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Volume 4, 2000
December
vol. 4 no. 29: Stan Jones, New 'Rules of the
Game'?: Rejuvenating Cinema as a Field of Critical,
Conceptual, and Historical Study, on the inaugural issue of the
journal Film
Studies.
vol. 4 no. 28: Nina Zimnik, Thinking Television, on Echographies de la television by
Jacques Derrida.
November
vol. 4 no. 27: Martin Barker & Thomas Austin,
Reply to Brereton.
vol. 4 no. 26: Pat Brereton, The Audience as Reader is Seldom Caught in
the Act?,
on From Ants to
Titanic: Reinventing Film Analysis
by Martin Barker, with
Thomas Austin.
vol. 4 no. 25: Martha P. Nochimson, New York Film Festival
2000, on films
such as In the
Mood for Love, Pollock, and Dancer in the
Dark.
October
vol. 4 no. 24: Bob Sitton, Refocusing the Western, on Shane by Edward Countryman and Evonne von
Heussen-Countryman
vol. 4 no. 23: Gaik Cheng Khoo, Tsai Ming-liang: Defining What's
Real, on
Tsai
Ming-liang by
Jean-Pierre Rehm, Olivier Joyard, and Daniele Riviere
September
vol. 4 no. 22: S. Louisa Wei, Cruel Stories of Passion, Brutal Explorations
of Extreme,
on The Films of
Oshima Nagisa by Maureen Turim
vol. 4 no. 21: Silvio Gaggi, Reply to Wood, on 'Textual Subjects' by Aylish Wood
vol. 4 no. 20: Aylish Wood, Textual Subjects, on From Text to Hypertext
by Silvio Gaggi
August
vol. 4 no. 19: C. Paul Sellors, The Nature of Film
Spectators,
on Inside the
Gaze by
Francesco Casetti
July
vol. 4 no. 18: Jeffrey Hanson, Admiring Kieslowski, on The 'Three Colours'
Trilogy by
Geoff Andrew
vol. 4 no. 17: Marty Fairbairn, Reawakening Imagination, on Poetics of Imagining
by Richard Kearney
June
vol. 4 no. 16: Louis Schwartz, Deleuze, Rodowick, and the Philosophy of
Film
vol. 4 no. 15: Garnet Creighton Butchart,
Thinking Through Cinema
both on Gilles
Deleuze's Time Machine by D. N. Rodowick
vol. 4 no. 14: Liora Moriel, Filming the Present
Past, on
Diane
Kurys by
Carrie Tarr
May
vol. 4 no. 13: Hassan Melehy, The Limits of Critique, on Phantom Communities
by Scott Durham
vol. 4 no. 12: Cristina Degli-Esposti Reinert,
Martin Scorsese's Invisible City
in Bringing Out the
Dead
April
vol. 4 no. 11: Haim Callev, The Stream of Consciousness: A Reply to
Debaise
vol. 4 no. 10: Didier Debaise, The Mechanisms of
Thought,
on The Stream
of Consciousness in the Films of Alain
Resnais by
Haim Callev
vol. 4 no. 9: Nina Zimnik, Media Histories and Digital
Futures,
on Cinema
Futures edited
by Thomas Elsaesser and Kay Hoffmann
March
vol. 4 no. 8: David Sterritt, Speaking and Writing about
Godard, a
Response to Martha P. Nochimson and Paul Sutton
vol. 4 no. 7: Paul Sutton, More Histoire(s) du
Cinema?,
on Speaking
about Godard by Kaja Silverman and Harun Farocki
vol. 4 no. 6: Martha P. Nochimson, A Modest Employee of the Cinema vs The Big
Garage,
on Jean-Luc
Godard: Interviews edited by David Sterritt
February
vol. 4 no. 5: Bruce Bennett, Misrecognizing Film
Studies,
on Post-Theory
edited by David Bordwell
and Noël Carroll
vol. 4 no. 4: Donato Totaro, Art For All 'Time', on Sculpting in Time
by Andrey Tarkovsky
January
vol. 4 no. 3: Richard Wright, The Matrix Rules, on the film directed by Andy and
Larry Wachowski
vol. 4 no. 2: Fredrik von Zweigbergk, Fifteen Years Gone By, on Francois Truffaut
by Diana Holmes and Robert
Ingram
vol. 4 no. 1: Joy Palmer, Conventionalizing the
Postmodern,
on Postmodernism in the
Cinema edited
by Cristina Degli-Esposti
