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Film-Philosophy, 10.1, 2006

http://www.film-philosophy.com

Volume 10, Number 1, 2006
Reanimating the Auteur

Edited by David Sorfa, David Martin-Jones, and John Mullarkey

Contents (pdf)

Introduction: David Sorfa
Reanimating the Auteur (pdf)

Review Articles

Eduardo Abrantes: The Principle of Revelation (1-14) (pdf)
On Catherine Lupton Chris Marker: Memories of the Future
(Reaktion, 2005)

Fiona Handyside: The Auteur as Imposter (15-20) (pdf)
On Lisa Downing Patrice Leconte
(Manchester University Press, 2004)

Brian Hu: Neither Personal nor Political (21-27) (pdf)
On John Anderson Edward Yang
(University of Illinois Press, 2005)

Katerina Loukopoulou: Godard Alone? (28-45) (pdf)
On Michael Temple, James S.Williams and Michael Witt (eds)
For Ever Godard (Black Dog Publishing, 2004)

Ian-Malcolm Rijsdijk: Apprehending Beauty (46-54) (pdf)
On Michel Chion The Thin Red Line
(British Film Institute, 2004)

Jonathan Wright: Re-remembering History in Contemporary Film (55-63) (pdf)
On Pam Cook Screening the Past: Memory and Nostalgia in Cinema
(Routledge, 2005)

Book Reviews

Michael Abecassis: Opening the Door to the Subconscious (64-70) (pdf)
On Gwynne Edwards A Companion to Luis Bunuel
(Tamesis Books, 2005)

Jennifer Cecconi: It Is What It Is (71-77) (pdf)
On David Lynch, edited by Chris Rodley Lynch on Lynch: Revised Edition
(Faber and Faber, 2004)

Kevin Teo Kia Choong (78-82) (pdf)
On Joan Mellen In the Realm of the Senses
(British Film Institute, 2004)

Florian Grandena (83-86) (pdf)
On Carrie Tarr Reframing Difference: Beur and Banlieue Filmmaking in France
(Manchester University Press, 2005)

Claudia Kotte (87-90) (pdf)
On Jonathan Rosenbaum Essential Cinema: On the Necessity of Film Canons
(John Hopkins University Press, 2004)

Julia Kristanciuk (91-98) (pdf)
On Robert Bird Andrei Rublev (BFI Classics)
(British Film Institute, 2004)

Samaya L. Sukha: Taiwan and the Auteur: The Forging of an Identity (99-103) (pdf)
On Emilie Yueh-yu Yeh and Darrell William Davis
Taiwan Film Directors: A Treasure Island
(Columbia University Press, 2005)

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Film-Philosophy, 10.2, 2006

http://www.film-philosophy.com

Volume 10, 2006

Issue No. 2

"Continental Film Philosophy Today"

Edited by Sarah Cooper, David Martin-Jones, Douglas Morrey, and Benjamin Noys

Contents (pdf)

Review Articles

The Body of the Image

Maria Walsh, Against Fetishism: The Moving Quiescence of Life 24 Frames a Second (pdf 1-10), on Laura Mulvey Death 24x a Second: Stillness and the Moving Image

Douglas Morrey, Bodies that Matter (pdf 11-22), on Vivian Sobchack, Carnal Thoughts: Embodiment and Moving Image Culture

Patrick ffrench, Pathology of the Photogram (pdf 23-30), on Philippe Michaud, Aby Warburg and the Image in Motion

Robert Sinnerbrink, Cinema and Its Shadow (pdf 31-38), on Mario Perniola, Art and Its Shadow

Deconstruction and Film

Patrick Crogan, Essential Viewing (pdf 39-54), on Bernard Stiegler, La technique et le temps 3: Le temps du cinéma et la question du mal-être

Cara O’Connor, Cut Together (pdf 55-66), on Jean-Luc Nancy, The Ground of the Image

Kristi McKim, Inscribing Cinema (pdf 67-81), on Sylviane Agacinski, Time Passing: Modernity and Nostalgia

Symposium on Dominique Château’s Cinéma et philosophie

Thorsten Botz-Bornstein, Mapping Film Studies (pdf 82-86)

Codruta Morari, The Paradoxes of Rationality (pdf 87-98)

Paul C. Cunha Filho, The Cinematic Agora (pdf 99-107)

Philosophy on Film

Edward R. O'Neill, Ecce Homo (pdf 108-118), on Žižek! (2005) and Derrida (2002)

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Film-Philosophy, 10.3, 2006

http://www.film-philosophy.com

Volume 10, 2006

Issue No. 3

Martin Barker, Envisaging ‘Visualisation’: Some challenges from the international Lord of the Rings audience project (pdf 1-25)

Robert Sinnerbrink, A Heideggerian Cinema?: On Terrence Malick’s The Thin Red Line (pdf 26-37)

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Marty Fairbairn, Intrusion of the Real: an interview with Sophie Fiennes, Director, The Pervert’s Guide to Cinema (pdf 38-49)

Martha P. Nochimson, Like a Ribbon of Dreams: New York Film Festival 2006 Report (Part One) (pdf 50-61)

Martha P. Nochimson, Based on a True Story: New York Film Festival 2006 Report (Part Two) (pdf 62-73)

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Peter Catapano, Sin Cities on Edward Dimendberg Film Noir and the Spaces of Modernity (pdf 74-79)

Dara Patricia Downey, Just Look At Me Now: Problems of Viewing in Film Noir on Edward Dimendberg Film Noir and the Spaces of Modernity (pdf 80-94)

Francis Guerin, Review of Richard W.McCormick and Alison Guenther-Pal (eds.) German Essays on Film (pdf 95-100)

Joanne Goss, Review of Matt Hills The Pleasures of Horror (pdf 101-103)

James Kendrick, The Many Shades of Red on Steven Jay Schneider New Hollywood Violence (pdf 104-108)

Alex Bussey, Does Exactly What It Says On The Tin on Christopher Grau (ed.) Philosophers Explore the Matrix (pdf 109-113)

John S. Vassar, From Socrates to Seinfeld: What’s the Deal with Nothing? on William Irwin (ed.) Seinfeld and Philosophy: A Book About Everything and Nothing (pdf 114-121)

Ben Little, Impractical Pragmatics in Richard A. Gilmore Doing Philosophy at the Movies (pdf 122-128)

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ISSN: 1466-4615 Online

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