We are currently working on standardising the archive, but this will take some time.
Please be patient.
Thanks - Ed.
Volume 3, 1999
December 1999
No. 52: Margaret E. Johnson, A Non-Critical Review
A Critical Cinema 3: Interviews with Independent Filmmakers by Scott MacDonald
No. 51: Philippe D. Mather,Fear and Wonder: Ambivalence Towards Technology
onA Distant Technology: Science Fiction Film and the Machine Age by J. P. Telotte
No. 50: David Martin-Jones,Invaginating Antonioni
onThe Films of Michelangelo Antonioni by Peter Brunette
No. 49: Tico Romao,The International Cinema of Poetry
onContemporary Cinema by John Orr
November 1999
No. 48: Mike Hakata,Agnes Varda: Questions at Twenty-Four Frames a Second
onAgnes Varda by Alison Smith
No. 47: Robert E. Mitchell,Identifying Aliens
onAlien Identities: Exploring Differences in Film and Fiction edited by Cartmell, Hunter, Kaye and Whelehan
No. 46: Ian Verstegen,A Formalist Reborn
onFilm Essays and Criticism by Rudolf Arnheim
No. 45: Phillip H. Gochenour,Assessing Ong
onTime, Memory, and the Verbal Arts edited by Dennis L. Weeks and Jane Hoogestraat
October 1999
No. 44: Marty Fairbairn,Report from the 1999 Toronto International Film Festival
onThe Big Kahuna,Simpatico, andFever
No. 43: Martha P. Nochimson,Response to Bleasdale
on 'Letting Go of David Lynch' by John Bleasdale
No. 42: John Bleasdale,Letting Go of David Lynch
onThe Passion of David Lynch by Martha P. Nochimson
No. 41: Marty Fairbairn,The Ethics of Representation: A Review ofJakob the Liar; An Interview with Peter Kassovitz
a Report from the Toronto International Film Festival 1999
No. 40: David B. Clarke,Cinecity Confidential
a reply to 'Urban Montage' by Deborah L. Parsons
September 1999
No. 39: Deborah L. Parsons,Urban Montage
onThe Cinematic City edited by David B. Clarke
No. 38: Mary Carruthers,Reply to Cameron
on 'Thinking through Imagery' by Evan William Cameron
No. 37: Paul M. Malone,Negotiating Modernity in Weimar Film Theory
onThe Cinema's Third Machine by Sabine Hake
No. 36: Tina M. Kelleher,Why Film History Should Not Repeat Itself
onCelebrating 1895: The Centenary of Cinema edited by John Fullerton
August 1999
No. 35: Bohdan Y. Nebesio,How to Account for Cinematic Experience?
onThe Aesthetics and Psychology of the Cinema by Jean Mitry
No. 34: John Izod,Reply to MacLennan
on 'The Necessity of Critical Realism' by Gary MacLennan
No. 33: Gary MacLennan,The Necessity of Critical Realism
onAn Introduction to Television Documentary by Richard Kilborn and John Izod
No. 32: Dan Friedman,Bazin at Last; or, The Style Is the Man Himself
onBazin at Work by André Bazin
July 1999
No. 31: Mark Crosby,Reflections UponThe Matrix
on the film directed by Andy and Larry Wachowski
No. 30: Marty Fairbairn,The Gaze andEyes Wide Shut
on the last film directed by Stanley Kubrick
No. 29: Erica Sheen,As Animals Might Dream
onSignatures of the Visible by Fredric Jameson
No. 28: Cynthia A. Freeland,Bill Viola and the Video Sublime
onReasons for Knocking at an Empty House by Bill Viola
June 1999
No. 27: Robert Hopkins,Pictures and Film; Philosophy and the Empirical Disciplines: A Reply to Dean
on 'Getting a Good View of Depiction' by Jeffrey T. Dean
No. 26: Jeffrey T. Dean,Getting a Good View of Depiction
onPicture, Image and Experience by Robert Hopkins
No. 25: Karla Oeler,Signs of the Times
onSigns and Meaning in the Cinema (1998 edition) by Peter Wollen
No. 24: Alison McMahan,Watching You Watching Me
onThe Truman Show andEDTV
May 1999
No. 23: Imre Szeman,The Gears of the Collective Imaginary
onMedia Manifestos by Regis Debray
No. 22: Evan William Cameron,Thinking through Imagery
onThe Craft of Thought by Mary Carruthers
No. 21: Jeffrey Pence,Machine Memory: Image Technology and Identity
onProsthetic Culture by Celia Lury
No. 20: David Cullen,Visual Reality
onNo Other Way To Tell It by Derek Paget
April 1999
No. 19: Stephen Prince,Reply to Schneider
on 'The Means and Ends of Screen Violence' by Steven Schneider
No. 18: Steven Schneider,The Means and Ends of Screen Violence
onSavage Cinema by Stephen Prince
No. 17: Jan Simons,Image and Mind: But Where's the Body?
onImage and Mind by Gregory Currie
No. 16: John Bleasdale,Leone's Impure Vision
onOnce Upon a Time in America by Adrian Martin
No. 15: David Martin-Jones,A Site for Sore Eyes
on 'On the Film/Image', special issue of the ejournalEnculturation, edited by Jim Roberts
March 1999
No. 14: Patricia Pisters,The Possibilities of Immanence
on 'Gilles Deleuze: A Symposium', special issue of the journalTheory, Culture and Society, edited by Mike Fetherstone
No. 13: Sean Cubitt,Reply to Palmer
reply to 'A Future Aesthetic' by Daniel Palmer
No. 12: Daniel Palmer,A Future Aesthetic
onDigital Aesthetics by Sean Cubitt
No. 11: Josh Cohen,Phenomenology, History, and the Image
reply to 'Images of/and the Postmodern' by Kathleen Fitzpatrick
No. 10: Joe Brooker,England's Screening
onDissolving Views edited by Andrew Higson
February 1999
No. 9: Sean Cubitt,Unnatural Reality
onThe Vision Machine by Paul Virilio
No. 8: Kathleen Fitzpatrick,Images of/and the Postmodern
onSpectacular Allegories by Josh Cohen
No. 7: Andrew Gibson,Sense of an Ending
onLike a Film by Timothy Murray
No. 6: Marc Furstenau,The Superficial Aesthetics of the Postmodern
onHiding by Mark C. Taylor
January 1999
No. 5: Lewis Johnson,Breakdowns of Belief?
onMaking Images Move by Jan-Christopher Horak
No. 4: Santiago Cucullu,Notes on Debord
onComments on the Society of the Spectacle by Guy Debord
No. 3: Daniel Shaw,It All Depends On What You Mean By 'Ideology'
onA Philosophy of Mass Art by Noël Carroll
No. 2: Sylvie Blum,A State of Crisis
onFrench Cinema in the 1980s by Phil Powrie
No. 1: Kathleen Johnson,'To See or Not To See', That Is the Question
onOn Pictures and The Words That Fail Them by James Elkins
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