on
Colin MacCabe's The Eloquence of the Vulgar:
Language, Cinema and the Politics of
Culture.
vol. 7 no. 13: Andrea Dahlberg,
On the Fortieth Anniversary of
Borom Sarret, on Ousmane Sembene's 18 minute-long
Senegalese film from 1963.
vol. 7 no. 12: F. Parsa, Letter from Tehran.
May
2003
vol. 7 no. 11: Paul McEwan, The Voice and
Masculinity,
on Close Up:
Cinema and Modernism 1927-1933, edited by James Donald, Anne
Friedberg, and Laura Marcus.
vol. 7 no. 10: Christopher Bodnar, The Database, Logic, and
Suffering: Memento and Random-Access Information
Aesthetics.
April
2003
vol. 7 no. 9: David Sorfa, Why Bother with Cinema?, on Paolo Cherchi-Usai's
The Death of Cinema:
History, Cultural Memory and the Digital Dark
Age.
vol. 7 no. 8: Chris Darke, Letter from London, on Chris Petit, Abbas Kiarostami,
Lynne Ramsay, Iain Sinclair, J. G. Ballard, and
surveillance cinema.
March
2003
vol. 7 no. 7: Daniel Coffeen, This is Cinema: The Pleated Plenitude of the
Cinematic Sign in David Lynch's Mulholland
Dr.
February
2003
Journal issue on Deborah
Thomas/Hollywood:
vol. 7 no. 6: Deborah Thomas, A Reply to Mogg and
Chopra-Gant.
vol. 7 no. 5: Mike Chopra-Gant, Hollywood Spaces, on Deborah Thomas's
Reading Hollywood:
Spaces and Meanings in American
Film.
vol. 7 no. 4: Ken Mogg, Small World, on Deborah Thomas's
Beyond Genre:
Melodrama, Comedy and Romance in Hollywood
Films.
January
2003
vol. 7 no. 3: David Roden, Derrida Framed, on Kirby Dick and Amy Ziering
Kofman's documentary about the famous French
philosopher.
vol. 7 no. 2: Ronald W. Wilson, The Auteur of Darkness, on Chris Fujiwara's
Jacques Tourneur: The
Cinema of Nightfall.
vol. 7 no. 1: Hye Seung Chung, One Culture, Two Cinematic
Nations, on
Hyangjin Lee's Contemporary Korean Cinema:
Identity, Culture, Politics.