Edited by Richard Stamp
Articles
Reading the Dialectical Ontology of The Life Aquatic with Steve Zissou Against the Ontological Monism of Adaptation (1 – 32)Kirk Boyle
Kuhle Wampe: Politics of Montage, De-montage of Politics? (33 - 48)
Gal Kirn
Hitchcock and Hume Revisited: Fear, Confusion and Stage Fright ( 49 - 60)
John Orr
Book Reviews
Review: Seeing Ecology and Seeing as Ecology: On Brereton’s Hollywood Utopia and the Andersons' Moving Image Theory (61 - 69)Brian E. Butler
Review: Luc Dardenne, Au dos de nos images (1991-2005), suivi de Le Fils et L’Enfant par Jean-Pierre et Luc Dardenne (70 - 74)
Joseph Mai
Volume 11, Issue No. 2, 2007
Special Issue
The Occluded Relation: Levinas and Cinema
Edited by Sarah Cooper
Introduction (i-vii)
Sarah Cooper
Articles
Fragile Faces: Levinas and Lanzmann (1-14)Libby Saxton
The Frozen Screen: Levinas and the Action Film (15-36)
Reni Celeste
Levinas, Nosferatu, and the Love as Strong as Death (37-48)
Colin Davis
Re-viewing the Sexual Relation: Levinas and Film (49-65)
Lisa Downing
Mortal Ethics: Reading Levinas with the Dardenne Brothers (66-87)
Sarah Cooper
Beyond Ontology: Levinas and the Ethical Frame in Film (88-107)
Sam B. Girgus
To be or not to be is not the question – On Beckett’s Film (108-121)
Simon Critchley
Tarkovsky and Levinas: Cuts, Mirrors, Triangulations (122-143)
Dominic Michael Rainsford
Volume 11, Issue No.3, 2007
Special Issue
Encore: Lacan and Film
Edited by Benjamin Noys
Introduction: One More Effort... (i-vi)
Benjamin Noys
Articles
What is the Gift of Grace?: on Dogville (1-22)Lorenzo Chiesa
The Politics of Gift-Giving and the Provocation of Lars Von Trier's Dogville (23-37)
Dany Nobus
Antiphusis: Werner Herzog's Grizzly Man (38-51)
Benjamin Noys
The Temporality of the Real: The Path to Politics in The Constant Gardener (52-73)
Todd McGowan
'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2 (74-85)
Mark Fisher
Book Review
Review: Andrea Sabbadini (ed.) (2003) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema (86-93)Benedicte Coste
Bumper Review Round-up 2007
Franju
Review: Fantasies of the Institution: The Films of Georges Franju and Kate Ince’s Georges Franju (94-102)Michael du Plessis
Reply to Michael du Plessis (103-107)
Kate Ince
NYFF 2007
Anxiety: New York Film Festival Report (Part One) (108-117)Martha P. Nochimson
Affirmation? New York Film Festival Report (Part Two) (118-131)
Martha P. Nochimson
Film and Philosophy
Review: Christopher Falzon (2007) Philosophy Goes to the Movies: An Introduction to Philosophy (Second Edition) (132-137)Lucy Bolton
If a Film Did Philosophy We Wouldn’t Understand It
Review: Rupert Read and Jerry Goodenough (eds.) (2005) Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell (138-146)
Daniel Barnett
Mundane Hybrids: Rancière Against the Sublime Image
Review: Jacques Rancière (2007) The Future of the Image (147-157)
Ted Kafala
Not What It Says on the Tin
Review: Ian Aitken (2006) Realist Film Theory and Cinema: The Nineteenth-century Lukácsian and Intuitionist Realist Traditions (158-168)
Nigel Morris
Philosophy
Adorno Damned by a Devotee?Review: Alastair Morgan (2007) Adorno’s Concept of Life (169-176)
Nicholas Joll
Film
Review: Mark Shiel (2006) Italian Neorealism: Rebuilding the Cinematic City (177-183)Costica Bradatan
Review: Suzanne Buchan (ed.) (2006) Animation: An Interdisciplinary Journal, Vol.1.1 (184-190)
Tim Maloney
Review: Robin Curtis (2006) Conscientious Viscerality: The Autobiographical Stance in German Film and Video (191-197)
Maria Walsh
Filmmakers
L’Atalante Lost and RegainedReview: Michael Temple (2006) Jean Vigo (French Film Directors) (198-203)
Michael Abecassis
Grader of the Lost Sharks: Warren Buckland Considers Spielberg’s Overlooked ‘Monster’ Movies
Review: Warren Buckland (2006) Directed by Steve Spielberg: Poetics of the Contemporary Hollywood Blockbuster (204-213)
William Brown
Review: Joe McElhaney (2006) The Death of Classical Cinema: Hitchcock, Lang, Minnelli (214-223)
Lucy Fife
Review: Jerold J. Abrams (ed.) (2007) The Philosophy of Stanley Kubrick (224-230)
Philippe Mather
Review: Mark T. Conard (ed.) (2007) The Philosophy of Martin Scorsese (231-237)
Linda Petříková
Hitchcock, Hume, and the Matrix of Modern Cinema
Review: John Orr (2005) Hitchcock and Twentieth-Century Cinema (238-246)
David Sterritt
André Téchiné: The Subtle Exploration of Identities
Review: Bill Marshall (2007) André Téchiné (247-253)
Isabelle Vanderschelden
Review: Colin Odell and Michelle Le Blanc (2007) David Lynch (254-259)
Liani van Straaten
Review: Richard Taylor (ed.) (2006) Vsevolod Pudovkin: Selected Essays (260-268)
Giuliano Vivaldi