Many articles will not display properly in most web browsers (although IE users should be ok) - if you see a load of html when you try and read an article, just add .html to the url in your web browser's address window.

We are currently working on standardising the archive, but this will take some time.

Please be patient.

Thanks - Ed.

Volume 3, 1999

December 1999
No. 52: Margaret E. Johnson, A Non-Critical Review
A Critical Cinema 3: Interviews with Independent Filmmakers by Scott MacDonald
No. 51: Philippe D. Mather,
Fear and Wonder: Ambivalence Towards Technology
A Distant Technology: Science Fiction Film and the Machine Age by J. P. Telotte
No. 50: David Martin-Jones,
Invaginating Antonioni
The Films of Michelangelo Antonioni by Peter Brunette
No. 49: Tico Romao,
The International Cinema of Poetry
Contemporary Cinema by John Orr
November 1999
No. 48: Mike Hakata,
Agnes Varda: Questions at Twenty-Four Frames a Second
Agnes Varda by Alison Smith
No. 47: Robert E. Mitchell,
Identifying Aliens
Alien Identities: Exploring Differences in Film and Fiction edited by Cartmell, Hunter, Kaye and Whelehan
No. 46: Ian Verstegen,
A Formalist Reborn
Film Essays and Criticism by Rudolf Arnheim
No. 45: Phillip H. Gochenour,
Assessing Ong
Time, Memory, and the Verbal Arts edited by Dennis L. Weeks and Jane Hoogestraat
October 1999
No. 44: Marty Fairbairn,
Report from the 1999 Toronto International Film Festival
The Big Kahuna,Simpatico, andFever
No. 43: Martha P. Nochimson,
Response to Bleasdale
on 'Letting Go of David Lynch' by John Bleasdale
No. 42: John Bleasdale,
Letting Go of David Lynch
The Passion of David Lynch by Martha P. Nochimson
No. 41: Marty Fairbairn,
The Ethics of Representation: A Review ofJakob the Liar; An Interview with Peter Kassovitz
a Report from the Toronto International Film Festival 1999
No. 40: David B. Clarke,
Cinecity Confidential
a reply to 'Urban Montage' by Deborah L. Parsons
September 1999
No. 39: Deborah L. Parsons,
Urban Montage
The Cinematic City edited by David B. Clarke
No. 38: Mary Carruthers,
Reply to Cameron
on 'Thinking through Imagery' by Evan William Cameron
No. 37: Paul M. Malone,
Negotiating Modernity in Weimar Film Theory
The Cinema's Third Machine by Sabine Hake
No. 36: Tina M. Kelleher,
Why Film History Should Not Repeat Itself
Celebrating 1895: The Centenary of Cinema edited by John Fullerton
August 1999
No. 35: Bohdan Y. Nebesio,
How to Account for Cinematic Experience?
The Aesthetics and Psychology of the Cinema by Jean Mitry
No. 34: John Izod,
Reply to MacLennan
on 'The Necessity of Critical Realism' by Gary MacLennan
No. 33: Gary MacLennan,
The Necessity of Critical Realism
An Introduction to Television Documentary by Richard Kilborn and John Izod
No. 32: Dan Friedman,
Bazin at Last; or, The Style Is the Man Himself
Bazin at Work by André Bazin
July 1999 
No. 31: Mark Crosby,
Reflections UponThe Matrix
on the film directed by Andy and Larry Wachowski
No. 30: Marty Fairbairn,
The Gaze andEyes Wide Shut
on the last film directed by Stanley Kubrick
No. 29: Erica Sheen,
As Animals Might Dream
Signatures of the Visible by Fredric Jameson
No. 28: Cynthia A. Freeland,
Bill Viola and the Video Sublime
Reasons for Knocking at an Empty House by Bill Viola
June 1999
No. 27: Robert Hopkins,
Pictures and Film; Philosophy and the Empirical Disciplines: A Reply to Dean
on 'Getting a Good View of Depiction' by Jeffrey T. Dean
No. 26: Jeffrey T. Dean,
Getting a Good View of Depiction
Picture, Image and Experience by Robert Hopkins
No. 25: Karla Oeler,
Signs of the Times
Signs and Meaning in the Cinema (1998 edition) by Peter Wollen
No. 24: Alison McMahan,
Watching You Watching Me
The Truman Show andEDTV
May 1999
No. 23: Imre Szeman,
The Gears of the Collective Imaginary
Media Manifestos by Regis Debray
No. 22: Evan William Cameron,
Thinking through Imagery
The Craft of Thought by Mary Carruthers
No. 21: Jeffrey Pence,
Machine Memory: Image Technology and Identity
Prosthetic Culture by Celia Lury
No. 20: David Cullen,
Visual Reality
No Other Way To Tell It by Derek Paget
April 1999
No. 19: Stephen Prince,
Reply to Schneider
on 'The Means and Ends of Screen Violence' by Steven Schneider
No. 18: Steven Schneider,
The Means and Ends of Screen Violence
Savage Cinema by Stephen Prince
No. 17: Jan Simons,
Image and Mind: But Where's the Body?
Image and Mind by Gregory Currie
No. 16: John Bleasdale,
Leone's Impure Vision
Once Upon a Time in America by Adrian Martin
No. 15: David Martin-Jones,
A Site for Sore Eyes
on 'On the Film/Image', special issue of the ejournal
Enculturation, edited by Jim Roberts
March 1999
No. 14: Patricia Pisters,
The Possibilities of Immanence
on 'Gilles Deleuze: A Symposium', special issue of the journal
Theory, Culture and Society, edited by Mike Fetherstone
No. 13: Sean Cubitt,
Reply to Palmer
reply to 'A Future Aesthetic' by Daniel Palmer
No. 12: Daniel Palmer,
A Future Aesthetic
Digital Aesthetics by Sean Cubitt
No. 11: Josh Cohen,
Phenomenology, History, and the Image
reply to 'Images of/and the Postmodern' by Kathleen Fitzpatrick
No. 10: Joe Brooker,
England's Screening
Dissolving Views edited by Andrew Higson
February 1999
No. 9: Sean Cubitt,
Unnatural Reality
The Vision Machine by Paul Virilio
No. 8: Kathleen Fitzpatrick,
Images of/and the Postmodern
Spectacular Allegories by Josh Cohen
No. 7: Andrew Gibson,
Sense of an Ending
Like a Film by Timothy Murray
No. 6: Marc Furstenau,
The Superficial Aesthetics of the Postmodern
Hiding by Mark C. Taylor
January 1999
No. 5: Lewis Johnson,
Breakdowns of Belief?
Making Images Move by Jan-Christopher Horak
No. 4: Santiago Cucullu,
Notes on Debord
Comments on the Society of the Spectacle by Guy Debord
No. 3: Daniel Shaw,
It All Depends On What You Mean By 'Ideology'
A Philosophy of Mass Art by Noël Carroll
No. 2: Sylvie Blum,
A State of Crisis
French Cinema in the 1980s by Phil Powrie
No. 1: Kathleen Johnson,
'To See or Not To See', That Is the Question
On Pictures and The Words That Fail Them by James Elkins