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Film-Philosophy

ISSN 1466-4615

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About Film-Philosophy

Founded in November 1996, Film-Philosophy is an international academic journal dedicated to philosophically reviewing film studies, philosophical aesthetics, and world cinema - with an online readership of over 5000 individual visitors every month, as well as more than 1200 permanent worldwide members of the email discussion salon. The journal is published three times per year and is fully peer-reviewed.

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Volume 12, Issue No.1, 2008
L'Intrus (Claire Denis, 2004)


Special Issue
Claire Denis and Jean-Luc Nancy

Edited by Douglas Morrey

Introduction (i-vi)
Douglas Morrey

Articles

Icon of Fury: Claire Denis's Trouble Every Day (1-9)
Jean-Luc Nancy

Open Wounds: Body and Image in Jean-Luc Nancy and Claire Denis (10-30)
Douglas Morrey

The Practice of Strangeness: L'Intrus - Claire Denis (2004) and Jean-Luc Nancy (2000) (31-48)
Martine Beugnet

The Community According to Jean-Luc Nancy and Claire Denis (49-62)
Anja Streiter

Deconstructing Community and Christianity: 'A-religion' in Nancy's Reading of Beau travail (63-78)
Laura McMahon

Book Reviews

Review: Caroline Bainbridge (2007) The Cinema of Lars von Trier: Authenticity and Artifice (79-84)
Davina Quinlivan

Time, Affect, and the Brain: Deleuze’s Cinematic Aesthetics
Review: Darren Ambrose and Wahida Khandker (eds.) (2005) Diagrams of Sensation: Deleuze and Aesthetics: Pli, The Warwick Journal of Philosophy (85-96)
Robert Sinnerbrink

Review: Eyal Peretz (2007) Becoming Visionary: Brian De Palma’s Cinematic Education of the Senses (97-106)
Edward Willat

Style and Substance in The Matrix
Review: Stacy Gillis. Ed. (2005) The Matrix Triology: Cyberpunk Reloaded (107-116)
Thorsten Botz-Bornstein

Review: Martin Harries (2007) Forgetting Lot’s Wife: On Destructive Spectatorship (117-124)
R.D. Crano

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