Film-Philosophy 11.3: Bumper Review Round-up
22 December 2007 02:16 Filed in: Film-Philosophy
| Journals
A special holiday addition to our latest issue:
Bumper Review Round-up 2007
Film-Philosophy
Franju
Review: Fantasies of the Institution: The Films of Georges Franju and Kate Ince’s Georges Franju (94-102)
Michael du Plessis
Reply to Michael du Plessis (103-107)
Kate Ince
NYFF 2007
Anxiety: New York Film Festival Report (Part One) (108-117)
Martha P. Nochimson
Affirmation? New York Film Festival Report (Part Two) (118-131)
Martha P. Nochimson
Film and Philosophy
Review: Christopher Falzon (2007) Philosophy Goes to the Movies: An Introduction to Philosophy (Second Edition) (132-137)
Lucy Bolton
If a Film Did Philosophy We Wouldn’t Understand It
Review: Rupert Read and Jerry Goodenough (eds.) (2005) Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell (138-146)
Daniel Barnett
Mundane Hybrids: Rancière Against the Sublime Image
Review: Jacques Rancière (2007) The Future of the Image (147-157)
Ted Kafala
Not What It Says on the Tin
Review: Ian Aitken (2006) Realist Film Theory and Cinema: The Nineteenth-century Lukácsian and Intuitionist Realist Traditions (158-168)
Nigel Morris
Philosophy
Adorno Damned by a Devotee?
Review: Alastair Morgan (2007) Adorno’s Concept of Life (169-176)
Nicholas Joll
Film
Review: Mark Shiel (2006) Italian Neorealism: Rebuilding the Cinematic City (177-183)
Costica Bradatan
Review: Suzanne Buchan (ed.) (2006) Animation: An Interdisciplinary Journal, Vol.1.1 (184-190)
Tim Maloney
Review: Robin Curtis (2006) Conscientious Viscerality: The Autobiographical Stance in German Film and Video (191-197)
Maria Walsh
Filmmakers
L’Atalante Lost and Regained
Review: Michael Temple (2006) Jean Vigo (French Film Directors) (198-203)
Michael Abecassis
Grader of the Lost Sharks: Warren Buckland Considers Spielberg’s Overlooked ‘Monster’ Movies
Review: Warren Buckland (2006) Directed by Steve Spielberg: Poetics of the Contemporary Hollywood Blockbuster (204-213)
William Brown
Review: Joe McElhaney (2006) The Death of Classical Cinema: Hitchcock, Lang, Minnelli (214-223)
Lucy Fife
Review: Jerold J. Abrams (ed.) (2007) The Philosophy of Stanley Kubrick (224-230)
Philippe Mather
Review: Mark T. Conard (ed.) (2007) The Philosophy of Martin Scorsese (231-237)
Linda Petříková
Hitchcock, Hume, and the Matrix of Modern Cinema
Review: John Orr (2005) Hitchcock and Twentieth-Century Cinema (238-246)
David Sterritt
André Téchiné: The Subtle Exploration of Identities
Review: Bill Marshall (2007) André Téchiné (247-253)
Isabelle Vanderschelden
Review: Colin Odell and Michelle Le Blanc (2007) David Lynch (254-259)
Liani van Straaten
Review: Richard Taylor (ed.) (2006) Vsevolod Pudovkin: Selected Essays (260-268)
Giuliano Vivaldi
Film-Philosophy
Franju
Review: Fantasies of the Institution: The Films of Georges Franju and Kate Ince’s Georges Franju (94-102)
Michael du Plessis
Reply to Michael du Plessis (103-107)
Kate Ince
NYFF 2007
Anxiety: New York Film Festival Report (Part One) (108-117)
Martha P. Nochimson
Affirmation? New York Film Festival Report (Part Two) (118-131)
Martha P. Nochimson
Film and Philosophy
Review: Christopher Falzon (2007) Philosophy Goes to the Movies: An Introduction to Philosophy (Second Edition) (132-137)
Lucy Bolton
If a Film Did Philosophy We Wouldn’t Understand It
Review: Rupert Read and Jerry Goodenough (eds.) (2005) Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell (138-146)
Daniel Barnett
Mundane Hybrids: Rancière Against the Sublime Image
Review: Jacques Rancière (2007) The Future of the Image (147-157)
Ted Kafala
Not What It Says on the Tin
Review: Ian Aitken (2006) Realist Film Theory and Cinema: The Nineteenth-century Lukácsian and Intuitionist Realist Traditions (158-168)
Nigel Morris
Philosophy
Adorno Damned by a Devotee?
Review: Alastair Morgan (2007) Adorno’s Concept of Life (169-176)
Nicholas Joll
Film
Review: Mark Shiel (2006) Italian Neorealism: Rebuilding the Cinematic City (177-183)
Costica Bradatan
Review: Suzanne Buchan (ed.) (2006) Animation: An Interdisciplinary Journal, Vol.1.1 (184-190)
Tim Maloney
Review: Robin Curtis (2006) Conscientious Viscerality: The Autobiographical Stance in German Film and Video (191-197)
Maria Walsh
Filmmakers
L’Atalante Lost and Regained
Review: Michael Temple (2006) Jean Vigo (French Film Directors) (198-203)
Michael Abecassis
Grader of the Lost Sharks: Warren Buckland Considers Spielberg’s Overlooked ‘Monster’ Movies
Review: Warren Buckland (2006) Directed by Steve Spielberg: Poetics of the Contemporary Hollywood Blockbuster (204-213)
William Brown
Review: Joe McElhaney (2006) The Death of Classical Cinema: Hitchcock, Lang, Minnelli (214-223)
Lucy Fife
Review: Jerold J. Abrams (ed.) (2007) The Philosophy of Stanley Kubrick (224-230)
Philippe Mather
Review: Mark T. Conard (ed.) (2007) The Philosophy of Martin Scorsese (231-237)
Linda Petříková
Hitchcock, Hume, and the Matrix of Modern Cinema
Review: John Orr (2005) Hitchcock and Twentieth-Century Cinema (238-246)
David Sterritt
André Téchiné: The Subtle Exploration of Identities
Review: Bill Marshall (2007) André Téchiné (247-253)
Isabelle Vanderschelden
Review: Colin Odell and Michelle Le Blanc (2007) David Lynch (254-259)
Liani van Straaten
Review: Richard Taylor (ed.) (2006) Vsevolod Pudovkin: Selected Essays (260-268)
Giuliano Vivaldi
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